Archives for October 2018

Vijayawada Six members of a family were killed and 15 others injured in a road accident in Andhra Pradesh’s Kurnool district early on Wednesday, police said.

The passengers travelling in an auto trolley which was hit by a truck from behind near Peddahutur village.

The family was on their way to a ‘dargah’ at Eltari for a tonsuring ceremony of a newborn when the accident occurred.

According to the police, 21 people were travelling in the vehicle. The dead include three youth, two children and a woman.

The injured were admitted to a government-run hospital in Kurnool.

Chief Minister N. Chandrababu Naidu directed officials to provide best treatment to the injured.

(IANS)

Guwahati An earthquake measuring 5.5 on the Richter scale shook Guwahati and its adjoining areas on Wednesday, the Met said. No damage was reported.

The quake occurred at a depth of 13 km around 10.20 a.m. with its epicentre in Kokrajhar district, the India Meteorological Department said.

An Assam State Disaster Management Authority official said there was no report of any major damage from anywhere in the state so far.

(IANS)

Sato Awanti (Bihar), Oct 17 For nearly four decades, Muslims in this Bihar village have been helping Hindus celebrate Dussehra and playing mythical characters in the Ramlila — a dramatic representation of the life of Lord Rama. The village is an example of India’s composite culture and the communal harmony lived through Dussehra.

For 10 days, Shaikh Akleem is Goddess Sita, Guddu Tiwari is Lord Rama while Afzal Ansari is Lord Shiva and Amit Singh becomes Hanuman, enthralling people from far and near with their get-up and performances in Sato Awanti, a village in Kaimur district, about 200 km off Patna.

Shaikh Akleem (19) is thrilled playing the role of Sita, with Tiwari as “Maryada Purushottam Ram”.

“I am lucky to play Sita, loved and respected by all. It is a matter of pride for me,” Akleem said.

Guddu Tiwari, playing the role of Rama, said that Ramlila here was unique because it was played and organised with the help of Muslims. “Both Muslims and Hindus treat Ramlila as their own, it is special for us.”

This is a part of decades-old tradition started by a group of Muslims with the support of Hindus in Sato Awanti. Both the communities enthusiastically participate in Ramlila in the village.

“It all started 36 years ago, in 1982, when a few Muslims, including Jamaluddin Ansari and Nurul Ansari, decided to organise Ramlila. Over the years, this village has become popular for it,” said Shaikh Mumtaz Ali, the Director of Ramlila in the village.

In the first Ramlila organised in the village, Khurshid Alam played the role of Lord Rama and Jamaluddin Ansari acted out Kumbhakaran, the younger brother of Ravana. Sharfuddin Ansari, a martial expert, has been helping the troupe depict war scenes.

Shaikh Mumtaz Ali, the father of Akleem, said that “we have successfully managed the Ramlila show for the last six days, and hope to do so for the remaining three days”.

The response of the people has been overwhelming, Shaikh Mumtaz Ali said.

During the evening show, loud chants of “Siyavar Ram Chandra Ki Jai” by the audience that has several Muslims can be heard.

“Not just Hindus, but several Muslims from the neighbouring villages and some from far-off villages come to watch our rare show,” said Shaikh Mumtaz Ali.

According to Suresh Singh, the patron of Ramlila in the village, both Muslims and Hindus donate money and work together to ensure the success of the show.

“In our village, more than religious, it is a social event with participation from all. It’s a positive sign,” Suresh Singh said.

This year, Tauqeer Ansari is playing the role of Kumbhakaran. Dozens of children, both Hindu and Muslim, form the “Vanar Sena” of Lord Rama, he said.

The spirit of conviviality can be gauged from the fact that Hindus help Muslims take out the Muharram procession in the village.

“We are proud that Muslims help us, support us to celebrate Durga Puja. They have set an example of harmony. This is unheard of anywhere else,” Guddu Tiwari said.

Mahesh Prasad, a villager, said: “We can’t think of celebrating the festival in such a big way without the support of Muslims.”

(IANS)

Sabarimala (Kerala) Strong protests by Sabarimala traditionalists on Wednesday forced a 40-year-old Andhra woman and her family to abandon their trip to the Lord Ayyappa temple.

Madhavi accompanied by her parents and children began their Pamba climb on the Swami Ayyapan road leading to the hilltop temple hours ahead of its opening for the monthly puja rituals.

Ten minutes into their trek, accompanied by a strong police force, the family had to abandon their plans of praying to the Lord Ayyappa inside the temple premises accompanied by Madhavi, who is in the prohibited age group of 10-50.

The protesters had put every impediment on her way, but Madhavi was able to break the barriers at Nilackal and Pamba accompanied by police as she trekked higher.

Police officers climbing along assured her that they would be with her if she wished to proceed and she could go forward.

However, angry protesters were unrelenting. They went after her. Unable to bear the anger Madhavi decided to return.

Wednesday, is crucial for the Kerala government as it pitches to implement the September 28 Supreme Court verdict allowing all women irrespective of their ages to pray at Sabarimala.

The doors of the temple that would be opened at 5 p.m. would remain open till October 22. This is the first time that the temple would be opening after the apex court’s verdict.

Barring the ruling Left government-led by Pinarayi Vijayan, the Congress, BJP and numerous Hindu organisations are on a war path warning of strong consequences if any temple traditions were broken.

The hardcore devotees of the temple are observing their protests at a few places at Nilackal and are engaged in chanting songs and prayers and it includes representatives from the Pandalam royal family members and also the temple tantri families.

In a related development, a young woman Liby bound to pray at the temple clad in jeans was stopped at the Pathanamthitta bus stand by angry devotees.

“Is this the way a lady should go to the temple. She claims to have observed the penance but if you look at the beads of the customary Sabarimala necklace, it’s very clear that she has worn it today or yesterday. This is not acceptable to us and she won’t be allowed to go,” said angry a group of angry women protesters.

Liby hailing from Alappuzha is being protected by a group of police officials.

“We will not allow the bus that she boards to go to Sabarimala to move from here. We will burn the bus and are ready to face any consequences,” said a young man at the bus stand.

Following the protest, the police took her to the nearby police station.

(IANS)

Globally, there is increasing demand for micro-living. A micro-home or a micro-apartment is a self-contained, single-bedroom unit, mostly meant for single occupancy.

These units are largely found in urban catchments and are sized anywhere between 50 and 350 sq. ft. These compact-sized swanky apartments are well established across America, Europe and Southeast Asian countries, where students and young professionals seek affordable housing close to their university/workplace as well in proximity to the cultural and entertainment hubs of the city.

As a concept, micro-apartments in India are set to redefine studio and one-bedroom units. For years, studio apartments and one-bedroom units have been an economical residential option for singles and young couples who are willing to compromise on space to own a house in a convenient location, rather than pay high rentals or take out huge loans to afford bigger houses.

However, micro-homes are not just about affordability. What sets micro-homes apart is their design, and the fact that they are equipped with all the modern comforts and amenities and are at a prime location. These units, designed to offer privacy with a separate bedroom and kitchen, make it popular with small families too.

Mumbai has been the frontrunner when it comes to the concept of micro-apartments and has seen offerings as small as 189 sq ft., going up to 320 sq ft. Amidst soaring realty prices in the space-constrained metro, these micro-units give young working professionals their best shot at owning an apartment in a central locality, without compromising on their lifestyle.

The micro-housing market is also seeing a spurt in demand in cities such as Bengaluru, Gurugram and Noida that have a large migrant population of working professionals with an annual income of more than Rs 8 lakh. The fact that in some of the recent launches, total inventories have been sold off within 72 to 96 hours, further testifies to the pressing demand.

Popular mainly among the younger generation, which prioritises location and lifestyle over space, micro-homes have huge potential in India, given the fact the country is the abode of around 440 millennials, the largest in the world.

The millennial population is not just expanding in size, but is also multiplying its economic footprint. As per a Morgan Stanley’ market research in 2017, India’s millennial population is expected to spend over $330 billion annually by 2020. Research has also indicated that around one out of every 10 millennial in India plans to purchase a home before a car. Additionally, over 35 per cent of millennials are expected to spend on housing in the next five years.

Many Grade-A developers are coming up with housing concepts that are custom-made for Indian millennials, specifically singles, young couples and students. These offer all the modern amenities and facilities that large-scale luxury residential projects offer, including a club house, community sports facilities, 24/7 security systems and retail outlets, et al. Many of them also have value-added services such as concierge and room services that can be availed on payment.

Apart from end-users, micro-apartments are also attracting the investor community in big numbers. Globally, data has suggested that rental returns in micro-units are generally 50 to 100 basis points higher than regular apartments. The higher returns stem from robust demand and better utilisation of the available resources. Likewise, the rates of appreciation are also expected to outperform larger-sized units. As it is a light investment, the entry barriers are limited and it can also be liquidated easily.

[IANS]

New Delhi, Oct 17 Attacks against artistes are happening not just because of “the rise of any particular ideology over the last two-three decades”, nor is it a result of “one or two political parties exploiting communalism or religiosity”. Instead, according to Malvika Maheshwari, whose upcoming book “Art Attacks: Violence and Offence-Taking in India” presents a dismal picture of the turmoil that artistes are facing in the country, it is because of the complicated nature of democracy — where votes ratify power.

“To win and maintain this otherwise unattainable power, political parties over time began to exploit entire energies of their cadres and constituencies, first by persuasion, and, if not, by coercion. This capacity of democracy to both birth and nurture violence as a norm rather than as an exception not just placed severe limits on the imagination of the Constitution’s liberal project but its perversion provided for an entire infrastructure for ‘self-appointed gate-keepers of culture’ that helped them convince themselves and their publics of the value of these attacks,” Maheshwari, an Assistant Professor of political science at Ashoka University, told IANS in an interview.

Her book tells the story of violence against artistes in India, marked by the intensifying sense of insecurity, fear, frustration and anger within the art world. As opposed to simply adding to the prevalent commentaries on violent regulation of free speech in India, “Art Attacks: Violence and Offence-Taking in India” focuses on the dynamics of violence in that regulation.

Maheshwari, who was previously a research associate at the Centre for Policy Research here, said that such attacks are not just a phenomenon of the rise of “anti-liberal” sentiments as much as they are a phenomenon of the perversion of the liberal language.

“A lot of the attacks are justified and ‘performed’ by using statements of righteousness, not simply in the religious sense, even if they act in religion’s name, but rather through a morally-charged language of rights, respect, and justice, a language through which they hope to legitimise this violence. The attacks show how much this language has travelled, been copied and manipulated, for instance, through the tussle inherent in the arrangement and prioritisation of free speech over equal respect or dignity,” she added.

She stressed that there are individuals at the forefront of these attacks, those who “physically assault and vandalise”. She said that they come from “a particular social and economic class” and these attacks become a way for them “to resolve anxieties around status, recognition and respect”.

“It enables them to separate themselves from those of their own social group, but also distinguish themselves from their colleagues in their organisations, of which they are part themselves. Most importantly, these men are deeply informed by the glory and success that violent actions in the past may have brought to their leaders.

“So we need to understand that this form of collective violence is dependent on democracy’s rhetoric and processes, and even while being ‘anti-democratic’, they cannot be regarded simply as a deterrent to its routines. It needs also to be contextualised: Given that generally the outbursts of violence — public and private — in its many avatars have not so much been aberrations of India’s democracy as much as its very condition,” Maheshwari contended.

She added that in the last few decades, since these attacks have been on the rise, the context and the pattern of these attacks have undergone many changes. The violence of “offence-taking”, she said, is much more normalised today than it used to be.

Asked of her findings on the “rising culture of offence-taking in India”, Maheshwari shared four core aspects. She maintained that we have “a political culture that is deeply and seemingly irreversibly rooted in criminality, communalism and populism”.

She said that the phenomenon of “recurring attacks could not have found its ground without the expansion of electronic media, and its enhancement through private capital”. Maheshwari contended that it is “absolutely critical to focus on the micro politics of offence-taking and violence” — to understand how it becomes attractive for ordinary citizens, what for them are the motivations and risks involved.

“…very importantly, I do not see these attacks, vandalism and destruction of artworks necessarily as iconoclasm, underlined by its straightforward intention to forcefully and completely erase or annihilate. Most artworks and artists, after the attacks, acquire far greater visibility than before, often at the behest of the attackers themselves.

“What comes across very clearly in my interactions with them is that they see these attacks on art as investment, which inevitably leads to a generation of many more and new images and responses, offering many more opportunities of the kind and keeps the cycle going. As I mention in the book, censorship here is at the most a gratifying by-product, not a goal accomplished. Their interest lies not in what the artwork is about, but what the attacks can make happen,” she said.

To be published by Oxford University Press India in November, “Art Attacks: Violence and Offence-Taking in India” is a result of eight years of exhaustive research and writing

(IANS)