By: Shaheen Raaj
Producer:
Director: Rohit Dhawan
Star Cast: John Abraham, Jacqueline Fernandez, Varun Dhawan, Akshaye Khanna, Rahul Dev & Saaqib Salim and above all Nargis Fakhri, Parineeti Chopra and cricketers like Javed Miandad, Mohinder Amarnath & Atul Wasan in cameo roles.
Music: Abhijit Vaghani & Pritam
The varied scams of India and more specifically the match – fixing scam of the game of cricket has started attracting Bollywoodian film makers too. So in the not so long ago past we had a film like Jannat and just recently we had a film like Azhar based on the alleged match – fixing scam of cricketer Mohammed Azharuddin albeit which dealt more with his personal life’s love tangle, and now comes director Rohit Dhawan’s Dishoom based on the same game of cricket again albeit with a kidnapping angle attached to it.
The plotted scenario of Dishoom kick – starts with a well – planned kidnapping of Indian cricket team’s ace – cricketer Viraj Sharma (Saqib Salim) by the dreaded Altaf (Rahul Dev), at the behest of Wagah (Akshaye Khanna) during a cricket series in the Middle East. The reason for Wagah to kidnap Viraj Sharma is to bail himself out of the Rs. 400 crore worth of debts that he has got himself into because of his match – fixing deals going kaput. When the Indian Government gets to know that Viraj Sharma has been kidnapped and that too, just 36 hours before the crucial & the much awaited India – Pakistan match, they decide to put their best police officer Kabir Shergill (John Abraham) on the job. Fearing national unrest & tension, they instruct Kabir Shergill not to utter a word to anyone about Viraj Sharma’s kidnapping. When the news reaches the embassy of the Middle East, they immediately become ready to offer all kind of possible help to Kabir Shergill. That’s when Kabir Shergill chooses the “never – solved – any -case” police officer Junaid Ansari (Varun Dhawan), who is only way too happy to be chosen for the task of finding Viraj Sharma. And their parter in crime is Ishika (Jacqueline Fernandez) who is a petty thief.
Director Rohit Dhawan’s last outing was Desi Boyz which had really attracted attention towards his superb directorial treatment and with Dishoom he has indeed proved that he is a chip of the old block namely his father David Dhawan. Another plus point of Dishoom is the technical side comprising of screenplay by Tushar Hiranandani & Rohit Dhawan himself, action by Allan Amin & Stefan Richter, music by Abhijit Vaghani (Background Score) & Pritam (Songs – some of which have already proved to be runaway hits), cinematography by Ayananka Bose & editing by Nitin Rokade & Ritesh Soni.
Performance wise the film clearly belongs to John Abraham & Varun Dhawan and together with their superb chemistry and excellently well – matched comic timings will bring the house down and leave the audiences in spits to the extent that may even roll down in the darkened auditorium. But individually both John Abraham & Varun Dhawan are superb & outstanding respectively. In fact Varun Dhawan is improving his histrionic skills film by film and displays his emotional, comic, romantic & action abilities too. Next in line the same is the case with Jacqueline Fernandez and to top it she also adds the oomp & the glamour quotient in right proportion. That apart a seasoned actor like Akshaye Khanna makes his grand re – entry in Bollywood with Dishoom. In fact he is simply outstanding in his cameo role of a bad boy with gay/homosexual streaks omnipresent in him. On the other hand Saqib Salim as the kidnapped cricketer is perfect. And last but not in the least Rahul Dev succeeds in displaying the mean & evil streaks in in his villainous avatar.
Tail Piece: Dishoom has all the ingredients of a commercial potboiler to satisfy the cravings of a masala oriented cine goers hailing from all walks of life.
