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You are here: Home / Archives for Film

“My debut directorial movie is partly an autobiographical film”: Tanuj Bhramar

May 17, 2016 by Shaheen Raaj

Tanuj Bhramar 3

Director Tanuj Bhramar happens to be hailing from Ranchi – Jharkhand. He also happens to ber a new kid on the block to wield the megaphone for his directorial debut with Dear Dad. It is a sweet & simple story of a father & son who discover more about each other when they embark on a road trip. Present herewith is a brief telephonic 1st person interaction with him.

“I was born in Dhanbad and then went to a boarding school in Dehradoon and then I went to Columbia Film School as I always wanted to deal with creatively oriented fine arts and being a painter I had this good visualising power and of course I picked up the ropes of the varied departments of film making in Columbia Film School.”

Tanuj Bhramar 1

“Frankly speaking no! Whatever directional skills I acquired was in Columbia Film School. Then I made many promotional films on Cricket for my Video Club and then I just believed in exploring & evolving. Before taking up the direction of “Dear Dad” I explored further by making a short film titled “Resurrection”.

“My debut directorial movie is partly an autobiographical film because it is based on the bitter sweet memories of me & my dad, by the time I went to the boarding school we had shifted to Delhi from Ranchi – Jharkhand. So whenever my dad was free he used to drop me to Dehradun after my holidays and during those road trips we discovered many things about each other.”

“After I had finished writing the script of “Dear Dad” it was my casting director Anmol Ahuja who suggested Arvind Swamy Sir’s name for the Dad’s role. We were initially sceptical as Arvind Sir had not done a Hindi film for a long time. Anyways we went and met him in Chennai and sounded off the script of “Dear Dad” to him and he said he needed some time to think. The 1st meeting went off well and Arvind Sir also proved to be a good host. He called up after almost 2 months and wanted to meet us. I agreed thinking that even if he refused the film we can at least fill our tummies with good food. But jokes apart Arvind Sir said that he will do the film but only on one condition that the story of “Dear Dad” must be told from a Dad’s perspective too, whereas I had written the script from the son’s perspective. No problem we merged both the Dad & the Son’s perspective and the result was just great and proved very beneficial.”

“I would say that “Dear Dad” is a bitter sweet coming of age story; involving a father – son duo, 14 year old Shivam, and his 45 year old dad Nitin Swaminathan. The father – son duo embarks on an impromptu road trip from their home, in Delhi, to Mussorie (Uttarakhand), where Shivam attends a boarding school. The road trip entails unexpected confessions, weird strangers, accidental meetings, a drunken escapade and singing in the rain, all these add up to a complicated & a sweet tale.”

“I wanted to make a feel good film and I think I have succeeded in doing that. My target audiences are of course all the dads & their sons. Of course all the moms & their daughters are invited too. There have been many films made on moms & their daughters but there are very few & rare films made on the dads & their sons.”

“In the end I would like to add that I would like everyone to come & watch the film “Dear Dad” which is releasing on 13th May, 2016. As a parting shot I would also like to thankfully complement Arvind Sir, my other actors Himanshu Sharma, Ekavali Khanna & Aman Uppal and of course all my technicians for helping me to make such a beautiful film like “Dear Dad”.

Filed Under: Film Tagged With: Bollywood, Film, Movie, Tanuj Bhramar

Southern Films Round Up

May 17, 2016 by Shaheen Raaj

Asif Ali

Asif Ali Bags A New Heroine Anju Kurian

She is all set to play the lead heroine in a movie. As her leading man, she has none other than Asif Ali opposite her. Anju had hit the big screen with Om Shanti Oosana. She was also part of Premam and had appeared briefly as Nivin’s sister in it. The upcoming Asif Ali starrer is titled Kavi Uddeshichathu. Asif Ali plays Kaavalam Jimmy who tries to woo Anju’s character. Narain & Biju Menon are the other & lead actors in the movie. The shooting of this comic entertainer is on at Kannur.

Chowka Five Men Army Gets Many Additions

The 50th film of Karnataka pride Dwarakish Chitra’s Chowka gets many strong value additions. It has 5 well known faces in the star cast – Lovely star Prem, Vijay Raghavendra, Diganth, Prajwal & Aindrita Ray. In the technical department also director Tarun Sudhir (debut) has brought in big names. Five cameramen – Sathya Hegde, S Krishna, Shekar Chandru, Sudhakar Raj & Santosh Rai Pathaje have stood behind the camera. For music of 5 songs V Harikrishna, Gurukiran, Anoop Seelin, Sridhar Sambram & Arjun Janya, for dialogues of this Chowka, Anil Kumar, Simple Suni, A P Arjun, Chitan & Yoganand Muddan have written. In the art department 5 expertise who have worked at Arun Sagar, Ravi Santhehaklu, Mohan B Kere, Hosmane Murthy & Shivakumar.

Major Cinema Organisation Supports Jayalalitha

During elections of the past it has been in vogue for Rajinikanth to voice his direct or indirect support to one of the parties and every leader would wait with bated breath for that. This time the superstar has kept mum and similarly Illayathalapathy Vijay has also instructed his fan club members to vote for their favourite candidates. At this juncture, it comes as a surprise that FEFSI the umbrella organisation of cinema which comprises of 24 craft unions has extended support to the AIADMK after the President G. Siva and other office bearers meeting with party supremo Jayalalitha.

Anjali To Be Seen In The Role Of Kannagi

Director Karthick Subbaraj in his Iraivi though having on board heavy weights like Vijay Sethupathi, Bobby Simha, S. J Suriya, Radha Ravi & Karunakaran has reportedly given more space to the heroines Anjali, Kamalinee Mukherjee & Pooja Devariya. Incidentally speaking Anjali’s role has been based on the epic characterization of Kannagi and this will turn out to be one of the path breaking roles for the talented actress on the lines of Angadi Theru & Engeyum Eppodhum.

Sri Divya Heaps Praises On Soori

At the recent press interaction for her upcoming film Marudhu pretty Sri Divya heaped praises on her costar Soori stating that he “merselled’ (mesmerized) her by his solid performance as a character artiste. Hero Vishal too was of the same opinion that Soori has excelled both in comedy & sentiments. Marudhu directed by M. Muthaiah and produced by Gopuram films has music by D. Imman & Radha Ravi in a pivotal role.

Maddy’s Sensational Heroine In Thala 57

After the blockbuster Vedalam’ which even survived & conquered the epic Chennai rains, Thala Ajith & Siruthai Siva are ready to begin their next in Jul, 2016. As of now the production company Sathyajyothi Films have confirmed Anirudh as the music director and rumors are rife that Santhanam has agreed to do a pivotal role. There are huge speculations regarding who would be the heroine of Thala 57 and Anushka has been roped in as one of the heroines and talks are on with Rithika Singh, who played the young boxer in love with Madhavan in Irudhi Suttru.

Vikram Opens Up About Prequel To 24

One may say that Vikram Kumar is a proliflic story – writer. Even when he was making 13B, he had written the story lines of 13C & 13D, apparently sequels to the Madhavan starrer. For some reasons, he couldn’t make the films with Maddy. Latest, it has been speculated that he will make a sequel to 24. It has been said that Athreya, the villain, has not been shown to have been dead conclusively enough. It’s also said that Vikram has deliberately left unconcluded the fate of the watch. Putting to rest the speculations, Vikram has said that it’s not a sequel that he has in mind, but a prequel.
This film will go on the floors after Vikram is done with his two bi – linguals, one each with Allu Arjun & Mahesh Babu.

Anushka Reveals A Thing About Bhagmathi

Anushka reveals a thing about her next movie Bhagmathi, which happens to be a historical drama, and one which sees Anushka being cast in the role of the Quli Qutub Shah’s wife. UV Creations is producing the project. The film was recently launched in a puja ceremony. Speaking about the movie, Anushka has said that it will be made like a thriller. Since thrillers are gaining currency of late, one can expect this one to be a hit. For a period drama, it’s an innovation as well. The shooting will begin once Anushka is done with Suriya’s S3. This ambitious film, which tells the legendary story of Bhagmathi, wife of Quli Qutub Shah, will be directed by Ashok G of Pilla Zamindar fame.

Chuttalabbayi’s climax being shot

Chuttalabbayi, starring Aadi and directed by Veerabhadram Chowdary of Aha Naa Pellanta & Poola Rangadu fame, is currently filming its climax in a Shamshabad temple. Dragon Prakash is choreographing the sequences. The producers say, “The songs filmed in Bangkok & Rajahmundry have come out very well.” The director says that John Kokkin is playing the villain. “The climax is turning out very well. Thaman has given extraordinary tunes.” We are planning to release it in June. As per the makers, “It’s an out & out fun film. Brahmanandam, Posani, Prudhvi, Raghu Babu, Shakalaka Shankar will have the audience in splits.” Krishna Bhagawan, Abhimanyu Singh, Jeeva, Surekha Vani, and others are part of the cast.

Kajal Speaks On her Brahmotsavam Role

It is a film which has got many wondering what the story might be, especially given the fact that it has 2 ace actresses romancing Mahesh Babu. The trailer has hardly thrown the hint. Meanwhile, Kajal Aggarwal has opened up about her role in this mega budgeted family entertainer. In this Srikanth Addala directed summer bonanza, the pretty diva plays an independent minded woman who is firm. Does this mean that Kajal (not to forget Samantha) has a meaty role in Brahmotsavam? Apparently, yes. It has to be seen how her strong minded character fits in the scheme of the things. For sure, many feminists are going to warm up to her role. Before all, Kajal is understandably in love of her role because the character admittedly reflects her true self in real life in terms of the strength that she shows.

Bhavana To Enact the role of a committed school teacher

She is all set to play a committed school teacher in an upcoming movie. She plays a character named Aswathy Ananthakrishnan. She is bold and works for the children tirelessly. She is also a counsellor at the juvenile home. The film to be helmed by Vijay Menon has been titled Vilakkumaram. The movie has been scripted by Vijay’s son Nikhil. This is a woman centric movie and has a serious & strong theme & message. However the director assures that the movie will be an entertainer. The film rolled recently and will be shot at Trivandrum & Ladakh.

Kabbaddi Kalpana 2 To Star Upendra In A Kannada Remake

The super hit Tamil film of Raghav Lawerence Kanchana 2 coming up in Kannada with super star Upendra in the lead and with 2 lovely looking heroines Priyamani & Avanthika Shetty. It is almost near the completion of shoot. At a playground in Malleshwaram super star Upendra representing Karnataka team with some protection to his knee took part in the national game Kabbaddi. The opponent party was Bihar team. The game was also mixed with song & dance that was directed in Kalai Kumar dance direction. When Upendra is there, the on lookers are huge. It happened so at the public playground. With this song the shooting also comes to an end says director Anantha Raju. Dr KM Rajendra of Kalla Police fame and Shilpa Srinivas are joint producers of this Kalpana 2 in the direction of Anantha Raju.

Filed Under: Film Tagged With: Film, Movie, South India FILM

Movie Review: ‘Buddha In A Traffic Jam’ is an interesting & realistic movie

May 17, 2016 by Shaheen Raaj

Buddha In A Traffic Jam

Producer: Vivek Agnihotri & Sharad Patel
Director: Vivek Agnihotri
Star Cast: Arunoday Singh, Mahie Gill, Aanchal Dwivedi, Pallavi Joshi & Anupam Kher
Music: Rohit Sharma

Vivek Agnihotri has given many marvellous films in the past and Buddha In A Traffic Jam is one more interesting & realistic film from his camp which is now backed by dynamic & dashing producer namely Sharad Patel & a brigade of dozen other producers.

The plotted scenario of Buddha In A Traffic Jam starts off with Vikram Pandit (Arunoday Singh) who is a happy – go – lucky management student from a business school in India. Little does Vikram Pandit know that he was about to become a part of the plot that would risk his life & also the Nation. He gets entangled between the 2 facets of India namely socialism & capitalism, both of which are deeply rooted in the isolated corners of the country. Somewhere deep within the jungles, flagrant conspirators are gearing up to maim the country. Vikram Pandit’s internet campaigns pulls him into a very deep web of conspiracy. The film revolves around Vikram Pandit’s survival in the sinister designs of the establishment. It resolves the age long conflicts between socialism & capitalism and defines the much needed revolution for the contemporary India.

The autobiographical film Buddha In A Traffic Jam is loosely based on director Vivek Agnihotri’s life himself and gives a lot of insight into the nexus between the so called NGO’s & the Naxalites and how the Universities exploits its students to give the much needed momentum to the Naxalite moment.

The direction of Vivek Agnihotri and the par excellence act of all the actors like Arunoday Singh, Mahie Gill, Aanchal Dwivedi, Pallavi Joshi & Anupam Kher are one of the major highlights of Buddha In A Traffic Jam. Beside the music of Rohit Sharma is apt in keeping up with the tempo of the film.

But there is one minor glitch in the film as it does not sound like a common man’s cup of tea as they may hardly relate to the subject at hand. Besides some of the so called bold scenes of the film in lieu with the blatant, in your face, cuss words may not be acceptable to some of the viewers.

Tail Piece: So all in all Buddha In A Traffic Jam is more of a film for the elite class and festival circuit audiences. But it may also have a good prospects at the Box Office turnstiles with sheer word of mouth publicity.

Filed Under: Film Tagged With: Bollywood, Buddha In A Traffic Jam, Film, Movie, Movie Review

Movie Review: ‘One Night Stand’ is the kind of movie which may prove good only for one time viewing

May 17, 2016 by Shaheen Raaj

one-night-stand

Director: Jasmine Moses – D’Souza
Star Cast: Tanuj Virwani, Sunny Leone, Nyra Bannerjee, Ninad Kamath & Khalid Siddiqui
Music: Jeet Ganguly, Meet Bros, Tony Kakkar, Vivek Kar

Debutant director Jasmine Moses – D’Souza has really made a fairly decent & engaging
film in her debut directorial offering One Night Stand but sadly enough the loose script makes the proceedings dull and obviously the cine goers may loose Interest half way through.

The plotted scenario of One Night Stand kicks off with a flashback that’s being narrated by Urvil (Tanuj Virwani). It is the flashback and a series of events from his past that has defined his today. The flashback starts off with a fashion show organised by his event management agency. And after completing the event successfully, Urvil and his colleagues go drinking to celebrate. It is here that his friends challenge him to speak to a rank stranger (Sunny Leone) for a few thousand rupees. An attempt to win the bet gets him introduced to the stranger who, in turn, introduces herself as Celina. What follows after that, is unlimited liquor drinking by the 2 of them, which ultimately lands them up in bed together. But, the very next day, when Urvil gets up, he finds out that Celina has already left the room, without leaving any details of her whereabouts. And when Urvil comes back to his home in Pune, he is welcomed by his beautiful & dutiful wife Simran (Nyra Banerjee). Things are absolutely smooth between the couple, until one day Urvil accidentally spots Celina in the same mall wherein he has gone for shopping with his wife Simran. That very sight of Celina freshens up his ‘one night stand’ with her, which, in turn, gets translated into his desperation to meet her again. Thereafter begins his unending quest to hunt down Celina from the length & breadth of the world. Amidst all this, Urvil gets extremely busy with his company’s big – budget event of a product launch. It is here where he gets introduced to his rich client and his family, which takes the daylights out of Urvil.

Jasmine Moses – D’Souza has certainly presented Sunny Leone in a different avatar much away from her stereotyped image. If only she had paid more attention on the screenplay then One Night Stand would have turned out to be more interesting romantic thriller. That apart music proves to be the main USP of the film.

Performance wise it is refreshing to see Sunny Leone in an unusal role. She carries the film entirely on her dainty shoulders. She is charming & effortlessly acts out her role putting behind her sexy siren image. Tanuj Virwani is perfect in his role but struggles in a few scenes to get his expressions correct. Nyra Banerjee is totally natural while facing the camera and is a promising discovery. Other actors like Khalid Siddiqui & Ninad Kamath are good in their respective roles.

Tail Piece: All in all One Night Stand is a kind of film which may prove good only for one time viewing.

Filed Under: Film Tagged With: Bollywood, Film, Movie, Movie Review, One Night Stand

Movie Review: ‘Money Monster’ is a first rate spell binding movie

May 14, 2016 by Shaheen Raaj

Money Monster

Producers: Lara Alameddine, George Clooney, Daniel Dubieki & Grant Heslov
Director: Jodie Foster
Star Cast: George Clooney, Julia Roberts, Jack O’Connell, Dominic West, Caitriona Balfe, Giancario Esposito etc.

The plotted scenario of Money Monster kick start with Lee Gates (George Clooney) who is a bombastic TV personality whose popular financial network show has made him the money wiz of Wall Street. But after he hawks a high tech stock that mysteriously crashes, an irate investor Jack Budwell (Jack O’ Connell) takes Gates, his crew, and his ace producer Patty Fenn (Julia Roberts) hostage live on air. Unfolding in real time, Gates and Fenn must find a way to keep themselves alive while simultaneously uncovering the truth behind a tangle of big money lies.

This edge of the seat thriller really keeps you hooked from start to end mainly because of director Jodie Foster’s excellent directorial treatment in tandem with the par excellence performance of all its major actors like George Clooney, Julia Roberts and above all Jack O’Connell as the investor who takes the entire TV crew as hostage.

The plot is convincing but the entire drama of the TV crew being taken hostage that too when the show is live on air seems too far – fetched.

Money Monster is a kind of film that can be recommended to one an all. Go watch it.

Filed Under: Film Tagged With: Film, Hollywood, Money Monster, Movie, Movie Review

A Biopic on APJ Abdul Kalam Coming Soon

May 11, 2016 by Shaheen Raaj

Pramod Gore with relative of Dr APJ Kalam

It’s the season of Biopics in Tinsel Town, after biopics on the likes of Milkha Singh, Mary Kom, Sarabjit Singh and more it’s the life story of former Indian President namely the late APJ Abdul Kalam that’s attracted the film industry.

Film maker Pramod Gore who last made the acclaimed Marathi film Reti has taken up the herculean task to picturise the life & the times of the highly coveted scientist turned politician Abdul Kalam. “I will be producing the film under my banner Atharva Motion Pictures,” says producer Pramod Gore. But we wonder what made him take up this subject. “There’s so much that Kalamji has done for our nation, he is an inspiration to all of us. A complete rags to riches story where a boy from a small village rose against all odds to become not just the talented scientist that he was but also our President. I was amazed how a story as great as this still remained untold,” says the filmmaker.

Quite contrary to just producing the film, Pramod Gore went to the lengths of travelling till Rameshwaram, Kalam’s native place, met his elder brother who is now 99 years old along with his nephew who is 66 to get more insight into the life that APJ Abdul Kalam lived. “Yes, I traveled till Rameshwaram because I want to be thorough & not falter in conveying a story as great as this. And also had to seek permission from his family before going ahead with this film. I have also bought all of his 22 written works including the likes of “Ignited Minds”, “Wings of Fire”, “India 2020”, “The Kalam Effect” and more to have enough material.”

It is learnt that Pramod Gore will be signing a Hollywood director to make this biopic and wants to cast Irrfan Khan or Nawazuddin Siddiqui in the lead role. Confirming the news Pramod Gore avers, “There have been umpteen films on Gandhi but the one which stood out was that of Richard Attenborough. It’s not easy to weave an entire life into a 2 and a half hour film and I want capable hands on board for it. Which is why I want to cast Irrfan Khan or Nawazuddin Siddiqui also as APJ Abdul Kalam because I think they will be able to do full justice to the film.”

Similarly, Pramod Gore wants to rope in Allah Rakha Rahman for music & Gulzar for lyrics. “I have already registered the title of the film APJ with IMPPA which shows the seriousness of this project and I really think the industry should come out and support a film like this. Yes, I want to approach Allah Rakha Rahman & Gulzar Sahab because this story deserves the best. I will also be approaching the Indian Government, asking them if they want to make this film with me. I am hopeful for a positive response,” says Pramod Gore.

Interestingly, Pramod Gore is so moved by the story of APJ Abdul Kalam that when he went to visit Kalam’s native place and saw the conditions in which his Tomb is placed, he resolved to give all the revenue he would make out of the film into developing that land. He wants to build a library there too and do his bit in the name of APJ Abdul Kalam.

The biopic goes on the floors in Jul, 2016 and will be releasing in 2017.

Filed Under: Uncategorized Tagged With: A P J Abdul Kalam, Film, Movie

Worldwide Films Round Up

May 11, 2016 by Shaheen Raaj

OUTSIDER PICTURES & STRAND RELEASING ACQUIRES THE BRIDE

OUTSIDER PICTURES & STRAND RELEASING ACQUIRES THE BRIDE

Todo Cine Latino, the speciality label of Paul Hudson’s Outsider Pictures, has signed with sales agent Fortissimo for US distribution rights to Paula Ortiz’s La Novia (The Bride), a notable recent Spanish breakout hit, reaping 12 nominations for Jan’s Spanish Academy Goya Awards. Continuing a distribution alliance, Strand Releasing will handle home entertainment & digital rights. Ortiz won acclaim and a Valladolid fest new director nod for her debut, Chrysalis, a 2011 triptych of love stories. The Bride has turned her, however, from a talent to track to a recognized director. Adapting the most famous stage play of Federico García Lorca, a poet who inspired Leonard Cohen to take up songwriting, Blood Wedding turns on a woman promised to one man but who elopes with a former lover on horseback the same day of her wedding, pursued by the bridegroom, egged on by his tyrannical mother. Their disobedience will have devastating consequences.

BREAKING GLASS PICTURES ACQUIRES THE APOSTATE

Philadelphia based Breaking Glass Pictures (BGP) has acquired all North American distribution rights to The Apostate, the critically acclaimed comedy of Uruguayan – Spanish helmer Federico Veiroj. Breaking Glass CEO Rich Wolff closed the deal with Sandro Fiorin of FiGaFilms after the film’s screening at last month’s Miami International Film Festival. “FiGa Films brings another unique international voice to the US audience,” said Michael Repsch, Breaking Glass SVP of distribution & sales, who has also picked up Geraldine Chaplin toplined drama Sand Dollars from the Miami based distributor in the past. “It’s a privilege to continue our collaboration with Breaking Glass Pictures. They are wonderful partners that will take very good care of The Apostate,” said Fiorin. BGP’s other Spanish language pick ups include Paraguay thriller Seven Boxes and Alex De La Iglesia’s My Big Night. Starting in Sept, 2016, BGP plans a limited theatrical release of the comedy in US & Canada, leading with New York, Los Angeles & Miami, to be followed by a multiplatform rollout, including SVOD and other streaming services.

COLIN’S PLAYGROUND OPTIONS 2 BOOKS

Colin Callender’s production company Playground, whose credits include Hilary Mantel adaptation of Wolf Hall, has optioned 2 books, Fiona Barton’s psychological thriller The Widow & Thomas Grant’s non – fiction account of a lawyer’s life, Jeremy Hutchinson’s Case Stories. The deals follow Playground’s recent optioning of Patrick Kingsleys The New Odyssey — The Story Of Europe’s Refugee Crisis, which will be published in May, 2016 The Widow is about the wife of a man who is accused, and eventually cleared, of kidnapping & murdering a child. Throughout this ordeal, the woman, Jean, stands by her man, the ever loyal & supportive wife, seemingly refusing to believe anything the police or press accused him of. But when he suddenly dies, both the law & the media want answers. Surely Jean must know the truth about what happened? Jeremy Hutchinson’s Case Histories is an entertaining & thought provoking biography of a celebrated British lawyer.

POLLY HILL TO JOIN UK COMMERCIAL BROADCASTER ITV

The controller of BBC drama commissioning, Polly Hill, is to join commercial network ITV as head of drama. Her recent credits have included Doctor Foster, War And Peace & The Night Manager. ITV director of television Kevin Lygo also announced Fri that Optomen managing director Sue Murphy will join ITV commissioning as head of factual entertainment, Siobhan Greene will move from ITV Studios to become ITV commissioning team’s head of entertainment & Peter Davey has been promoted as head of comedy entertainment. ITV also announced that Angela Jain is to succeed Greene as managing director of ITV Studios Entertainment & Rosemary Newell, Discovery Networks International senior VP, content & operations, will become ITV’s head of digital channels & acquisitions. Prior to Hill’s present role, she was BBC’s head of independent drama between 2011 & 2015, where she was responsible for The Missing, The Honorable Woman, Ripper Street, Poldark & Wolf Hall. She joined BBC in 2005 as an executive producer and then became a commissioning editor in 2008. Before joining BBC, she was a producer on Cherished by Gwyneth Hughes, which won the Grierson Award. She worked at Channel 4, where she oversaw the 1st series of Teachers, and started her career working for Verity Lambert, before getting her 1st script – editing job on EastEnders.

DANIEL BATTSEK TO LEAD CHANNEL 4’S MOVIE DIVISION FILM4

Daniel Battsek is to be director of Channel 4’s movie division Film4, following the news that David Kosse is to step down to join STX Entertainment. Battsek will join Film4 in Jul, 2016, relocating to UK from New York after fulfilling his contract as president of Cohen Media Group. Previously, Battsek was president of National Geographic Films, and before that he was president of filmed entertainment at Miramax Films. Kosse will continue working for Film4 during the transition period on a consultancy basis until Oct, 2016. Battsek will inherit Film4’s increased spend of £25 million ($35.2 million) for the year, announced by Channel 4 chief executive David Abraham in Feb, 2016 with the ambition of maintaining similar increased levels of funding in future years. Film4 will continue to seek out partnerships like those announced with Fox Searchlight & FP Films in Feb, 2016 which allow the company to take a greater stake in certain projects.

SUNDANCE INSTITUTE LAUNCHES ITS 1ST THEATRE LAB

US thespians Sandra Oh, Hoon Lee, Deanna Dunagan, their Syrian colleague Hala Omran, & Palestinian playwright Raeda Taha have been tapped as creative advisers participating in the Sundance Institute’s 1st Middle East & North Africa (MENA) Theatre Lab, which will be held in Morocco next month. The lab, which is part of the Sundance Institute’s commitment to support artists from the region, will provide fresh voices from US & MENA with what it calls “a rigorous artistic retreat and new opportunities for cross -cultural discovery, artistic reflection & creative experimentation,” it said in a statement. Under the supervision of Sundance Institute Theatre Program, artistic director Philip Himberg & producing director Christopher Hibma, and led by Middle East & North Africa manager Jumana Al – Yasiri, the institute’s annual Theatre Lab, which is normally held in Utah, will take place on 8th May, 2016 to 29th May, 2016 outside Marrakesh. For over the past 3 decades, the lab has provided critical support & development to productions, including the 2 most recent Tony Award winners for “Best Musical”, Lisa Kron & Jeanine Tesori, who adapted Fun Home.

NEW ARAB MOVIES TACKLE MORE TOPICAL THEMES

Ever since the Arab Spring in 2011 sparked a wave of uprisings that fuelled hopes of transformation & transition from dictatorships to democracy’s, Arab directors have felt compelled to depict the complex changes going on in their nations. Now, some are feeling a greater urgency to take on themes surrounding the Islamic State group & terrorism, while still tackling issues of immigration & stultifying cultural mores. Producers in Paris & Brussels, cities still reeling from recent Muslim extremist attacks, are proving crucial in shepherding films that address pressing Arab topics, as are institutions in the Arab world, such as the Doha Film Institute’s Qumra workshop, which took place 4th Mar, 2016 to 9th Mar, 2016 in Doha. Belgium’s venerable Dardennes brothers served as co – producers for Tunisian director Mohamed Ben Attia’s timely drama Hedi, a subtle, taboo -breaking love story largely set in Tunisian beach resorts devoid of tourists after the deadly 2015 ISIS attack on a hotel in the resort town of Sousse. Tunisia’s Dora Bouchoucha Fourati, the main producer on Hedi, was among a group of global industryites who attended Qumra. Projects on display there indicate that young Arab directors have social & political themes on their minds, as well as deeper issues pertaining to terrorism. “Quite a few of the projects reflect the world that we live in,” Palestinian auteur Elia Suleiman said of the 33 DFI – backed works chosen for pitching & feedback sessions, script consultations & rough cut screenings.

ROOM SWEEPS IRISH FILM & TELEVISION AWARDS

Lenny Abrahamson’s Room, for which lead actress Brie Larson won an Oscar, was the big winner at the Irish Film & Television Academy Awards on Sun. The film, produced by Ireland’s Element Pictures, won 7 awards, including film, director for Abrahamson, and script for Emma Donoghue. Larson won the award for international actress, while its other prizes were for editing, original music & sound. Brooklyn earned awards for lead actress Saoirse Ronan & supporting actress Jane Brennan. Michael Fassbender picked up the award for lead actor for Steve Jobs, and the supporting actor honor went to Jack Reynor for Sing Street. Leonardo DiCaprio was named best international actor for The Revenant, and Spotlight was voted top international film. On the TV drama side, Abú Media’s Irish language series An Klondike won 4 awards, including best drama and actor for Dara Devaney. The supporting actor honor went to Moe Dunford for Vikings, while the supporting actress prize went to Sarah Greene for Penny Dreadful. Stephen Fingleton, the director of feature film The Survivalist, won the Rising Star Award, while the feature documentary trophy went to Ken Wardrop’s Mom & Me. Liam Neeson received the IFTA Outstanding Contribution to Cinema Award, recognition for his 3 decades career in cinema.

TVP BOARDS GLOBO’S EPIC SUPERMAX

Pubcaster Television Publica De Argentina (TVP) has boarded Globo’s epic Spanish language production Supermax, to which Argentine film maker Daniel Burman is attached as showrunner, director & co – producer via his shingle Oficina Burman.
TV Azteca has snagged the Mexican TV rights. As a co -producer, TVP has secured Argentine broadcasting rights to the high – end thriller series. Argentina’s minister of media & public content, Hernan Lombardi, joined with Raphael Correa Netto, Globo’s executive director of international business, and with Burman to unveil the new pact. “This co – production is part of a strategic vision aimed at generating high – quality projects for the region by tapping our wealth of human talent & premier locations,” said Lombardi. “It’s a starting point toward spurring our local industries and bringing our audiovisual productions to the global market,” he added.

INSANE LANDS ON TOP & BATMAN V SUPERMAN: DAWN OF JUSTICE TUMBLES

R – rated local thriller Insane debuted on top of the Korean box office, ousting Batman V Superman: Dawn Of Justice. Earning $2.6 million from 355,000 admissions between Thurs & Sun, the picture accounted for 30% of the total weekend box office. Insane recounts the story of a woman taken to a psychiatric hospital against her will in broad daylight. Zootopia remained in 2nd. The Walt Disney animation made $1.59 million between Fri & Sun, extending its total to $26.7 million after 8 weekends. Opening on Thurs, newcomers 10 Cloverfield Lane, Eddie The Eagle & Trumbo landed in 3rd, 4th & 6th places, respectively. Distributed by Lotte Entertainment, Cloverfield earned $1.7 million over 4 days. Eddie The Eagle scored $985,000. Trumbo earned $233,000. Batman V Superman: Dawn Of Justice tumbled to 5th, with a drop of 70%. The superhero movie earned $781,000 between Fri & Sun, for a total of $15.9 million after 3 weekends. Re – released after 2 decades, Before Sunrise opened in 7th. The melodrama earned $157,000 between Thurs & Sun. Opening on the same day, US & Chile co – produced The 33 made $232,500.

ALIVE WINS WILDFLOWER FILM AWARDS

Labor drama Alive was named Grand Prize winner at South Korea’s Wildflower Film Awards on Thur. Park Jung -Bum directed & starred in the tale of a broke laborer’s struggle for survival. Last year’s Cannes entry, Madonna earned Shin Su won the best director prize & Kwon So – Hyun the best new actor prize. E I’ll – Ha earned the best documentary director award for A Crybaby Boxing Club, a portrait of a Korean after school club in Japan. Jung Jae – Young won best actor for Right Now, Wrong Then by veteran Hong Sang – Soo. Singer – actress Lee Jung -Hyun took the best actress award for director Ahn Gooc – Jin’s cruel labor drama, Alice In Earnestland. The Wildflower Awards were launched in 2014 by former Variety correspondent Darcy Paquet, and film critic Oh Dong – Jin, as a grassroots effort to recognise Korean independent & low – budget films.

SCREENX TARGETS HOLLYWOOD & CHINA

China these days is in love with all things culturally Korean, from TV shows to boy bands. Hoping to expand that trend is the cinema technology arm of Korean exhibition firm CJ – CGV, itself a sister company of the powerhouse producer & distributor CJ Entertainment. Having previously launched 4DX, a successful re-invention of the moving seats & environmental effects concept, CJ – CGV is now doing business with
ScreenX immersive technology. Next week it will take the kit to the CinemaCon convention in Las Vegas for the 2nd time. There it will be targeting not just North American theaters, but Chinese exhibitors in attendance who are currently opening thousands of new cinemas per year. China’s Wanda Cinema Line has been one of the 1st companies outside Korea to adopt ScreenX and Chinese smash hit Mojin: The Lost Legend, which Wanda co -produced with Huayi Brothers & Enlight Media, was one of the 1st foreign movies to be engineered for the ScreenX experience.

OUTSIDER PICTURES & STRAND RELEASING ACQUIRES THE BRIDE

Todo Cine Latino, the speciality label of Paul Hudson’s Outsider Pictures, has signed with sales agent Fortissimo for US distribution rights to Paula Ortiz’s La Novia (The Bride), a notable recent Spanish breakout hit, reaping 12 nominations for Jan’s Spanish Academy Goya Awards. Continuing a distribution alliance, Strand Releasing will handle home entertainment & digital rights. Ortiz won acclaim and a Valladolid fest new director nod for her debut, Chrysalis, a 2011 triptych of love stories. The Bride has turned her, however, from a talent to track to a recognized director. Adapting the most famous stage play of Federico García Lorca, a poet who inspired Leonard Cohen to take up songwriting, Blood Wedding turns on a woman promised to one man but who elopes with a former lover on horseback the same day of her wedding, pursued by the bridegroom, egged on by his tyrannical mother. Their disobedience will have devastating consequences.

BREAKING GLASS PICTURES ACQUIRES THE APOSTATE

Philadelphia based Breaking Glass Pictures (BGP) has acquired all North American distribution rights to The Apostate, the critically acclaimed comedy of Uruguayan – Spanish helmer Federico Veiroj. Breaking Glass CEO Rich Wolff closed the deal with Sandro Fiorin of FiGaFilms after the film’s screening at last month’s Miami International Film Festival. “FiGa Films brings another unique international voice to the US audience,” said Michael Repsch, Breaking Glass SVP of distribution & sales, who has also picked up Geraldine Chaplin toplined drama Sand Dollars from the Miami based distributor in the past. “It’s a privilege to continue our collaboration with Breaking Glass Pictures. They are wonderful partners that will take very good care of The Apostate,” said Fiorin. BGP’s other Spanish language pick ups include Paraguay thriller Seven Boxes and Alex De La Iglesia’s My Big Night. Starting in Sept, 2016, BGP plans a limited theatrical release of the comedy in US & Canada, leading with New York, Los Angeles & Miami, to be followed by a multiplatform rollout, including SVOD and other streaming services.

COLIN’S PLAYGROUND OPTIONS 2 BOOKS

Colin Callender’s production company Playground, whose credits include Hilary Mantel adaptation of Wolf Hall, has optioned 2 books, Fiona Barton’s psychological thriller The Widow & Thomas Grant’s non – fiction account of a lawyer’s life, Jeremy Hutchinson’s Case Stories. The deals follow Playground’s recent optioning of Patrick Kingsleys The New Odyssey — The Story Of Europe’s Refugee Crisis, which will be published in May, 2016 The Widow is about the wife of a man who is accused, and eventually cleared, of kidnapping & murdering a child. Throughout this ordeal, the woman, Jean, stands by her man, the ever loyal & supportive wife, seemingly refusing to believe anything the police or press accused him of. But when he suddenly dies, both the law & the media want answers. Surely Jean must know the truth about what happened? Jeremy Hutchinson’s Case Histories is an entertaining & thought provoking biography of a celebrated British lawyer.

POLLY HILL TO JOIN UK COMMERCIAL BROADCASTER ITV

The controller of BBC drama commissioning, Polly Hill, is to join commercial network ITV as head of drama. Her recent credits have included Doctor Foster, War And Peace & The Night Manager. ITV director of television Kevin Lygo also announced Fri that Optomen managing director Sue Murphy will join ITV commissioning as head of factual entertainment, Siobhan Greene will move from ITV Studios to become ITV commissioning team’s head of entertainment & Peter Davey has been promoted as head of comedy entertainment. ITV also announced that Angela Jain is to succeed Greene as managing director of ITV Studios Entertainment & Rosemary Newell, Discovery Networks International senior VP, content & operations, will become ITV’s head of digital channels & acquisitions. Prior to Hill’s present role, she was BBC’s head of independent drama between 2011 & 2015, where she was responsible for The Missing, The Honorable Woman, Ripper Street, Poldark & Wolf Hall. She joined BBC in 2005 as an executive producer and then became a commissioning editor in 2008. Before joining BBC, she was a producer on Cherished by Gwyneth Hughes, which won the Grierson Award. She worked at Channel 4, where she oversaw the 1st series of Teachers, and started her career working for Verity Lambert, before getting her 1st script – editing job on EastEnders.

DANIEL BATTSEK TO LEAD CHANNEL 4’S MOVIE DIVISION FILM4

Daniel Battsek is to be director of Channel 4’s movie division Film4, following the news that David Kosse is to step down to join STX Entertainment. Battsek will join Film4 in Jul, 2016, relocating to UK from New York after fulfilling his contract as president of Cohen Media Group. Previously, Battsek was president of National Geographic Films, and before that he was president of filmed entertainment at Miramax Films. Kosse will continue working for Film4 during the transition period on a consultancy basis until Oct, 2016. Battsek will inherit Film4’s increased spend of £25 million ($35.2 million) for the year, announced by Channel 4 chief executive David Abraham in Feb, 2016 with the ambition of maintaining similar increased levels of funding in future years. Film4 will continue to seek out partnerships like those announced with Fox Searchlight & FP Films in Feb, 2016 which allow the company to take a greater stake in certain projects.

SUNDANCE INSTITUTE LAUNCHES ITS 1ST THEATRE LAB

US thespians Sandra Oh, Hoon Lee, Deanna Dunagan, their Syrian colleague Hala Omran, & Palestinian playwright Raeda Taha have been tapped as creative advisers participating in the Sundance Institute’s 1st Middle East & North Africa (MENA) Theatre Lab, which will be held in Morocco next month. The lab, which is part of the Sundance Institute’s commitment to support artists from the region, will provide fresh voices from US & MENA with what it calls “a rigorous artistic retreat and new opportunities for cross -cultural discovery, artistic reflection & creative experimentation,” it said in a statement. Under the supervision of Sundance Institute Theatre Program, artistic director Philip Himberg & producing director Christopher Hibma, and led by Middle East & North Africa manager Jumana Al – Yasiri, the institute’s annual Theatre Lab, which is normally held in Utah, will take place on 8th May, 2016 to 29th May, 2016 outside Marrakesh. For over the past 3 decades, the lab has provided critical support &  development to productions, including the 2 most recent Tony Award winners for “Best Musical”, Lisa Kron & Jeanine Tesori, who adapted Fun Home.

OUTSIDER PICTURES & STRAND RELEASING ACQUIRES THE BRIDE

Todo Cine Latino, the speciality label of Paul Hudson’s Outsider Pictures, has signed with sales agent Fortissimo for US distribution rights to Paula Ortiz’s La Novia (The Bride), a notable recent Spanish breakout hit, reaping 12 nominations for Jan’s Spanish Academy Goya Awards. Continuing a distribution alliance, Strand Releasing will handle home entertainment & digital rights. Ortiz won acclaim and a Valladolid fest new director nod for her debut, Chrysalis, a 2011 triptych of love stories. The Bride has turned her, however, from a talent to track to a recognized director. Adapting the most famous stage play of Federico García Lorca, a poet who inspired Leonard Cohen to take up songwriting, Blood Wedding turns on a woman promised to one man but who elopes with a former lover on horseback the same day of her wedding, pursued by the bridegroom, egged on by his tyrannical mother. Their disobedience will have devastating consequences.

BREAKING GLASS PICTURES ACQUIRES THE APOSTATE

Philadelphia based Breaking Glass Pictures (BGP) has acquired all North American distribution rights to The Apostate, the critically acclaimed comedy of Uruguayan – Spanish helmer Federico Veiroj. Breaking Glass CEO Rich Wolff closed the deal with Sandro Fiorin of FiGaFilms after the film’s screening at last month’s Miami International Film Festival. “FiGa Films brings another unique international voice to the US audience,” said Michael Repsch, Breaking Glass SVP of distribution & sales, who has also picked up Geraldine Chaplin toplined drama Sand Dollars from the Miami based distributor in the past. “It’s a privilege to continue our collaboration with Breaking Glass Pictures. They are wonderful partners that will take very good care of The Apostate,” said Fiorin. BGP’s other Spanish language pick ups include Paraguay thriller Seven Boxes and Alex De La Iglesia’s My Big Night. Starting in Sept, 2016, BGP plans a limited theatrical release of the comedy in US & Canada, leading with New York, Los Angeles & Miami, to be followed by a multiplatform rollout, including SVOD and other streaming services.

COLIN’S PLAYGROUND OPTIONS 2 BOOKS

Colin Callender’s production company Playground, whose credits include Hilary Mantel adaptation of Wolf Hall, has optioned 2 books, Fiona Barton’s psychological thriller The Widow & Thomas Grant’s non – fiction account of a lawyer’s life, Jeremy Hutchinson’s Case Stories. The deals follow Playground’s recent optioning of Patrick Kingsleys The New Odyssey — The Story Of Europe’s Refugee Crisis, which will be published in May, 2016 The Widow is about the wife of a man who is accused, and eventually cleared, of kidnapping & murdering a child. Throughout this ordeal, the woman, Jean, stands by her man, the ever loyal & supportive wife, seemingly refusing to believe anything the police or press accused him of. But when he suddenly dies, both the law & the media want answers. Surely Jean must know the truth about what happened? Jeremy Hutchinson’s Case Histories is an entertaining & thought provoking biography of a celebrated British lawyer.

POLLY HILL TO JOIN UK COMMERCIAL BROADCASTER ITV

The controller of BBC drama commissioning, Polly Hill, is to join commercial network ITV as head of drama. Her recent credits have included Doctor Foster, War And Peace & The Night Manager. ITV director of television Kevin Lygo also announced Fri that Optomen managing director Sue Murphy will join ITV commissioning as head of factual entertainment, Siobhan Greene will move from ITV Studios to become ITV commissioning team’s head of entertainment & Peter Davey has been promoted as head of comedy entertainment. ITV also announced that Angela Jain is to succeed Greene as managing director of ITV Studios Entertainment & Rosemary Newell, Discovery Networks International senior VP, content & operations, will become ITV’s head of digital channels & acquisitions. Prior to Hill’s present role, she was BBC’s head of independent drama between 2011 & 2015, where she was responsible for The Missing, The Honorable Woman, Ripper Street, Poldark & Wolf Hall. She joined BBC in 2005 as an executive producer and then became a commissioning editor in 2008. Before joining BBC, she was a producer on Cherished by Gwyneth Hughes, which won the Grierson Award. She worked at Channel 4, where she oversaw the 1st series of Teachers, and started her career working for Verity Lambert, before getting her 1st script – editing job on EastEnders.

DANIEL BATTSEK TO LEAD CHANNEL 4’S MOVIE DIVISION FILM4

Daniel Battsek is to be director of Channel 4’s movie division Film4, following the news that David Kosse is to step down to join STX Entertainment. Battsek will join Film4 in Jul, 2016, relocating to UK from New York after fulfilling his contract as president of Cohen Media Group. Previously, Battsek was president of National Geographic Films, and before that he was president of filmed entertainment at Miramax Films. Kosse will continue working for Film4 during the transition period on a consultancy basis until Oct, 2016. Battsek will inherit Film4’s increased spend of £25 million ($35.2 million) for the year, announced by Channel 4 chief executive David Abraham in Feb, 2016 with the ambition of maintaining similar increased levels of funding in future years. Film4 will continue to seek out partnerships like those announced with Fox Searchlight & FP Films in Feb, 2016 which allow the company to take a greater stake in certain projects.

SUNDANCE INSTITUTE LAUNCHES ITS 1ST THEATRE LAB

US thespians Sandra Oh, Hoon Lee, Deanna Dunagan, their Syrian colleague Hala Omran, & Palestinian playwright Raeda Taha have been tapped as creative advisers participating in the Sundance Institute’s 1st Middle East & North Africa (MENA) Theatre Lab, which will be held in Morocco next month. The lab, which is part of the Sundance Institute’s commitment to support artists from the region, will provide fresh voices from US & MENA with what it calls “a rigorous artistic retreat and new opportunities for cross -cultural discovery, artistic reflection & creative experimentation,” it said in a statement. Under the supervision of Sundance Institute Theatre Program, artistic director Philip Himberg & producing director Christopher Hibma, and led by Middle East & North Africa manager Jumana Al – Yasiri, the institute’s annual Theatre Lab, which is normally held in Utah, will take place on 8th May, 2016 to 29th May, 2016 outside Marrakesh. For over the past 3 decades, the lab has provided critical support &  development to productions, including the 2 most recent Tony Award winners for “Best Musical”, Lisa Kron & Jeanine Tesori, who adapted Fun Home.

NEW ARAB MOVIES TACKLE MORE TOPICAL THEMES

Ever since the Arab Spring in 2011 sparked a wave of uprisings that fuelled hopes of transformation & transition from dictatorships to democracy’s, Arab directors have felt compelled to depict the complex changes going on in their nations. Now, some are feeling a greater urgency to take on themes surrounding the Islamic State group & terrorism, while still tackling issues of immigration & stultifying cultural mores. Producers in Paris & Brussels, cities still reeling from recent Muslim extremist attacks, are proving crucial in shepherding films that address pressing Arab topics, as are institutions in the Arab world, such as the Doha Film Institute’s Qumra workshop, which took place 4th Mar, 2016 to 9th Mar, 2016 in Doha. Belgium’s venerable Dardennes brothers served as co – producers for Tunisian director Mohamed Ben Attia’s timely drama Hedi, a subtle, taboo -breaking love story largely set in Tunisian beach resorts devoid of tourists after the deadly 2015 ISIS attack on a hotel in the resort town of Sousse. Tunisia’s Dora Bouchoucha Fourati, the main producer on Hedi, was among a group of global industryites who attended Qumra. Projects on display there indicate that young Arab directors have social & political themes on their minds, as well as deeper issues pertaining to terrorism. “Quite a few of the projects reflect the world that we live in,” Palestinian auteur Elia Suleiman said of the 33 DFI – backed works chosen for pitching & feedback sessions, script consultations & rough cut screenings.

ROOM SWEEPS IRISH FILM & TELEVISION AWARDS

Lenny Abrahamson’s Room, for which lead actress Brie Larson won an Oscar, was the big winner at the Irish Film & Television Academy Awards on Sun. The film, produced by Ireland’s Element Pictures, won 7 awards, including film, director for Abrahamson, and script for Emma Donoghue. Larson won the award for international actress, while its other prizes were for editing, original music & sound. Brooklyn earned awards for lead actress Saoirse Ronan & supporting actress Jane Brennan. Michael Fassbender picked up the award for lead actor for Steve Jobs, and the supporting actor honor went to Jack Reynor for Sing Street. Leonardo DiCaprio was named best international actor for The Revenant, and Spotlight was voted top international film. On the TV drama side, Abú Media’s Irish language series An Klondike won 4 awards, including best drama and actor for Dara Devaney. The supporting actor honor went to Moe Dunford for Vikings, while the supporting actress prize went to Sarah Greene for Penny Dreadful. Stephen Fingleton, the director of feature film The Survivalist, won the Rising Star Award, while the feature documentary trophy went to Ken Wardrop’s Mom & Me. Liam Neeson received the IFTA Outstanding Contribution to Cinema Award, recognition for his 3 decades career in cinema.

TVP BOARDS GLOBO’S EPIC SUPERMAX

Pubcaster Television Publica De Argentina (TVP) has boarded Globo’s epic Spanish language production Supermax, to which Argentine film maker Daniel Burman is attached as showrunner, director & co – producer via his shingle Oficina Burman.
TV Azteca has snagged the Mexican TV rights. As a co -producer, TVP has secured Argentine broadcasting rights to the high – end thriller series. Argentina’s minister of media & public content, Hernan Lombardi, joined with Raphael Correa Netto, Globo’s executive director of international business, and with Burman to unveil the new pact. “This co – production is part of a strategic vision aimed at generating high – quality projects for the region by tapping our wealth of human talent & premier locations,” said Lombardi. “It’s a starting point toward spurring our local industries and bringing our audiovisual productions to the global market,” he added.

INSANE LANDS ON TOP & BATMAN V SUPERMAN: DAWN OF JUSTICE TUMBLES

R – rated local thriller Insane debuted on top of the Korean box office, ousting Batman V Superman: Dawn Of Justice. Earning $2.6 million from 355,000 admissions between Thurs & Sun, the picture accounted for 30% of the total weekend box office. Insane recounts the story of a woman taken to a psychiatric hospital against her will in broad daylight. Zootopia remained in 2nd. The Walt Disney animation made $1.59 million between Fri & Sun, extending its total to $26.7 million after 8 weekends. Opening on Thurs, newcomers 10 Cloverfield Lane, Eddie The Eagle & Trumbo landed in 3rd, 4th & 6th places, respectively. Distributed by Lotte Entertainment, Cloverfield earned $1.7 million over 4 days. Eddie The Eagle scored $985,000. Trumbo earned $233,000. Batman V Superman: Dawn Of Justice tumbled to 5th, with a drop of 70%. The superhero movie earned $781,000 between Fri & Sun, for a total of $15.9 million after 3 weekends. Re – released after 2 decades, Before Sunrise opened in 7th. The melodrama earned $157,000 between Thurs & Sun. Opening on the same day, US & Chile co – produced The 33 made $232,500.

ALIVE WINS WILDFLOWER FILM AWARDS

Labor drama Alive was named Grand Prize winner at South Korea’s Wildflower Film Awards on Thur. Park Jung -Bum directed & starred in the tale of a broke laborer’s struggle for survival. Last year’s Cannes entry, Madonna earned Shin Su won the best director prize & Kwon So – Hyun the best new actor prize. E I’ll – Ha earned the best documentary director award for A Crybaby Boxing Club, a portrait of a Korean after school club in Japan. Jung Jae – Young won best actor for Right Now, Wrong Then by veteran Hong Sang – Soo. Singer – actress Lee Jung -Hyun took the best actress award for director Ahn Gooc – Jin’s cruel labor drama, Alice In Earnestland. The Wildflower Awards were launched in 2014 by former Variety correspondent Darcy Paquet, and film critic Oh Dong – Jin, as a grassroots effort to recognise Korean independent & low – budget films.

SCREENX TARGETS HOLLYWOOD & CHINA

China these days is in love with all things culturally Korean, from TV shows to boy bands. Hoping to expand that trend is the cinema technology arm of Korean exhibition firm CJ – CGV, itself a sister company of the powerhouse producer & distributor CJ Entertainment. Having previously launched 4DX, a successful re-invention of the moving seats & environmental effects concept, CJ – CGV is now doing business with
ScreenX immersive technology. Next week it will take the kit to the CinemaCon convention in Las Vegas for the 2nd time. There it will be targeting not just North American theaters, but Chinese exhibitors in attendance who are currently opening thousands of new cinemas per year. China’s Wanda Cinema Line has been one of the 1st companies outside Korea to adopt ScreenX and Chinese smash hit Mojin: The Lost Legend, which Wanda co -produced with Huayi Brothers & Enlight Media, was one of the 1st foreign movies to be engineered for the ScreenX experience.

LONDON HAS FALLEN OPENS ON TOP

New release, London Has Fallen landed on the top of the Chinese Box Office in what was a quiet weekend at the movies. Released on Fri, the disaster action film topped the charts on each day of the session and finished with $24.0 million after 3 days. Amongst the recent Chinese releases, Chongqing Hotpot was the strongest through the weekend. In 2nd throughout the weekend, it added $11.0 million to claim $48.0 million after 10 days. With a strong Sat & Sun following a quiet Fri, Zootopia added $6.20 million in 3 days. Its run has been extended by Chinese regulators and after 38 days it has amassed a cumulative of $232 million. It is now the 2nd biggest score of the year, only behind The Mermaid. Chinese action picture, The Bodyguard slipped from 1st place to 4th. It earned $6.20 million over the weekend, for a 10 day cumulative of $45.3 million. Batman V Superman: Dawn Of Justice lost a further 78% and slipped from 4th to 5th place as it scored $2.81 million. After 17 days the picture has amassed $94 million. Chinese film, Who Sleeps My Bro earned $2.23 million. After 10 days it has a cumulative of $17.8 million. The Revenant played on, adding $530,000, nudging its cumulative to $57.9 million after 24 days.

BRETT RATNER – DANIS  TANOVIC – YOJIRO TAKITA JOIN BEJING FESTIVAL JURY

Brett Ratner, a regular visitor to China, is heading the jury at the Beijing International Film Festival which got underway from 6th Apr, 2016 to 23rd Apr, 2016 in the Chinese capital. The films in the competition section will compete for up to 10 Tiantan Awards. The festival is playing 433 movies from 42 territories, and 15 will be in competition. The other jurors include Hong Kong director Teddy Chan, German’s Florian Henckel Von Donnersmarck, Romania’s Corneliu Porumboiu, Japanese director Yojiro Takita, European director Danis Tanovic & Chinese actress Xu Qing, who recently starred in hit Mr. Six. Ratner is currently riding high in China with The Revenant which his RatPac Entertainment co – produced. He was also recently in Hong Kong & China as producer of one of the films on the inaugural slate of Flagship Entertainment, the joint venture between Warner Bros., China Media Capital & TVB.
Ever since the Arab Spring
in 2011 sparked a wave of uprisings that fuelled hopes of transformation & transition from dictatorships to democracy’s, Arab directors have felt compelled to depict the complex changes going on in their nations. Now, some are feeling a greater urgency to take on themes surrounding the
Islamic State group & terrorism, while still tackling issues of immigration & stultifying cultural mores. Producers in Paris & Brussels, cities still reeling from recent Muslim extremist attacks, are proving crucial in shepherding films that address pressing Arab topics, as are institutions in the Arab world, such as the Doha Film Institute’s Qumra workshop, which took place 4th Mar, 2016 to 9th Mar, 2016 in Doha. Belgium’s venerable Dardennes brothers served as co – producers for Tunisian director Mohamed Ben Attia’s timely drama Hedi, a subtle, taboo -breaking love story largely set in Tunisian beach resorts devoid of tourists after the deadly 2015 ISIS attack on a hotel in the resort town of Sousse. Tunisia’s Dora Bouchoucha Fourati, the main producer on Hedi, was among a group of global industryites who attended Qumra. Projects on display there indicate that young Arab directors have social & political themes on their minds, as well as deeper issues pertaining to terrorism. “Quite a few of the projects reflect the world that we live in,” Palestinian auteur Elia Suleiman said of the 33 DFI – backed works chosen for pitching & feedback sessions, script consultations & rough cut screenings.

ROOM SWEEPS IRISH FILM & TELEVISION AWARDS

Lenny Abrahamson’s Room, for which lead actress Brie Larson won an Oscar, was the big winner at the Irish Film & Television Academy Awards on Sun. The film, produced by Ireland’s Element Pictures, won 7 awards, including film, director for Abrahamson, and script for Emma Donoghue. Larson won the award for international actress, while its other prizes were for editing, original music & sound. Brooklyn earned awards for lead actress Saoirse Ronan & supporting actress Jane Brennan. Michael Fassbender picked up the award for lead actor for Steve Jobs, and the supporting actor honor went to Jack Reynor for Sing Street. Leonardo DiCaprio was named best international actor for The Revenant, and Spotlight was voted top international film. On the TV drama side, Abú Media’s Irish language series An Klondike won 4 awards, including best drama and actor for Dara Devaney. The supporting actor honor went to Moe Dunford for Vikings, while the supporting actress prize went to Sarah Greene for Penny Dreadful. Stephen Fingleton, the director of feature film The Survivalist, won the Rising Star Award, while the feature documentary trophy went to Ken Wardrop’s Mom & Me. Liam Neeson received the IFTA Outstanding Contribution to Cinema Award, recognition for his 3 decades career in cinema.

TVP BOARDS GLOBO’S EPIC SUPERMAX

Pubcaster Television Publica De Argentina (TVP) has boarded Globo’s epic Spanish language production Supermax, to which Argentine film maker Daniel Burman is attached as showrunner, director & co – producer via his shingle Oficina Burman.
TV Azteca has snagged the Mexican TV rights. As a co -producer, TVP has secured Argentine broadcasting rights to the high – end thriller series. Argentina’s minister of media & public content, Hernan Lombardi, joined with Raphael Correa Netto, Globo’s executive
director of international business, and with Burman to unveil the new pact. “This co – production is part of a strategic vision aimed at generating high – quality projects for the region by tapping our wealth of human talent & premier locations,” said Lombardi. “It’s a starting point toward spurring our local industries and bringing our audiovisual productions to the global market,” he added.

INSANE LANDS ON TOP & BATMAN V SUPERMAN: DAWN OF JUSTICE TUMBLES

R – rated local thriller Insane debuted on top of the Korean box office, ousting Batman V Superman: Dawn Of Justice. Earning $2.6 million from 355,000 admissions between Thurs & Sun, the picture accounted for 30% of the total weekend box office. Insane recounts the story of a woman taken to a psychiatric hospital against her will in broad daylight. Zootopia remained in 2nd. The Walt Disney animation made $1.59 million between Fri & Sun, extending its total to $26.7 million after 8 weekends. Opening on Thurs, newcomers 10 Cloverfield Lane, Eddie The Eagle & Trumbo landed in 3rd, 4th & 6th places, respectively. Distributed by Lotte Entertainment, Cloverfield earned $1.7 million over 4 days. Eddie The Eagle scored $985,000. Trumbo earned $233,000. Batman V Superman: Dawn Of Justice tumbled to 5th, with a drop of 70%. The superhero movie earned $781,000 between Fri & Sun, for a total of $15.9 million after 3 weekends. Re – released after 2 decades, Before Sunrise opened in 7th. The melodrama earned $157,000 between Thurs & Sun. Opening on the same day, US & Chile co – produced The 33 made $232,500.

ALIVE WINS WILDFLOWER FILM AWARDS

Labor drama Alive was named Grand Prize winner at South Korea’s Wildflower Film Awards on Thur. Park Jung -Bum directed & starred in the tale of a broke laborer’s struggle for survival. Last year’s Cannes entry, Madonna earned Shin Su won the best director prize & Kwon So – Hyun the best new actor prize. E I’ll – Ha earned the best documentary director award for A Crybaby Boxing Club, a portrait of a Korean after school club in Japan. Jung Jae – Young won best actor for Right Now, Wrong Then by veteran Hong Sang – Soo. Singer – actress Lee Jung -Hyun took the best actress award for director Ahn Gooc – Jin’s cruel labor drama, Alice In Earnestland. The Wildflower Awards were launched in 2014 by former Variety correspondent Darcy Paquet, and film critic Oh Dong – Jin, as a grassroots effort to recognise Korean independent & low – budget films.

SCREENX TARGETS HOLLYWOOD & CHINA

China these days is in love with all things culturally Korean, from TV shows to boy bands. Hoping to expand that trend is the cinema technology arm of Korean exhibition firm CJ – CGV, itself a sister company of the powerhouse producer & distributor CJ Entertainment. Having previously launched 4DX, a successful re-invention of the moving seats & environmental effects concept, CJ – CGV is now doing business with
ScreenX immersive technology. Next week it will take the kit to the CinemaCon convention in Las Vegas for the 2nd time. There it will be targeting not just North American theaters, but Chinese exhibitors in attendance who are currently opening thousands of new cinemas per year. China’s Wanda Cinema Line has been one of the 1st companies outside Korea to adopt ScreenX and Chinese smash hit Mojin: The Lost Legend, which Wanda co -produced with Huayi Brothers & Enlight Media, was one of the 1st foreign movies to be engineered for the ScreenX experience.

LONDON HAS FALLEN OPENS ON TOP

New release, London Has Fallen landed on the top of the Chinese Box Office in what was a quiet weekend at the movies. Released on Fri, the disaster action film topped the charts on each day of the session and finished with $24.0 million after 3 days. Amongst the recent Chinese releases, Chongqing Hotpot was the strongest through the weekend. In 2nd throughout the weekend, it added $11.0 million to claim $48.0 million after 10 days. With a strong Sat & Sun following a quiet Fri, Zootopia added $6.20 million in 3 days. Its run has been extended by Chinese regulators and after 38 days it has amassed a cumulative of $232 million. It is now the 2nd biggest score of the year, only behind The Mermaid. Chinese action picture, The Bodyguard slipped from 1st place to 4th. It earned $6.20 million over the weekend, for a 10 day cumulative of $45.3 million. Batman V Superman: Dawn Of Justice lost a further 78% and slipped from 4th to 5th place as it scored $2.81 million. After 17 days the picture has amassed $94 million. Chinese film, Who Sleeps My Bro earned $2.23 million. After 10 days it has a cumulative of $17.8 million. The Revenant played on, adding $530,000, nudging its cumulative to $57.9 million after 24 days.

BRETT RATNER – DANIS  TANOVIC – YOJIRO TAKITA JOIN BEJING FESTIVAL JURY

Brett Ratner, a regular visitor to China, is heading the jury at the Beijing International Film Festival which got underway from 6th Apr, 2016 to 23rd Apr, 2016 in the Chinese capital. The films in the competition section will compete for up to 10 Tiantan Awards. The festival is playing 433 movies from 42 territories, and 15 will be in competition. The other jurors include Hong Kong director Teddy Chan, German’s Florian Henckel Von Donnersmarck, Romania’s Corneliu Porumboiu, Japanese director Yojiro Takita, European director Danis Tanovic & Chinese actress Xu Qing, who recently starred in hit Mr. Six. Ratner is currently riding high in China with The Revenant which his RatPac Entertainment co – produced. He was also recently in Hong Kong & China as producer of one of the films on the inaugural slate of Flagship Entertainment, the joint venture between Warner Bros., China Media Capital & TVB.

New release, London Has Fallen landed on the top of the Chinese Box Office in what was a quiet weekend at the movies. Released on Fri, the disaster action film topped the charts on each day of the session and finished with $24.0 million after 3 days. Amongst the recent Chinese releases, Chongqing Hotpot was the strongest through the weekend. In 2nd throughout the weekend, it added $11.0 million to claim $48.0 million after 10 days. With a strong Sat & Sun following a quiet Fri, Zootopia added $6.20 million in 3 days. Its run has been extended by Chinese regulators and after 38 days it has amassed a cumulative of $232 million. It is now the 2nd biggest score of the year, only behind The Mermaid. Chinese action picture, The Bodyguard slipped from 1st place to 4th. It earned $6.20 million over the weekend, for a 10 day cumulative of $45.3 million. Batman V Superman: Dawn Of Justice lost a further 78% and slipped from 4th to 5th place as it scored $2.81 million. After 17 days the picture has amassed $94 million. Chinese film, Who Sleeps My Bro earned $2.23 million. After 10 days it has a cumulative of $17.8 million. The Revenant played on, adding $530,000, nudging its cumulative to $57.9 million after 24 days.

BRETT RATNER – DANIS TANOVIC – YOJIRO TAKITA JOIN BEJING FESTIVAL JURY

Brett Ratner, a regular visitor to China, is heading the jury at the Beijing International Film Festival which got underway from 6th Apr, 2016 to 23rd Apr, 2016 in the Chinese capital. The films in the competition section will compete for up to 10 Tiantan Awards. The festival is playing 433 movies from 42 territories, and 15 will be in competition. The other jurors include Hong Kong director Teddy Chan, German’s Florian Henckel Von Donnersmarck, Romania’s Corneliu Porumboiu, Japanese director Yojiro Takita, European director Danis Tanovic & Chinese actress Xu Qing, who recently starred in hit Mr. Six. Ratner is currently riding high in China with The Revenant which his RatPac Entertainment co – produced. He was also recently in Hong Kong & China as producer of one of the films on the inaugural slate of Flagship Entertainment, the joint venture between Warner Bros., China Media Capital & TVB.

Filed Under: Film Tagged With: Film, Movie

Movie Review: ‘Traffic’ is a must watch film for one & all to encourage good cinema

May 9, 2016 by Shaheen Raaj

Traffic

Producer: Deepak Dhar, Sameer Gogate & Sameer Rajendran
Director: Late Rajesh Pillai
Star Cast: Manoj Bajpayee, Jimmy Shergill, Prosenjit Chatterjee, Amol Parashar, Vishal Singh, Parambrata Chatterjee, Divya Dutta & Sachin Khedekar

Traffic is a must watch film for one & all to encourage good cinema and also for the producer’s efforts to recreate such true stories. Traffic also seems to be loosely inspired by a Mexican film Amores Pores, besides it is also a remake of the late director Rajesh Pillai’s earlier Tamil & Malyalam film of the same name.

A freak bike & car accident in which a surgeon’s (Sachin Khedekar) son Rehan Ali (Vishal Singh) & his friend Rajeev (Amol Parashar) besides a superstar’s (Prosenjit Chatterjee) daughter are involved upsets many lives around them which include a traffic cop (Manoj Bajpayee) & a surgeon (Parambrata Chatterjee).

The late director Rajesh Pillai’s superb direction, the gripping script by Sanjay & Bobby and above all, the entire coterie of actor’s heart warming performances literally keeps you hooked as well as speechless.

Minuses: Traffic is based on a true story which flawlessly tells the story of how a person’s heart was transported from one city to another by road in just 150 minutes, so that it can be transplanted into a dying little girl.

Filed Under: Film Tagged With: Bollywood, Film, Movie, Movie Review, Traffic

An interview with Tanuj Virwani, of ‘One Night Stand’ Fame

May 7, 2016 by Shaheen Raaj

Photo: Mazale

Photo: Mazale

Tanuj Virwani, the son of Veteran actress Rati Agnihotri, a chip of the old block has had a very shaky start to his filmic career. As both his two releases Purani Jeans and Love U Soniye did not create any wonders on the Box Office turnstiles. And now his hat trick film namely One Night Stand is on the verge of release. And Tanuj Virwani is keeping his fingers and toes crossed.

What went wrong with Purani Jeans and Love U Soniye?

Actually, no one can predict as to what will go wrong with a particular film that you are acting in. I guess a lot can go wrong. Sometimes the idea, the concept that has been narrated to you initially does not translate well by the time it appears on the big screen.

How did you bag your hat trick film One Night Stand?

You see after the dismal performance of two of my earlier films I was very cautious in picking my roles. In fact I had even signed up with an agency. And I had done quite a few auditions for them which they obviously liked it and a couple of days later I got a call from them saying that there is this film offer for you with Sunny Leone called One Night Stand. And I thought they were just pulling my leg. But nevertheless when I auditioned for it, I knew that this was the film I would love to do it.

But it seems Sunny Leone has a meatier role in it.

Obviously she has. But my role is equally on par with her role. If she has shot for 50 days then I have shot at least 45 days. Besides I have just done three films and Sunny Leone is already a star in her own right. And to be very honest I was never in awe of her nor intimidated by her throughout the shoot.

Out of the 3 films you have acted in till this date two have been directed by woman directors. How come?

Search me I wouldn’t know but it was lovely working with them and who knows my next three films may be directed only by male directors.

So what is One Night Stand all about?

It’s all about Generation X and the varied issues of today’s youth. They meet and they interact on totally different levels. One such couple is me and Sunny and one day after downing a couple of drinks something happens which is termed as One Night Stand but the truth is something else and that forms the crux of the story of One Night Stand.

But the title One Night Stand seems like it may be an erotica oriented film. Right?

No sir its nothing like that. Of course keeping in mind the subject of the film there are some scenes but they are very aesthetically shot and do not at all border on vulgarity.

How was it working with a woman director Jasmine?

Jasmine’s husband Anthony D’Souza is already a well – known director in his own right. And Jasmine too is a very sensitive director. She even gave us a lot of leeway to improvise. And it was a great learning experience to work with Jasmine as well as Sunny.

So what’s next in the pipeline?

Actually nothing as yet. I hope my hat trick film is liked by one and all. Besides I want to choose the right kind of project in future.

Filed Under: Film Tagged With: Bollywood, Film, Movie, Tanuj Virwani

Movie Review: ‘Santa Banta Pvt Ltd’ can easily be termed as the most senseless & boringly routine film

May 2, 2016 by Shaheen Raaj

Santa Banta Pvt Ltd

Director: Akashdeep Sabir
Star Cast: Boman Irani, Vir Das, Neha Dhupia, Lisa Haydon, Johnny Lever, Ram Kapoor, Sanjay Mishra, Ayub Khan et al
Music: Jaidev Kumar, Jassi Katyal & Nadeem -Amjad

Santa Singh & Banta Singh are the globally famed iconic characters just like the Hollywood characters Laurel & Hardy. But director Akashdeep Sabir in lieu with his writing team has made a complete mess of the lively characters of Santa & Banta. It is better to read a joke book on Santa & Banta rather than watching this completely messed up film Santa Banta Pvt Ltd.

The scripted scenario of Santa Banta Pvt Ltd starts off with the animated introduction of 2 best friends namely Santeshwar Singh Solad aka Santa (Boman Irani) & Banteshwar Singh Bolad aka Banta (Vir Das) leading their crazy but simple lives in Punjab. Meanwhile, in Fiji, the High Commissioner Shankar (Ayub Khan) suddenly gets kidnapped under mysterious circumstances, an incident that causes immense unrest amongst the RAW (Research & Analysis Wing) officials in India as well as in Fiji. The Indian RAW officials, then, plan to send 2 secret agents Santa & Banta in order to rescue Shankar. When the Indian RAW officer (Vijay Raaz) fails to track down the RAW assigned Santa & Banta, he gets petrified & scared. That’s when he bumps upon the Santa – Banta namesake in the form of Boman Irani & Vir Das. The duo, then, get transported to Fiji with the sole objective of tracing Shankar. When Santa -Banta reach Fiji, what happens after that is beyond their imagination. Out there, they land up meeting Shankar’s wife Kareena Roy (Neha Dhupia), Shankar’s best friend Sonu Sultan (Ram Kapoor) & also Fiji’s RAW agents Cutie (Lisa Haydon) & Akbar Illahabaadi (Sanjay Mishra) and the ‘gang’ of Kukri yielding Nepal’s No. 1 Don (Johnny Lever). After their initial hiccups while ‘investigating’ the case, one fine day Kareena Roy meets Santa & Banta and confesses that she has a strong feeling that her husband has not been kidnapped, but, he has gone underground on his own. In the meantime, Sonu Sultan discovers the truth about Santa & Banta and engages his henchmen to bump them off.

Once again we would like to say that director Akashdeep Sabir and his writing team have failed miserably or was this just a ploy to have an entertaining wining & dining holiday in Fiji at the expense of the producer, the financer & the cinegoers all rolled into one. The poor sufferers!

Performance wise only Boman Irani & Vir Das bring a very few moments of laughter in the entire dull & routine proceedings of the film. As for the heroines Neha Dhupia & Lisa Haydon, they are nothing better than glamour doll. While Boman Irani & Vir Das hold the fort throughout the film, the rest of the cast comprising of seasoned actors like
Johnny Lever, Ram Kapoor, Sanjay Mishra, Ayub Khan et al were so busy holidaying in Fiji that they have just sleep walked through the entire film.

Tail Piece: No more comments please but if you are still keen to see Santa Banta Pvt Ltd, do so at your own risk.

Filed Under: Film Tagged With: Bollywood, Film, Movie, Movie Review, Santa Banta Pvt Ltd

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