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You are here: Home / Archives for Culture & Society

Crime branch sends notice to Muthappa Rai for ‘puja’ to guns

October 20, 2018 by Nasheman

N Muthappa Rai, former gangster, activist, president of the Karnataka Athletics Association has received a notice from the Central Crime Branch police after he posted a video on social media performing a puja on arms and lethal weapons during the Ayudha Puja event .

In the video, Rai was seen with long guns and machetes. The video went viral on social media.

The Assistant Commissioner of Police of the Organised Crime Wing issued a notice to Rai on Friday, seeking an explanation and the documents to own the weapons.

Another police officer expressed concern that such a display would induce fear among people.

PTI

Filed Under: Culture & Society

Woman asked to shun hijab at work or resign,

October 20, 2018 by Nasheman

A woman worker of a software firm in Pakistan was told to either stop wearing hijab at workplace or resign, in perhaps the first incident of its kind in the Muslim-majority country.

The incident caused an uproar on social media, leading to the resignation of Chief Executive Officer Jawwad Kadir of the Creative Choas company.

She was told that she could keep her job only if she took off her hijab by her line manager who said that wearing hijab would spoil the company’s image as an “all-embracing” workplace.

The woman said that she was offered alternative jobs in two Islamic banks if she left.

Kadir initially tried to downplay the incident by issuing an apology.

“Yesterday, a senior member of our staff asked a colleague to resign on unprofessional and unethical grounds. She was told that her obligations may come in the way of her performance,” Kadir said.

“Not only is this action disgraceful but shows extremely poor moral judgement by her hiring manager. I take full responsibility for this failure and am deeply ashamed that a colleague was put through distress and trauma,” he said.

Kadir said the victim has been asked to withdraw her resignation and resume her job.

A Facebook post detailing the trauma faced by the hijab-wearing woman caused a hue and cry with majority of people terming it as discrimination against the woman.

The software firm in a Facebook post later said Kadir had been asked to step down “for workplace discrimination”.

In an email sent to the board members and associates, titled “My apology is not enough”, Kadir said he was resigning as the CEO of the software house.

“I have crossed a line which I deeply regret,” he wrote in the email, a copy of which was available on social media.

PTI

Filed Under: Culture & Society

Devotees allow woman of 52 at Sabarimala

October 20, 2018 by Nasheman


A 52-year-old woman devotee from Trichy in Tamil Nadu on Saturday faced angry devotees ahead of her darshan at Kerala’s Sabarimala temple as they surrounded her before the last few hallowed steps.

Dressed in a blue saree, Latha, who was accompanied by her husband and son, was stopped as Sabarimala traditionalists were on the look-out for women within the hitherto barred ages suspected her age and started shouting Ayyappa slogans.

They surrounded her as they assumed she was below 50 years, who were for centuries barred from entering the temple.

Ever since this practice was overruled by the Supreme Court’s September 28 verdict, the hilltop shrine has turned into a war zone since October 17 when the temple doors opened for the first time after the decision.

The couple on Saturday tried to explain that Latha has not broken any rules. That she was here at the temple in the past two years, but their pleas fell on deaf ears.

It was only after senior BJP leader K. Surendran and others rushed to the spot detecting the commotion that the devotees allowed Latha passage to the sanctum sanctorum after checking her identification card.

The family then went up the hallowed 18 steps and performed the darshan.

Later she said the minor disturbance ahead of her darshan has hurt her as she had taken all the penance traditionally required for the Lord Ayyappa temple pilgrimage.

Three women were on Friday stopped from visiting the Ayyappan shrine despite police protection. Temple Tantri has threatened to close the Sabarimala temple if attempts were made by women of the barred age group to perform darshan.

Filed Under: Culture & Society

2 killed in UP on Dussehra

October 20, 2018 by Nasheman

Two minors were killed and one woman was injured in accidents and violent clashes reported from many parts of Uttar Pradesh during the idol immersion procession of Goddess Durga, police said on Saturday.

A minor girl and a teenage boy died while a woman sustained bullet injuries during the Vijaya Dashmi festivities late on Friday.

At least a dozen persons have been injured in similar incidents, a government official told IANS, adding that most of the violence was reported from Agra, Kaushambi and Sultanpur.

A seven-year-old girl was run over by a tractor during an immersion procession at Kusa village in Jaunpur. She died on the spot. While a 15-year-old boy, identified as Lokesh of Kutiliya village drowned in a pond during the immersion at Khuljan Devi Dham pond in Pratapgarh.

Anita Singh, 35, sustained bullet injuries during celebratory firing by revellers in the Vikrampur village of Pratapgarh district.

In Sultanpur, there were clashes in Kurebhar area. Police reinforcements was rushed to control the mob.

In Kaushambi, the situation went out of control when immersion procession revellers in Nara village accidentally threw some dry colours on a mosque wall.

Protests turned violent leading to injuries to at least four persons. Stones were pelted from both sides, a police officer said.

There was tension in Badaut of Bagpat district. Clashes broke out after two girls who had come to witness Dussehra Dusshera effigy burning at the Digambar Jain College complained of misbehaviour by some men.

“There was a minor scuffle and the accused were immediately taken into custody,” a police officer said.

In Khandauli area of Agra, clashes broke out after disagreement over the route of the procession in Nagla Asha.

All injured have been admitted to hospitals and police is patrolling the violence hit areas.

Filed Under: Culture & Society

Women skip Sabarimala temple after huge protests

October 19, 2018 by Nasheman

Huge protests by hundreds of devotees at the entrance of Sabarimala temple forced the Kerala Police accompanying two women on Friday to call off their journey towards the Lord Ayyappa shrine.

At 10.50 a.m., Kavita, the Hyderabad-based journalist and her four member crew along with another woman devotee Rehna Fathima from Kochi, began their descend towards Pamba foothills of the temple.

It was around 6.45 a.m., when the two women accompanied by a 100 policemen led by Inspector General of Police S.Sreejith started their two-hour climb. Twenty led them from the front while 80 officers backed them.

In a never-before move, around 30 employees attached to the temple tantri and the chief priest went on protest as they stopped their rituals and sat down in front of the hallowed 18 steps leading to the sanctum santorum and sang Ayyappa hymns after they heard that the two women were about to reach the shrine.

When the group reached the first entry point to the temple, hundreds of protesters were lying on the road leading to the hilltop temple.

Soon Sreejith received a call. He told the protesters that the government has decided not to use force and asked them to relent.

“Now I have to talk to the two women, who also have their rights according to the Supreme Court directives and it too has to be protected. Please do not create any disturbances here, but you can continue to chant the hymns,” said Sreejith.

After an hour, Sreejith told the media that he had a word with the temple tantri who categorically told him he would be forced to close down the temple if there was any violation of tradition and faith.

“So we told the two women about it and they also decided to abandon their trek and return, asking for protection till they reached home,” Sreejith said, adding that would be provided. “So we are taking them back.”

However, Kerala Minister of Devasoms, Kadakampally Surendran told the media here that they have come to know that the two women were actually activists.

“After coming to know that, it becomes our duty to protect the rights of the devotees and not that of activists.

“Our request to women activists is not to ply their trade in hallowed places. The police should have been more cautious. They should have found out more about these women. The state government is duty-bound to protect the rights of the devotees,” said Surendran.

Fathima’s house in Kochi was meanwhile damaged by angry devotees.

“We have just come here after hearing about the damage caused to her home. We do not know if there were other residents around,” said a police official.

Fathima works with the BSNL in Kochi and lives with her partner. Both had started out for the temple.

“There are no separate rule of law for activists, or others. There is only one law. She is not an activist and she has the right to go and pray as per the apex court directive,” said Fathima’s partner who is a news producer, who along with his team is present at the protest venue.

BSNL has issued a statement saying it was not connected with Rehana Fathima’s action, who is a staff of their Ernakulam Business Area.

“Outside BSNL premises, Rehana Fathima alone shall be fully responsible for her action in her own personal capacity outside the normal business hours.

“This is in no way related to the written assigned official responsibilities, as per BSNL conduct and service rules and regulations,” the statement said.

When the police along with the two women were on their ascend, the temple Tantri family and members of the Pandalam royal family went into a huddle.

They were considering closing down of the temple in order to stop the women from entering, according to informed sources.

Kerala Governor P. Sathasivam summoned police chief Loknath Behra to his office and spoke to him about the overall situation.

Devasom Minister Surendran spoke to state CPI-M Secretary Kodiyeri Balakrishnan and lashed out at the state government and Sreejith for violating the Kerala Police Act Rule 43.

“According to the Rules, none other than a police official can use their dress or their equipment. We wish to know how come Sreejith allowed the two women to use police uniform and helmet.

“This destroys the sanctity of the Sabarimala temple. We warn the Kerala government not to try tricks to forcefully impose the apex court verdict,” said Surendran.

The temple opened its doors on Wednesday for the first time since the September 28 Supreme Court verdict that allowed women from the 10-50 age group to enter the famed shrine.

On Thursday, there was a dawn-to-dusk shutdown across Kerala called by outfits owing loyalty to Hindu groups and the BJP.

IANS

Filed Under: Culture & Society

Islamic scholars speak against extremism, for modernisation

October 19, 2018 by Nasheman

Grand muftis, Islamic religious leaders, from 73 countries on Thursday concluded here a three-day conference aimed at moderating how religious figures discuss Islam so as to counter the effects of extremism and increase the involvement of Muslim youth in peaceful displays of their faith.

During the fourth edition of the conference, held in Cairo and focused on the issuance of “fatwa” – religious guidelines promulgated by religious leaders, participants discussed a broad spectrum of topics, including organ transplants, divorce and stem cells.

“Our main concern in this summit is to redefine fatwa and reclaim fatwa from the radicals,” Ibrahim Negm, adviser to Egyptian Grand Mufti Shawki Allam told Efe.

Touching on topics ranging from divorce and marriage practices to inheritance and scientific activities, a fatwa is released publically as a way for Muslims to live an involved and connected spiritual life in the modern world.

“Our purpose is to revisit the Muslim tradition and … the heritage (writen in) books hundreds of years ago. We want to read them afresh in the light of contemporary issues. We are living in the 21st century, we are living in a global village and this has impacted how fatwas are issued,” Negm added.

The conference also discussed women’s rights and the use of the “niqab,” the long Muslim women’s gown and veil which completely covers the body and face.

“We emphasize the essence rather than the form … the way people dress is different from one Muslim country to another, so you have in the Gulf a certain way of dressing while in Egypt the way Muslims dress is different … (The same is the case) in Turkey. Meanwhile, in Europe Muslim (men and women dress in a different way), this is based on customs and traditions of Muslim community,” Negm stressed.

Negm announced that religious leaders will “launch an online portal that reaches young people and speaks to them in different languages”.

IANS

Filed Under: Culture & Society

Global Film Festival Round Up

October 19, 2018 by Shaheen Raaj

Singer Atif Aslam’s Enthralling Performance Brings The 2nd Edition Of Singapore South Asian International Film Festival (Sg.Saiff) To A Close

Singer Atif Aslam’s enthralling performance brings the 2nd edition of Singapore South Asian International Film Festival (Sg.Saiff) to a close

The crowd of 1500 people was completely spellbound by the electrifying performance of Atif Aslam on the closing night held at glittering gala night at Resorts World Sentosa in Singapore on the night of 14th Oct, 2018.

The winners include Atanu Ghosh’s Mayurakshi which won “Best Feature Film Award”, Miransha Naik won “Best Director award for his debut feature, Juze, Syed Zaigham Imam won the award for “Emerging Filmmaker Of The Year”, Binodini won “Best Short Film”.

Singapore South Asian International Film Festival (Sg.Saiff) held was a 10 day extravaganza of sublime cinema which represented a diverse mix of feature films, short films & documentaries from India, Bangladesh, SriLanka, Pakistan, Nepal &Afghanistan. The festival was packed with multiple panel discussions, master classes, 1st ever edition of the South Asian Film Market (SAFM), red carpet opening & a grand closing ceremony had set the pulse of the Singapore cinephiles racing.

The winner filmmakers Atanu Ghosh director of Mayurkashi averred, “Rarely do you come across such eminent people comprising the jury board & I felt so honored & humbled to receive the awards. The ambience was electrifying & with such enthusiastic participation of filmmakers, I am sure this festival is fast shaping up as a very important platform for independent films from South Asia.”

Talking about this year’s edition Abhayanand Singh, Chairperson of SGSAIFF averred, “We are truly humbled by the overwhelming response to the 2nd edition of Sg.SAIFF. We had a sold-out opening & closing night but what was more heartening is the fact that cinephiles in Singapore came & watched a lot of films screening at our festival.”

He adds, “The filmmakers enjoyed themselves during the interaction with the audiences on multiple occasions & the festival has truly emerged as a strong platform for South Asian cinema in the region. The launch of South Asian Film Market (SAFM) was also a huge success with 11 filmmakers pitching to an esteemed jury panel & high net worth individuals and we are very sure that some of them will receive the financial support that they were seeking.”

Here is the complete list of winners: 1. “Emerging Filmmaker Of The Year – Syed Zaigham Imam. 2. “Best Feature Film” – Mayurakshi – Atanu Ghosh. 3. “Best Director” – Juze – Miransha Naik. 4. “Best Short Film” – Binodini – Mallika Subramanian (director). 5. Children Of White – Dulanka Devendra (director). 6. “Best Actor Female” – Dying Candle – Srijana Subba. 7. “Best Actor male” – Summer Of Miracles – Chandra Kiran GK. 8. “Best Cinematographer” – Dying Candle – Dipankar Sikder & Rabin Acharya. 9. “Best Editor” – Midnight Delhi – Rakesh Rawatmau

The Special Screenings of, Siddiq Barak’s Osama & O P Srivastava‘s Life In Metaphors. The Feature Films in Competition section, Prasad Namjoshi’s Video Parlour, Rakesh Rawat’s Midnight Delhi, Miransha Naik’s Juze, IndrashishAcharya’s Pupa, Sumathy Sivamohan’s Sons And Father, Naresh Kumar KC’s Dying Candle, Ektara Collective’s Turup & Prashanth Vijay’s Summer of Miracles (Athisayangalude Venal).

The SGSAIFF 2018 hosted World Premieres of Prasad Namjoshi’s Video Parlour, Murari M Rakshit’s Reunion, Pravin Tarde’s Mulshi Pattern, Rakesh Rawat’s Midnight Delhi & Zaigham Imam’s Nakkash which was launched at Cannes 2018. The Feature Film Showcase section included – Aparna Sen’s Sonata, Rima Das’ Village Rockstars, Fakhrul Areefen Khan‘s Bangladeshi film Bhuvan Majhi, C V Nandeeshwar’s Akkamma’s Fate, Murari M Rakshit’s Reunion, Praveen Tarde’s Mulshi Pattern, Kireet Khurana’s T For Tajmahal, Sumit Mishra’s Agam¸Zaigham Imam’s Nakkash & Atanu Ghosh’s Mayurakshi.

The Short Films in the Competitive Section included, Mallika Subramanian’s Binodini, Muhammad Belal Imran’s Just A Cup Of Tea, Harish Mohan’s Kalki, the Devendra’s Children Of White, Umang Vyas’ Majaal Hai¸ Akash Mihani’s Mum, AthithyaKanagarajan’s Dreams,
Vikrant Dhote’s Ajay & Syahrul Musa’s Glimpse. The Short Film Showcase featured 3 titles, Kabeer Khurana’s Religion For Dummies, Aditya Kelgaonkar’s Sound Proof & Prabhjit Dhamija’s Me (Asmad).

The Documentary Film Showcase section included UmeshKulkarni’s Kumbh, Manhoor Zaidi’s Dust To Dust, Upneet Kaur-Nagpal’s Singh In The Lion City, Aparajita Ghosh’s Dance Of Joy, Anirban Mitra & Tirtha Dasgupta’s Ray Of Light & Prasanna Ramaswamy’s Writer Ashokmitran.

SGSAIFF 2018 also conducted 2 interesting workshops during the course of the festival. The 1st was an Acting Workshop For Adults & Children. The 2nd was a Filmmaking Workshop For Children that focuses on making films using smartphones.

This year the festival launched the 1st ever edition of South Asian Film Market (SAFM) where Pankaj Kapur’s Aadi (The Beginning), Kartik Aryan & Adil Hussain’s Barasinghey, Abhay Deol’s JL50, Sanjay Mishra & Pankaj Tripathi’s 18 Not Out, Chandan Roy Sanyal’s So Sicily, Shreyas Talpade’s Khwaish, Prabhjit Dhamija’s Samir, Leela Manimekalai’s Maadathy, Rahat Kazmi’s Country Of Blind, Somnath Sen’s Charulata & Harish Vyas’s Hum Bhi Akele Tum Bhi Akele were the 11 projects chosen from a selection of over 100 entries.

Filed Under: Film

HDK inaugurates dasara in Srirangapatna

October 18, 2018 by Nasheman

The historical, annual Srirangapatna Dasara to be held from tomorrow till Oct.18

CM H.D. Kumaraswamy inaugurated the three-day event by offering flowers to Goddess Chamundeshwari, seated in ‘ambari’ on elephant ‘Abhimanyu’ at Bannimantap at Kirangur Circle off Bengaluru-Mysuru highway.

CM H.D K was accompanied by Bandeppa Kashempur, S.R. Mahesh, D.C. Thammanna and C.S. Puttaraju.

Filed Under: Culture & Society

Literature Round Up

October 18, 2018 by Shaheen Raaj

“The Diary On The Fifth Floor By Raisha Lalwani”

The Diary on the Fifth Floor is not just a story about a girl dealing with her issues. This book is about our society and how we are all going through similar experiences. The book is about the lack of emotions in our everyday interactions. It is about our inability to emote & express ourselves. We hear stories from friends & family, from our neighbors. They aren’t pleasant so we express our sympathy & then forget about them. Writing gave me an emotional outlet to express these deep-seated feelings of our everyday struggle, of our joys, of our loneliness & our longings

The Diary on the Fifth Floor is a fascinating tale of a 25 year old woman that takes hold of us from the moment she enters the hospital; more precisely, the 5th floor. Visibly terrified, she clutches at her cloth bound Diary, caught in the horns of a terrible dilemma, whether or not to hand over the diary to the doctor. She fears that she will be declared insane if her tangled web of thoughts, unspooling in dark mysterious stories is read by the dissecting eye of a doctor.
What does this diary contain?

As the novel progresses, we are drawn into characters & stories that are toe curling, strange & haunting in their raw intensity. What is the story of this woman? What secrets lie in the pages of her Diary?

What happens on the fifth floor?

The book revolves around one single question. It is not asked upfront but has been sent out in the void & resurfaces at the end of every chapter

Raisha Lalwani elabores on her novel, “Having lived in Bombay, Jaipur, Delhi & Dubai, life has been one long travel tale! I went to a bunch of schools in different cities & most of my experiences, friends & memories revolve around these cities. After having graduated from The University of Delhi, I decided to test the waters of International Business. When I started writing, it was without any distinct goal in mind. Some write for money, others as a hobby, I write for peace & quiet it brings me. Writing was how I could express myself & it has made me braver than I thought I could be.
It is funny how “nocturnal” was the 1st ever word that came to my mind when I thought about who I am. Whether it was studying for my Board exams back in the year 2004 or working on my book all these years later, I feel my mind is more active during the later hours of the evening. Like my husband says, I am a “homemaker” by day & a writer by night.”

Filed Under: Books

Hindi Film Review

October 17, 2018 by Shaheen Raaj

Jalebi

This “Jalebi” Is Neither Sweet Nor Tasty

Banner: Vishesh Films

Producer: Mukesh Bhatt & Sakshi Bhatt

Director: Pushpdeep Bhardwaj

Star Cast: Varun Mitra, Rhea Chakraborty, Digangana Suryavanshi, Aanya Dureja, Poorti Arya, Pravina Deshpande, Mahesh Thakur, Priya Yadav, Sonali Sudan, Jashn Kohli, Shabnam Kapoor, Farida Dadi, Arjun Kanungo, Sanchay Goswami, Chayan Trivedi, Abhishek Khanna & Yusuf Hussain

Music: Jeet Ganguly & Tanishq Bagchi

Vishesh Films, headed by Mukesh Bhatt & Mahesh Bhatt, are known for their small-budget & high-concept films. They have given some memorable films & even chartbuster songs but since the last few years, their reputation has taken a beating. None of their films after the blockbuster Aashiqui 2 in the year 2013 have worked well. The number of films made by the banner has also reduced. Their last film, Begum Jaan was released in the year 2017, almost one and a half years ago. Now they are back with Jalebi, which promises to be a clean & romantic love story & also its miles away from the erotic & the horror films that had become their trademark.

The scripted story of Jalebi reveals that it is the story of love & separation. Ayesha Pradhan (Rhea Chakraborty) is a depressed girl. She has written a bestselling novella but her troubled past is not allowing her to focus & write her next book. She is on her way from Mumbai to Delhi for a book reading session. In the train, her co-passenger is Anu (Digangana Suryavanshi) & her daughter Pulti (Aanya Dureja). Over the course of their conversation, Ayesha gets a jolt upon learning that Anu’s husband is none other than her ex–hubby Dev Mathur (Varun Mitra). The story goes back 7 to 8 years. Dev is from Purani Dilli where he does guided tours. He’s proud of his roots & proudly flaunts his locality & also his mansion, popularly known as Netaji Ki Haveli. Once, Ayesha takes this tour & falls for Dev, who in turn also develops feelings for her. In no time, they get married & that’s when cracks begin to develop in their relationship. Meanwhile, in the present day, the train halts at Bhusawal railway station & Dev enters their coach to give Anu a surprise. The ex-lovers, that is Dev & Ayesha, thus come face to face after all these years. What happens next forms the crux of the rest of the film.

Just like Begum Jaan, Jalebi is also a Bengali film remake of Prosenjit Chatterjee & Rituparna Sengupta starrer Praktan (2016), which was written by Nandita Roy & directed by Nandita Roy & Shiboprosad Mukherjee. Here in Hindi, Kausar Munir & Pushpdeep Bhardwaj’s story is disappointing & juvenile. There’s no head & no tail to the story & they end up doing total injustice to the original film. Kausar Munir, Pushpdeep Bhardwaj & Suhrita Sengupta’s screenplay is the biggest culprit. The film is bland & the trio has made no attempt to make situations exciting or novel. Kausar Munir, Pushpdeep Bhardwaj & Suhrita Sengupta’s dialogues are horrible to say the least. The manner in which the characters are talking to each other is laughable.

Pushpdeep Bhardwaj’s direction is amateur and he doesn’t even know the basics properly it seems. The way the film moves back & forth especially when Ayesha would hear a term or hear a song is so convenient & outdated. And the post-marriage problems are akin to a saas-bahu melodrama shown on television but even those daily soaps are more entertaining & even progressive than this film.

Jalebi is terrible from the word “Go”. The film begins with a loud cry of Ayesha on the black screen and hence, even before the 1st ever visual, the film gets unsettling! The beginning portion of Ayesha crying over abandoning her marriage is weird. Once the train portions begin, one hopes for the film to get a bit better. Also, there are 3 subplots involving varied passengers in the bogie. They seem interesting and you expect them to add to the film, in case the lead protagonists aren’t able to. Sadly, these 3 tracks are boring and contribute in no way to the film. The flashback portion begins well. Dev showing his house to the tourists is nicely done. Also the way Ayesha books the entire tour for herself just so that she can spend all the time with Dev is lovely. Once they get married, the film becomes routine & showcases problems beaten to death in films. The miscarriage portion is also poorly executed. The train portions aren’t that interesting, although few a developments are a bit unpredictable. If you expect the climax to at least lift the film to some extent, you’ll be dejected. The Kashmir sequence makes no sense and even more senseless is the justification given by Dev in the end.

Music also gets thumbs down, which is sad, since Vishesh Films was known for its songs. “Tum Se” is catchy but it’s not going to linger in one’s mind for long. “Tera Mera Rishta” is played during the courtship scenes, which as mentioned above, was the only good part of the film. The rest of the songs like “Mujhme”, “Pehle Ke Jaisa”, “Pal” & “Mera Pyaar Tera Pyaar” are nothing special. Raju Singh’s background score is bad. Same goes for Manoj Soni’s cinematography, few shots are taken from a very close range. The VFX is tacky and anyone can make out that the scenery seen from the window is fake. Sandeep Suvarna’s production design is alright and the set does look like an actual First AC bogie. But it’s funny to see the railway station being so empty in the end, and that too the busy Hazrat Nizamuddin Railway Station of Delhi. Devendra Murdeshwar’s editing is not good and even the film that’s just 112 minutes looked like a 3 hour plus film.

Performance wise Varun Mitra is disappointing. He looks weird in the scenes where he has to cry and even when he’s seen celebrating his wife’s pregnancy. In the beginning scenes, he does well. The actor has done well in the past, in Ishaan Nair’s unreleased film Kaash (2015). So, here, the fault could be of the director in failing to get better performance from him. Rhea Chakraborty is what makes the film bearable. She has done chirpy roles in the past and Jalebi is the 1st time ever that she is seen in a serious & mature role. She is the only one to benefit from this film as she proves that she can do a lot more than comic capers & special appearances. Digangana Suryavanshi is alright while Aanya Dureja is sweet. Arjun Kanungo (Arjun) is okay and his track makes no sense. Farida Dadi & Yusuf Hussain (the old couple in train) are fine but are letdown by the script. What exactly are they doing in the film one wonders! Poorti Arya (Renu; Dev’s sister) & the actor playing Dev’s mother are forgettable.

On the whole Jalebi will leave you with a bitter taste. It’s a film that has no plot or logic.

Tail Piece: At the box office, it will be a disaster. Just Skip it!

Filed Under: Film

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