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You are here: Home / Archives for Culture & Society

Finance Minister, RBI Governor and demonetisation in fiction

November 6, 2018 by Nasheman

(Attn Editors: Ravi Subramanian’s “Don’t Tell The Governor”, a novel set against the backdrop of demonetisation, arrives on the stands on Tuesday. Below is an exclusive excerpt from the book)

Harsha Ranjan was standing on the balcony of his first-floor bedroom, smoking a cigarette. The official RBI Governor’s residence, a two-storeyed heritage bungalow just off Mumbai’s Carmichael Road, had been his home for the last three years. Parked right under the balcony were the two cars that had been provided by the government for his use.

He sighed as he blew out smoke and glanced at his watch. He was in a pensive mood. The monetary policy announcement was scheduled for that morning, A few unpopular decisions were about to be announced; steps which had been mandated by the state of the economy.

However, what worried him was the government’s reaction to what he was about to unveil. It was no secret that his relationship with the Finance Minister was a strained one. Most of it was a consequence of Harsha trying to chart his own course when the government would have liked him to be subservient. The never-ending battle between the Finance Ministry and the RBI had taken its toll on him.

The Finance Minister had called him the previous night. ‘Remember, Harsha, we have to bring down the interest rates. RBI needs to help the government,’ he cautioned.

‘I cannot commit to anything, sir,’ Harsha responded.

‘Do you remember our conversation that night when we had met with Khosla? We had discussed it that day and you had agreed,’ Pande reminded him.

‘With due respect, sir, I had not agreed. I had only said that I would consider it,’ Harsha argued. But his response hadn’t gone down well with the FM, who had blown his top. This was not the first time the FM had reacted the way he did and it would not be the last.

But Harsha knew that he was nearing the end of his tenure as RBI chief and the government could make make his last days miserable, turning him into the fall guy for their failed economic policies. The risk he was taking and the repercussion it could have on his reputation worried him.

Ever since Independence, the autonomy of the RBI had been a contentious issue. What was the amount of influence the government would, rather ‘should’, wield on the RBI was often a topic of heated debate in the corridors of North Block. At the heart of this conflict were the interest rates prevalent in the economy.

A higher interest rate controls inflation, whereas a lower one fuels it. The Reserve Bank of India controls inflation using one tool — the repo rate. Very simply put, the repo rate, which the RBI decides, is the interest rate at which banks borrow money from the RBI. The RBI announces its stance on the economy and supports it directionally by announcing the repo rate in the monetary policy, which is released bi-monthly. Whenever the RBI lowers or increases the repo rate as a part of its monetary policy, the banks follow suit.

When RBI raises the repo rates, the banks end up paying higher interest to the RBI on the monies they borrow. As a consequence, to make up for that, they charge more from the customers they loan money to, thereby making loans costly. Costlier loans dissuade consumers from taking then.

Even companies avoid taking high-interest loans from banks and reduce their borrowings. This reduces the consumer’s ability to spend. For companies, reduction in borrowing leads to lesser availability of money, lesser investment and consequently, a drop in production. The combined effect of all this is that the economic growth rate slows down and consequently reduces inflation.

In simple terms, high interest rates lead to reduced inflation, but also slow economic growth. Low interest rates lead to growth in the economy, but also inflation. Growth and controlling inflation are often seen as two deliverables at diametrically opposite ends of the same line.

That was where Harsha Ranjan’s conflict with the government lay. The Finance Minister wanted a higher economic growth rate and had asked Harsha to support the government’s cause by lowering the interest rates. Harsha was reluctant to do so because falling interest rates would have made money cheaper, loans easier and hence, fuelled consumption. And increased consumption would fuel inflationary growth. The rising prices would make life difficult for the poor.

Therefore, he was not in favour of dropping interest rates. And it wasn’t like the RBI was an outlier. Central banks the world over are paranoid about inflation and don’t drive the interest rates down just to cater to the whims of the central government. Most of them strongly feel that driving growth in an economy is the government’s agenda and deliverable, not theirs.

Given his stance, Harsha’s new monetary policy was on expected lines. Much against public sentiment and government persuasion, the interest rates were not lowered by the RBI. To add to the government woes, the RBI also brought out an official statement saying that the economy was overheated and it expected inflation to rise. Hence, as a conservative monetary policy measure, it would not reduce the interest rates.

IANS

Filed Under: Film

No ready buyers for serious cinema, says film editor Sreekar Prasad

November 6, 2018 by Nasheman


National Award-winning film editor Sreekar Prasad, known for his contribution to popular films like “Dil Chahta Hai”, “O Kadhal Kanmani” and “The Ghazi Attack”, says there are no ready takers for serious cinema as buyers or theatres focus more on box-office earnings which come with “established actors”.

His name has been long associated with Mani Ratnam’s movies and other films that create fireworks at the box-office. But Prasad is also known for working on indie films like Chezhiyan Ra’s directorial “To Let”.

Earlier this year, the Tamil film, which deals with house rental issues, won the National Film Award. It has also been screened at about 30 film festivals across the world. A few weeks ago, it bagged awards at the first edition of the Pondicherry International Film Festival.

“When ‘To Let’ was made, its target audience was the festival circuit and so every festival that it attends and an award it wins, is a vindication of the film. I am also happy as it has been selected for the Indian Panorama Film Section at International Film Festival of India (IFFI) 2018,” Prasad, who had edited the Malayalam film “Olu” — the opening movie of the upcoming edition of IFFI, told IANS in an email interview.

Despite being a hit at film fests, “To Let” is yet to release in theatres.

“There are no ready buyers for serious cinema in the market as the buyers or theatres are looking for collections and numbers which come with established actors. These sort of films have to create a brand for themselves with various festivals and awards to create awareness about the film and subsequently, get somebody to back it and release it in theatres,” he said.

“It is a huge task no doubt but in this case, filmmakers are optimistic as it is a relatable story and I too believe it will have its audience in public exhibition too. I wish there are theatres to showcase all types of cinema and not only targeted cinema, even if it is on a smaller scale, Prasad added.

“Otherwise, we will see the demise of pure cinema and filmmakers.”

He doesn’t let a film’s budget “distract” him. “Kayamkulam Kochunni”, touted as Malayalam film industry’s most expensive movie, is one of his most recent works.

“‘…Kochunni’ was a very well-planned effort by the director (Rosshan Andrrews) and it had all the ingredients in it to appeal to the masses. We had a few discussions at the script level and once the shooting started… though it took a lot of time to shoot and execute and edit, I was sure it would sort of work well,” he said.

After making his debut in early 1980s, he worked on films in Hindi, Malayalam, Tamil, Telugu and Assamese.

Coming from a Telugu-speaking family settled in Chennai, he did not have a plan or preference for editing films in any particular language.

“It was more about getting work to showcase my skills. Chennai was strategically the industry hub for south Indian films and also for the east and northeast part of India. So many filmmakers used to come to Chennai to do their post-production. During that period, I met a few filmmakers from other parts of the country and slowly, I started getting work in different languages,” he said.

His initial independent venture “Raakh”, which released in 1989, got him a National Film Award.

“So people noticed my capabilities, but the beauty of working in different languages, meeting people from different cultures and different types of stories have greatly contributed to my evolution as a film editor,” said Prasad.

But editing bilinguals or remakes is quite a task.

“Huge effort goes into them to maintain the same intensity as the one that was shot first but as time passes by, you get used to this pressure and we do it,” he said.

The last bilingual he made was “The Ghazi Attack” and he is in the middle of editing “Saaho”. “It has been an enjoyable experience,” he said.

IANS

Filed Under: Film

Green Book’ to release in India on Nov 23

November 6, 2018 by Nasheman

Comedy drama “Green Book” will hit the screens in India on November 23.

Anil D. Ambani-led Reliance Entertainment will release the movie in the country, read a statement.

The film is based on a true story of friendship and relationship between working class Italian-American bouncer who becomes a driver of an African-American classical pianist on a tour of venues through the 1960’s American South. The film is not a biopic but is inspired by the true story about friendship between Donald Shirley, an erudite African-American pianist and his white chauffer Tony Lip.

“Green Book” had its world premiere at the Toronto International Film Festival in September 2018, and won over not just the audiences but also went on to win the People’s Choice Award. Directed by Peter Farrelly, the film has Viggo Mortensen essaying the role of Tony Lip and Mahershala Ali essaying the role of Shirley.

Mortensen said: “This is a movie about a relationship between a black man and a white man before the Civil Rights Act, and the backdrop is one of obvious socio-economic and racial tension. In many ways, we’re facing the same problems today that are depicted in the film. There are a lot of mirror images and mirror concepts that our story deals with, between 1962 and now, and I think people will find that enlightening as well as entertaining.”

Ali said: “This is a perfect film for audiences around the world because it’s about people who are different and who are able to discover their similarities and teach each other things about their differences. They’re able to accept each other. These men come from very, very different worlds and they become allies.”

The film also has Don Stark and Linda Cardellini in supporting roles.

IANS

Filed Under: Books

Women targeted by Sabarimala protesters

November 6, 2018 by Nasheman


 Sabarimala protesters on Tuesday raged, intimidated and sent back at least one woman from the age group of 10-50 years as they refused to break with tradition.

After the Lord Ayyappa temple opened on Monday at 5 p.m. for the special one-day session amid tight security, there were violent protests by devotees late in the night and early on Tuesday as they found out women from the hitherto banned age group approaching the shrine.

Two women on Tuesday were apprehended on their way through Pamba and threatened after devotees found out they were without the holy kit (Irumudi Kettu).

Shouting Ayyappa slogans the protesters stopped them from advancing any further. This was despite the fact that they were above 50 years, the police said.

It was not until their leaders announced on microphones that the protests ended. Later the women were helped to complete their darshan and perform puja at the hilltop temple.

The first protests were witnessed late on Monday, when a 30-year-old woman along with her husband and children was stopped. Following the violent outbursts, the woman retreated.

She was sent back home along with her family early on Tuesday under police security.

Although Kerala Police has literally taken over Sabarimala posting a dozen women officials over 50 years of age near the shrine, there has not been any woman devotee inside the sanctum sanctorum from the hitherto banned age group despite the Pinarayi Vijayan government promising to carry out the September 28 Supreme Court verdict.

The temple will shut its gates at 10 p.m.

According to figures more than 10,000 pilgrims had taken the pathway to the temple hilltop, compared with less than 1,000 devotees the same day last year.

The temple had witnessed massive protests between October 17 and 22, after it opened for the first time following the apex court’s ruling allowing the hitherto banned age group of girls and women to enter the Lord Ayyappa shrine.

The temple town is witnessing one of its most stringent security arrangements. There were more than 2,300 police officials posted at various points up the pilgrimage path after the state took over the shrine’s security on Saturday.

Several metal detectors have been kept at a various points and crowd combating arrangements are also in place.

The Kerala government has announced it would implement the apex court’s ruling, pitting it against the Bharatiya Janata Party (BJP) and numerous Hindu groups which have been up in arms against the verdict.

IANS

Filed Under: Culture & Society

1MG – Lido Mall launches campaign to celebrate eco-friendly Diwali

November 5, 2018 by Nasheman

  • 1MG – Lido Mall launches campaign to celebrate eco-friendly Diwali
  • Over 50% increase in pollution levels across Bangalore during Diwali 2018

 An urgent call to action has been taken by 1MG – Lido Mall after rising pollution levels are forcing Bengaluru residents to leave the city during the festive season to celebrate Diwali with their loved ones. The Mall has launched the eco-friendly Diwali 2018 which commits to no-pollution and no-noise keeping in mind the health and wellbeing of its visitors. With an aim to make a difference, the Mall has also partnered with leading eye care hospital Narayana Nethralaya to promote eye donation.

Commented Mr. Suman Lahiri, Chief Operating Officer, 1MG – Lido Mall, “We have witnessed over 500 people signing up each day ever since we announced the eco-friendly and eye donation campaign on our social media platform. This goes to show that the residents of Bengaluru do care about the welfare of our community and want to play an integral role in the campaign as well”.
Also commented Ms. Bhanu Praveen, Marketing Manager, 1MG – Lido Mall, “This Diwali, we commit ourselves to lighting up lives. The figures were indeed alarming and hence we as a Mall decided to launch an eco-friendly Diwali celebration this year onwards which promotes no-pollution and no-noise. We are also addressing key areas on do’s and don’ts of bursting fire crackers and the increasing pollution levels, how loud noise can affect animals and more. All visitors to our Mall also participated in a pledge to celebrate Diwali the eco-friendly way moving forward. Post event, the visitors were treated to Diwali sweets and we tried our best to make the festive season most memorable for all”.
Also added Mr. Roby Varghese, Centre Manager – 1MG Lido Mall, “With an attempt to raise awareness on eye donation, we are encouraging all our visitors to take a pledge towards an eco-friendly Diwali.  The eye donation campaign will also be conducted for all those who are keen to donate their eyes.  The eye donation is considered an act of charity, purely for the benefit of the society and is totally voluntary.
With over 50 cases of eye injuries reported by Narayana Nethralaya every year on the onset of Diwali, the hospital announced that it will open its doors to offer free consultation and primary eye treatment on the 6th, 7th and 8th of November 2018 to all those whose eyes are affected by the fire crackers. With a fully equipped manpower and resources a dedicated team of doctors will be on standby through the night to administer timely aid to all those who enter their hospitals”.
Commented Dr. Bhujang Shetty, Founder Chairman and MD Narayana Nethralaya, “Last year the supreme court banned fire crackers and it was quite challenging to have this enforced across the country, especially keeping in mind how people enthusiastically look forward to bursting firecrackers especially during Diwali. However, this year, the balanced judgment from the BBMP with restricted timings and the use of green crackers with low emissions and low sound which has paved way for a more responsible commitment on the citizens and how well we will all work towards preserving our environment. However, the only challenge is that the green cracker are not easily available in the market this year and hence the conventional ones are still being used by most”.
http://nasheman.in/wp-content/uploads/2018/11/WhatsApp-Video-2018-11-05-at-12.59.54-PM.mp4
“A city like Bengaluru is already witnessing increasing levels of pollution because of traffic and other reasons.  With Diwali the levels of toxic gases in the air increases to over 50 percent. With so many people already suffering from asthma and allergy, this will only cause more havoc. And it is because of things like these that most people prefer to leave the city during these days, which is really unfortunate. As responsible citizens we also need to understand that it is not the pollution board or the Government to handle these issues, it should be our responsibility not to burn crackers and we inturn should influence others too!”

Filed Under: Culture & Society

Sabarimala temple comes under total police control

November 3, 2018 by Nasheman


Kerala’s Sabarimala town where the famed Lord Ayyappa shrine is located came under complete police control on Saturday ahead of its day-long opening on November 5, a senior official said.

In a verdict on September 28, the Supreme Court allowed women of all age groups to enter the temple which led to mass protests.

According to Pathanamthitta district Superintendent of Police T. Narayanan, 1,500 police officials have been deployed in the temple town and will remain till the midnight of November 6 when the temple will close again.

He said as of now, there have been no requests from women to enter the shrine.

“If there are any requests, the police will see that the apex court verdict is carried out. None other than the pilgrims would be given permission to the designated areas of the temple,” said Narayanan.

The security arrangements were being monitored by Additional Director General of Police Anil Kanth.

According to the police, no one is allowed to remain in the pathway that leads to the temple, right from the Pamba base camp and also in the areas closer to the sanctum santorum of the temple.

Restrictions have been clamped for the media and they will only be allowed to reach the temple town on November 5.

As of Saturday, the police have registered 536 cases and arrested 3,719 persons, who protested last month when the temple opened for six days.

Only around 100 are still in jail, while the rest have secured bail.

IANS

Filed Under: Culture & Society

International Film Festival (IFFI) Round Up

November 3, 2018 by Shaheen Raaj

Indian Panorama Announces Official Selection for 49THInternational Film Festival of India, 2018

The 49th International Film Festival of India recently announced the selection of Indian Panorama films for the year, 2018 to be screened in Goa.

The Feature Film Jury of 13 members was headed by acclaimed film director & screenwriter, Rahul Rawail. The Feature film Jury constituted of the following Members: Major Ravi – filmmaker & actor, Ahathian – director, Ujjwal Chatterjee – director, producer & screenwriter, Imo Singh – director, Utpal Datta – filmmaker, Sekhar Das – director, Mahendra Teredesai – director & writer, Haidar Ali – actor & screenwriter, KG Suresh – journalist & columnist, Chandra Siddarth – director, producer & screenwriter, Adeep Tandon – cinematographer & director &  S Viswanath – film critic & journalist.

The Feature Film Jury selected 22 Feature films.

The feature film jury selected the film Olu directed by Shaji N Karun as the Opening feature film of Indian Panorama 2018. 4 Mainstream films are also selected under Indian Panorama Section of 49th International Film Festival of India, 2018 by an Internal Committee of Directorate of Film Festivals (DFF) based on the recommendations of Film Federation of India (FFI) & Producers Guild (PG).

List of 22 feature films & 4 mainstream films selected in Indian Panorama 2018 is as follows: Opening film Olu (Malyalam), Nagarkirtan, Sa, Uma, Abyakto, Uranchondi (Bengali), October & Bhor (Hindi), Sinjar (Jasari), Walking With The Wind (Ladakhi), Bhayanakam, Makkana, Poomaram, Sudani From Nigereria & Ee. Ma. Yau.  (Malyalam), Dhappa & Amhi Doghi (Marathi), T0 Let, Baaram, Periyerum Perumal BA. BL, Peranbu & Padayyi (Tamil) & from Mainstream Cinema:  Mahanati (Telugu), Tiger Zinda Hai, Padmavat & Raazi (Hindi).

The non-feature film jury of 7 members was headed by acclaimed film director & editor, Vinod Ganatra. The Jury constituted of the following Members: Uday Shankar Pani – filmmaker, Parvati Menon – director & film educationist, Mandar Talaulikar – filmmaker,Padmaraj Nair – film journalist, Ashok Sharan – actor & producer & Suneel Puranik – actor, director & producer.

The non-feature film jury selected the film Kharvas directed by Adity Suhas Jambhale as the Opening non-feature film of Indian Panorama 2018. The complete list of 21 non – feature films selected for Indian Panorama section for 49th International Film Festival of India 2018 is as follows:

Opening film Kharvas (Marathi), Sampurak (Bengali), Naach Bhikari Naach (Bhojpuri), Decoding Shankar, Gyamo – Queen Of The Mountains, The World’s Most Famous Tiger & Bunker: The Last Of The Varanasi Weavers (English), Moniter, Nani Teri Morni & Burning (Hindi), Sword Of Liberty, Midnight Run & Lasyam (Malyalam), Happy Birthday, Na Bole Wo Haram, Silent scream, Yes I Am Mauli, Pamphlet, Aai Shappath & Bhar Dupari (Marathi) & Malai (Oriya).

Filed Under: Film

Bollywood Buzz

November 3, 2018 by Shaheen Raaj

Taapsee Pannu In Tamil & Telugu Film ‘Game Over’

The new intense poster of Taapsee Pannu’s next Game Over has been unveiled in Chennai. The film which will be in Tamil & Telugu went on the floors recently in Chennai. The film will be directed by Ashwin Saravana & co-written by Kaavya Ramkumar. Presented by Y Not Studios & Reliance Entertainment, the film is produced by S. Saskikanth with Chakravarthy Ramachandra, as its co-producer.

Music Video “Dil Zaffran” Crosses 13 Million Views!

Actor Shivin Narang is on cloud 9. His music video “Dil Zaffran” has been loved by his fans. In fact, the video crossed 13 million views in just 4 days. Now, that’s something! “I am so happy by the response of the music video. This song is very dear to me and I am so ecstatic that my fans love it. I am so grateful to them for supporting me and loving me. I am who I am today because of my fans and I will never forget that,” says Shivin. In fact, the actor even took to Instagram to post about the amazing success of the number, that has been sung by Rahat Fateh Ali Khan. The actor, who is currently seen in Internet Wala Love, has been performing well in the show too.

Sanjay Dutt To Produce A Marathi Film


Sanjay Dutt is all set to join the bandwagon of Hindi actors who are stepping into the production of Marathi films. The actor is now ecstatic to announce his 1st ever venture into Marathi films which is yet untitled. Directed by Raj Gupta, the film will star Deepak Dobriyal, Nandita Dhuri, Abhijeet Khandkekar, Spruha Joshi, Chittaranjanh Giri and last but not the least Aryan Menghji. It may be remembered that his production banner Sanjay Dutt Productions is now making Hindi film called Prassthanam with Deva Katta as the director.

Wedding Bells Put Deepika Padukone & Ranveer Singh On Top Of Instagram Charts

Deepika Padukone & Ranveer Singh have had a record breaking run on Score Trends India popularity chart & post their marriage announcements have topped the instagram this week on Score Trends India chart. These statistics are authenticated & researched by US based media tech Score Trends India. As per the statistics, Deepika Padukone & Ranveer Singh achieved top position with 100 points courtesy the official announcement of their most speculated news of tying the knot. The data is collected from over 600 news sources across 14 languages in India to analyse the media. These include Facebook, Twitter, print publications, viral news on social media, broadcast & digital platforms. Varied sophisticated algorithms then help us them to process this massive amount of data & arrive at the scores & the rankings of Bollywood stars. Apart from Ranveer, Amitabh Bachchan, Akshay Kumar, Shah Rukh Khan & Aamir Khan with Priyanka Chopra, Anushka Sharma, Jacqueline Fernandez & Sonam Kapoor are consistent on top 5 on Score Trends India’s Instagram ranking.

‘Housefull 4’ Sets Cost Rs.20 Crore!

Akshay Kumar, along with entire cast of Housefull 4, Kriti Sanon, Bobby Deol, Riteish Deshmukh, Pooja Hegde & Kriti Kharbanda, have already completed 2 schedules of the film, 1 each in London & Rajasthan. The team kicked off their 3rd schedule in Mumbai a few days ago. The makers have spent a whopping amount to build the grand sets, where they will shoot the reincarnation scenes. Producer Sajid Nadiadwala is leaving no stone unturned to make Housefull 4 a visual delight. The 2 sets that have been erected at Chitrakoot Ground & Vrindavan Studio have cost him around `20 crore. The film’s overall budget is a sum total of the money that he spent on the other 3 movies in the franchise. Given that the period sequences, which involve a lot of VFX, are yet to be shot there, the art direction team has paid attention to the intricate details. “The set gives you a feel of the yesteryear era, which was seen in Baahubali franchise. There’s the king’s darbar which has pillars that are as high as 36 feet, long pathways & marble flooring. There are precious stones embedded on the throne & the pillars have fine detailing. Sajid gave a clear vision to production designers, Subrata Chakraborty & Amit Ray, who ensured that the sets depicted the period’s grandeur. The team has strict security measures in place. The makers don’t want the pictures to be leaked because they want to reveal it closer to the film’s promo launch. So, nobody is allowed to carry eve their phones on the sets, as a precautionary measure.

Filed Under: Film

SIBM Bengaluru gears up for Halloween 2018

October 31, 2018 by Nasheman

Symbiosis Institute of Business Management (SIBM), Bengaluru is all set to celebrate Halloween 2018on 31thOctober 2018. The International Relations Committee is organising the event, in an interconnected world it’s important to celebrate international festivities and have some fun as well. Various events have been organised, the college would be accordingly staged to augment the mood of the festival. India is quite the giant cauldron of different cultures, customs and traditions and naturally, this means we celebrate a wide array of festivals from across religions. So, keeping with the spirit, students would be all dressed up to celebrate Halloween to its fullest.

Events Include:

  1. Fashion Show
  2. Spooky Dares
  3. Mummy Wrap
  4. Storytelling
  5. Music/Dance


About SIBM Bengaluru:

Ever since its inception in 1978, SYMBIOSIS has been synonymous with progress. The trend of progress has been continued by setting up of SIU’s first campus outside Maharashtra at Bengaluru in 2008. SIBM Bengaluru is now one of the leading B-Schools of the country. The focus, now, is on matching global standards of management education. SIBMB instills a work culture which is unparalleled among various institutions. It provides a holistic approach to management which goes a long way in creating a dynamic identity. Vibrant student associations and committees complement the program with a number of activities involving institute-industry interaction.

Filed Under: Culture & Society

Veteran Marathi composer Yeshwant Deo dies

October 30, 2018 by Nasheman

Veteran Marathi singer, lyricist and music composer Yeshwant Deo passed away after a brief illness here on Tuesday, family sources said. He was 91.

Dev breathed his last at the Sushrusha Hospital in Dadar where he was admitted for treatment of pneumonia and other complications almost three weeks ago.

His last rites shall be performed at the Dadar Crematorium here later on Tuesday.

Born on November 1, 1926, Deo trained in music under his father and became a well-known figure in the Marathi film industry and music circles.

He was a science graduate from Mumbai and had acquired the Sangeet Visharad degree from Gandharva Mahavidyalaya.

After spending formative years in Raigad, Deo launched his music career with All India Radio in Nagpur as a sitar player. From 1958 to 1984 he produced light music, besides teaching music in the University Of Mumbai and SNDT Women’s University.

His specialisation was “Bhav-geet” which involved composing poems to music, a semi-classical form, which he utilised effectively for over 40 films and plays.

Deo bagged several honours and awards, including the Maharashtra Government award for Best Music Director of the play “Amrapali” (1974) and the Lata Mangeshkar Award.

He had composed music (along with Zakir Hussein, Bhupen Hazarika and Raj Kamal) for the Hindi film “Saaz” directed by Sai Paranjpye, which was inspired by the lives of the Mangeshkar singer-sisters, and had bagged writer-poet Javed Akhtar his first National Award for Best Lyrics.

Deo also wrote books on the devotional music of Shirdi Saibaba, light classical music and Marathi Bhav-geet.

IANS

Filed Under: Culture & Society

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