• Home
  • About Us
  • Events
  • Submissions
  • Advertise
  • Contact Us
  • NewsVoir
  • Newswire
  • Nasheman Urdu ePaper

Nasheman

India's largest selling Urdu weekly, now also in English

  • News & Politics
    • India
    • Indian Muslims
    • Muslim World
  • Culture & Society
  • Opinion
  • In Focus
  • Human Rights
  • Photo Essays
  • Multimedia
    • Infographics
    • Podcasts
You are here: Home / Culture & Society / Film / Movie Review: Befikre

Movie Review: Befikre

December 19, 2016 by Shaheen Raaj

befikre

Banner: Yashraj Films
Producer: Aditya Chopra
Director: Aditya Chopra
Star Cast: Ranveer Singh, Vaani Kapoor, Elisa Bachir Bay, Julie Ordon, Arman Ralhan et al
Music Vishal Dadlani – Shekhar Ravjiani & Mickey McCleary

Befikre is an urban youth centric fun entertainer with a new age theme. The scion of Yashraj Films namely director Aditya Chopra is a name in itself to be reckoned with and certainly needs no special introduction. Having made his debut with
Dilwale Dulhaniyaa Le Jaayenge he has displayed his directorial prowess with many super hit films which have been a cause for a joyous celebretion in itself and now Aditya Chopra has returned after almost a decade long hiatus in the directorial arena with his latest albeit most daring & extremely bold offering namely Befikre which happens to be a quintessential take on the Gen X’s bold & beautiful take on their own views of the ups & downs of their bitter sweet love life. So Befikre is a story that celebrates being carefree (befikre) in love.

So Befikre is a story about a couple’s ups & downs and their ultimate realization of love. The scripted scenario of Befikre kick starts with a stereotyped break up scene between Dharam (Ranveer Singh) & Shyra (Vaani Kapoor) which ends up with Dharam calling Shyra a “slut”, which hurts her the most. This is followed by a flashback of events which mirrors their yesterday and connects it with their today. The flashback sees a young & carefree Dharam landing up in Paris at the behest of his friend, who gives him a job of a stand – up comedian in his night club. On one of the party – hopping spree, Dharam meets a tour guide Shyra, a French girl of Indian origin. A couple of casual encounters later, the strong minded Dharam & Shyra decide to have a live in relationship, vowing not to say “stupid” things like “I love you”, because it will put an end to their carefree lives. Even when they break up with each other, they even land up celebrating that as well. All is well till the time a smart & well educated Anya (Armaan Ralhan) enters Shyra’s life. After a few meetings & party hopping with Shyra, Anya proposes marriage to her. When Dharam gets to know about Shyra’s marriage, he shocks Shyra by announcing his marriage to a French girl named Christine. What happens after that, are a series of events that changes everyone’s equation with each other.

Director Aditya Chopra has perhaps moved out of his comfort zone and made a very interesting film as usual and that apart he has not left any stone unturned to make Befikre as entertaining as possible barring the smooch fest which the lively Gen X will surely lap it up like nobody’s business but it surely won’t go down well with the so called over the hills age group but who cares. As I saw the film 1st time as a hardcore critic but even I enjoyed seeing it the 2nd time with the multiplex cine goers and found the patrons of my age too, just letting their hair down and totally enjoying the proceedings on the Big Screen with a totally Carefree (Befikre) attitude. The only dark cloud in the otherwise silver, or is it gold lining, was that Befikre is a pure adaptation of a French film named Love Me If You Dare and please don’t bother for the literal Hindi translation of the French title. Just go and soak yourself in the funfilled movie Befikre. As once in a while one should leave one’s indianess behind and become carefree (Befikre). Besides a special well – deserved brownie point goes to director Aditya Chopra for making a film for today’s youth which can also be appreciated even by the traditional, and not the totally orthodox indians who are still stuck with their so called indian sensitivity. Besides once again full marks to director Aditya Chopra for extracting brilliant work both from his core team of technicians as well as the entire cast comprising of Indian as well as imported foriegn actors. All of whom who have made Befikre a coming – of – age, fast paced, entertaining film and one which has more to it than just the kisses, the dares & the frivolous one – night stands as the characterisations in the film are strong and the dares forms the highpoint of the film. A special mention must also be made of the soundtracks like “Nashe Di”, “Ude Dil Befikre” and French number Je t’aime” which are already a rage all over. That apart the film’s background score by Mikey McCleary helps the film’s proceedings in a big way. While the film’s cinematography by Kaname Onoyama is outstanding. The way in which he has shot the entire locales of Paris including the famous Eiffel Tower are extremely superlative & top – notch. In other words, Befikre even appears like a blatant promotional exercise of French Tourism. And last but not the least is the film’s editing by Namrata Rao which indeed is crisp & bang -on.

Performance wise It is an out & out Ranveer Singh film all the way from “The Start” till “The End”. The film rides majorly on his sturdy shoulders, who has time & again, reinvented himself with every passing film. In one word he is “Outstanding” and deserves a standing ovation especially for his perfect comic timing, energy & freshness that he brings to the screen which in turn is extremely infectious. Even his nano second – “brief” nude scene shows his most carefree (Befikra) attitude and one which was earlier pulled off by King Khan in Maya Memsaab & Nitin Mukesh in a Madhur Bhandarkar film. Next in line is Vaani Kapoor who exhibits her screen presence in Befikre with picture perfect élan & style. The on – screen chemistry between Ranveer Singh & Vaani Kapoor is excellently brilliant. And of course Armaan Ralhan, Julie Ordon as Christine & Elisa Bachir Bay as Nathalie are one more welcome addition to the rooster of Bollywood actors & actresses. Rest of the characters in the film are good in their own way and thereby help to carry the film forward.

Tail Piece: Befikre is an urban youth centric fun entertainer with a new age theme which will find more patronage with the youth. At the Box – Office turnstiles it will be loved & appreciated by the target audiences especially in Multiplexes while the single theatres especially in the interiors maybe slightly shaky.

Share this:

  • Tweet
  • Print
  • WhatsApp

Related

Filed Under: Film

Follow Us

  • Facebook
  • Twitter
  • YouTube

KNOW US

  • About Us
  • Corporate News
  • FAQs
  • NewsVoir
  • Newswire
  • Realtor arrested for NRI businessman’s murder in Andhra Pradesh

GET INVOLVED

  • Corporate News
  • Letters to Editor
  • NewsVoir
  • Newswire
  • Realtor arrested for NRI businessman’s murder in Andhra Pradesh
  • Submissions

PROMOTE

  • Advertise
  • Corporate News
  • Events
  • NewsVoir
  • Newswire
  • Realtor arrested for NRI businessman’s murder in Andhra Pradesh

Archives

  • May 2025 (9)
  • April 2025 (50)
  • March 2025 (35)
  • February 2025 (34)
  • January 2025 (43)
  • December 2024 (83)
  • November 2024 (82)
  • October 2024 (156)
  • September 2024 (202)
  • August 2024 (165)
  • July 2024 (169)
  • June 2024 (161)
  • May 2024 (107)
  • April 2024 (104)
  • March 2024 (222)
  • February 2024 (229)
  • January 2024 (102)
  • December 2023 (142)
  • November 2023 (69)
  • October 2023 (74)
  • September 2023 (93)
  • August 2023 (118)
  • July 2023 (139)
  • June 2023 (52)
  • May 2023 (38)
  • April 2023 (48)
  • March 2023 (166)
  • February 2023 (207)
  • January 2023 (183)
  • December 2022 (165)
  • November 2022 (229)
  • October 2022 (224)
  • September 2022 (177)
  • August 2022 (155)
  • July 2022 (123)
  • June 2022 (190)
  • May 2022 (204)
  • April 2022 (310)
  • March 2022 (273)
  • February 2022 (311)
  • January 2022 (329)
  • December 2021 (296)
  • November 2021 (277)
  • October 2021 (237)
  • September 2021 (234)
  • August 2021 (221)
  • July 2021 (237)
  • June 2021 (364)
  • May 2021 (282)
  • April 2021 (278)
  • March 2021 (293)
  • February 2021 (192)
  • January 2021 (222)
  • December 2020 (170)
  • November 2020 (172)
  • October 2020 (187)
  • September 2020 (194)
  • August 2020 (61)
  • July 2020 (58)
  • June 2020 (56)
  • May 2020 (36)
  • March 2020 (48)
  • February 2020 (109)
  • January 2020 (162)
  • December 2019 (174)
  • November 2019 (120)
  • October 2019 (104)
  • September 2019 (88)
  • August 2019 (159)
  • July 2019 (122)
  • June 2019 (66)
  • May 2019 (276)
  • April 2019 (393)
  • March 2019 (477)
  • February 2019 (448)
  • January 2019 (693)
  • December 2018 (736)
  • November 2018 (572)
  • October 2018 (611)
  • September 2018 (692)
  • August 2018 (667)
  • July 2018 (469)
  • June 2018 (440)
  • May 2018 (616)
  • April 2018 (774)
  • March 2018 (338)
  • February 2018 (159)
  • January 2018 (189)
  • December 2017 (142)
  • November 2017 (122)
  • October 2017 (146)
  • September 2017 (178)
  • August 2017 (201)
  • July 2017 (222)
  • June 2017 (155)
  • May 2017 (205)
  • April 2017 (156)
  • March 2017 (178)
  • February 2017 (195)
  • January 2017 (149)
  • December 2016 (143)
  • November 2016 (169)
  • October 2016 (167)
  • September 2016 (137)
  • August 2016 (115)
  • July 2016 (117)
  • June 2016 (125)
  • May 2016 (171)
  • April 2016 (152)
  • March 2016 (201)
  • February 2016 (202)
  • January 2016 (217)
  • December 2015 (210)
  • November 2015 (177)
  • October 2015 (284)
  • September 2015 (243)
  • August 2015 (250)
  • July 2015 (188)
  • June 2015 (216)
  • May 2015 (281)
  • April 2015 (306)
  • March 2015 (297)
  • February 2015 (280)
  • January 2015 (245)
  • December 2014 (287)
  • November 2014 (254)
  • October 2014 (185)
  • September 2014 (98)
  • August 2014 (8)

Copyright © 2025 · News Pro Theme on Genesis Framework · WordPress · Log in