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You are here: Home / Archives for Culture & Society

Movie Review: ‘Sicario’ is a riveting edge of the seat thriller movie

October 9, 2015 by Shaheen Raaj

Sicario

Producer: Basil Iwanyk, Thad Luckinbill, Trent Luckinbill, Edward McDonell & Molly Smith
Director: Denis Villeneuve
Star Cast: Emily Blunt, Benecio Del Toro, Josh Brolin & Victor Garber
Genre: Thriller
Verdict: Good

Plot: In the lawless border area stretching between US & Mexico, an idealistic FBI agent (Emily Blunt) is enlisted by an elite Government task force official (Josh Brolin) to aid in the escalating war against drugs. Led by an enigmatic consultant with a questionable past (Benicio Del Toro), the team sets out on a clandestine journey forcing Kate to question everything that she believes in order to survive.

Aces: Director Denis Villeneuve has crafted a perfect thriller movie aided & abetted by his entire coterie of actors & technicians.

Minuses: Certainly not a mainstream fare.

Last Word: Quite a though provoking movie especially meant for the classy cine goers.

Filed Under: Film Tagged With: Film, Hollywood, Movie, Movie Review, Sicario

Ultra Media & Entertainment Pvt Ltd opens a new production, distribution & acquisition office

October 9, 2015 by Shaheen Raaj

Ultra Media & Entertainment Private Ltd

Ultra Media & Entertainment Private Ltd is a professionally managed Entertainment Conglomerate providing end to end solutions for the films & television Industry globally. It has opened a new Production, distribution & Acquisition office in Andheri (W), Mumbai. Located at Unit No 408, Sri Krishna Building, Fun Republic Lane, Link Road, Andheri (West), it covers a huge space of 1300 square feet.

This office has been exclusively put up to execute projects for Film Production: In – house as well as Co – Production, Distribution: India & Overseas & Acquisition: Outright & Marketing Acquisition in complete or in different stages of production. All these 3 verticals will be dealing with content across Feature Films, Television, Animation, Digital films in all languages & genres.

These content will be monetized in Theatrical, Television, Digital, DTH, VOD, IPTV, HITS, Internet, Mobile et al in India & all over the world. The main objective of having a new office in Andheri was to be close to the film industry hub which is fully based here. This will help the company to meet prospective clients and will also help in quick turnaround time & effective delivery.

Ultra already has a full – fledged office sprawling across 3 floors in mid town in Lower Parel (E) since 1985. The Andheri office has been an extension to provide these key services just in the heart of the film industry.

Ultra Media & Entertainment Private Ltd (Est. 1982) is a professionally managed Entertainment Conglomerate providing end to end solutions for the films & television Industry globally. It’s a fully integrated, broad based studio engaged in multiple aspects of entertainment, including full – scale film & television production & distribution, digital media & post production services.

Today the company pioneers in Content Acquisition from various production companies worldwide & Distribution of various media rights of Indian & International films, Television Programs, Animation & other content in various genres & languages.

They specialize in distributing this in various existing Physical, Non Physical and emerging formats in overseas countries. Ultra currently has an exhaustive library consisting of over 1500 titles comprising of blockbuster Indian Films, television serials and other contents and is associated with some of the leading production studios globally. To cater to the ever expanding global entertainment industry, Ultra has launched a state of the art pre & post production studio with the latest indigenous equipment & technology.

It provides a plethora of services like Scanning, Restoration, Colorization, 2D to 3D Stereoscopic Conversion et al.

Filed Under: Film Tagged With: Ultra Media & Entertainment Private Ltd

Censor Board refuses to give reasons why it rejected the documentary on Modi elections

October 9, 2015 by Shaheen Raaj

the-battle-for-banaras

40 days after the censor board declared to the media that they have refused to give a censor certificate to Kamal Swaroop’s documentary THE BATTLE FOR BANARAS, the censor board is yet to officially communicate to the producer the reason for the rejection of the film.

The documentary was officially invited to play at the 17th Jio Mami Mumbai Film Festival but the invitation was withdrawn in the absence of clarity on the censor certificate. “This lack of clarity & communication from the censor board is irresponsible,” says Manu Kumaran (BOMBAY BOYS, YELLOW, STORAGE 24) the producer of the film. “It’s outrageous that the censor board chief Pahalaj Nihalani has the time to run down the film in the media but has no time to do his duty of communicating officially the reason for the rejection of the film,” says Kumaran.

Director Kamal Swaroop adds, “It is an attempt to understand the crowd phenomenon, anthropologically, without getting into voter politics,” he argues, pointing out that people are talking not just about Arvind Kejriwal & Narendra Modi in the film but also about 40 other candidates across political parties. “Of course the main face – off is between Modi & Kejriwal with the latter having a slight edge till the polarisation happened. Then, the Muslim votes went to him while Modi swept the Hindu votes, including the Dalits.”

The film was screened for the censor board on 27th Aug, 2015. “We contest each & every claim made by Mr Nihalani in the media. The film is neither pro Kejriwal or against any politician. It is not a political satire. Kamal Swaroop has only documented what happened in the general election,” said Kumaran. “We will fight this unjust ruling of the censor board. But this can happen if instead of talking to the media, they officially issue a letter stating the reasons for rejection. This delay tactic by the censor is both unwanted & unprecedented,” says Kumaran.

Inspired by Nobel laureate Elias Canetti’s book, “Crowds And Power”, the documentary, THE BATTLE FOR BANARAS captures the excitement, the madness & the noise behind the high – octane poll battle in the holy city of Banaras, India’s Prime Minister Narendra Modi’s parliamentary constituency.

And in the process, for the 1st time lays bare the equation & the politics of democracy called India. Produced by Manu Kumaran & Mediente International Films, the documentary was shot in 4K, over a 44 – day schedule in Banaras during the 2014 Lok Sabha elections.

Filed Under: Film Tagged With: Documentary, Kamal Swaroop, Narendra Modi, THE BATTLE FOR BANARAS

Movie Review: ‘Biker’s Adda’ is an interesting film and definitely worth a watch

October 9, 2015 by Shaheen Raaj

Biker's Adda

Producer: Pramod Maruti Lokhande & Veejay Haria
Director: Rajesh Latkar
Star Cast: Santosh Juvekar, Prarthana Behere, Shrikant Moghe, Shrikant Wattamvar, Rahulraj Dongare, Tanvie Kishore, Hrishikesh Mandke, Jai Aditya Giri, Anuradha Harrip, Devendra Bhagat & Nishi Rajshirke
Genre: Action
Verdict: Good

Hats off to producer Pramod Maruti Lokhande, Veejay Haria and director Rajesh Latkar for making a daringly different film like Biker’s Adda and not falling for the temptation to make the same old clichéd Marathi films which had almost became a staple diet of Marathi cine goers.

Plot: The story line of this movie is all about being the passionate bikers who are looking forward to pursue their career in no other field than biking and hereby biking is promoted as a sport. These are adult bike riders and cops believe that the rules for them are same too that focuses drug usage. Multiple stunts are performed in the entire movie by these riders and they race with an urge to only WIN no matter what the situation is.

Aces: Rajesh Latkar’s direction, the daredevil biking stunts and of course the performances of the principal cast.

Minuses: The clichéd inclusion of the drugs & the mafia racket and some of the routine action sequences.

Last Word: How one wishes that Biker’s Adda was just a pure adventurous sports film. Yet Biker’s Adda is worth a watch for one & all.

Filed Under: Film Tagged With: Biker's Adda, Bollywood, Film, Movie, Movie Review, Prarthana Behere, Santosh Juvekar, Shrikant Moghe

Movie Review: ‘The Walk’ is a daringly crafted different movie

October 9, 2015 by Shaheen Raaj

The Walk

Producer: Tom Rothman, Steve Starkey, Jack Rapke & Robert Zemeckis
Director: Robert Zemeckis
Star Cast: Joseph Gordon – Levitt, Ben Kingsley, Charlotte Le Bon, James Badge Dale & Ben Schwartz
Genre: Drama
Verdict: Very Good

Robert Zemeckis is known more for his films like Who Framed Roger Rabbit? Forest Gump etc. In his latest offering The Walk, a real life adventure drama based on the life & memoirs of a French Live Wire artist Philippe Petit, he has gone that extra mile to craft that edge of the seat drama.

Plot: As a boy, Philippe Petit dreams of performing daring feats for dazzled crowds. As an adult (Joseph Gordon – Levitt), his life’s ambition comes true when he becomes a high – wire artist who stares death in the face with every step. Under the guidance of mentor Papa Rudy (Ben Kingsley), the daredevil devises a plan to walk on a tightrope attached to the north & the south towers of the World Trade Center. With help from his team and against all odds, Petit attempts the seemingly impossible stunt on 7th Aug, 1974.

Aces: The film clearly belongs to Joseph Gordon – Levitt as the main protagonist Philippe Petit who has delivered an unbelievably daring & outstanding performance. Another marvellous performance comes from Ben Schwartz. Not to forget the remarkable directional skills of Robert Zemeckis barring the fact that he has heavily depended on digitalised techniques.

Minuses: The only hindrance of the movie The Walk is its exceedingly slow space which sometimes gets on your nerves.

Last word: If you are a lover of real life adventure drama, then the movie The Walk is just up your alley.

Filed Under: Film Tagged With: Ben Kingsley, Charlotte Le Bon, Film, Hollywood, Joseph Gordon-Levitt, Movie, Movie Review, The Walk

Movie Review: ‘Mungala’ is no doubt a very realistic & offbeat film

October 5, 2015 by Shaheen Raaj

Mungala

Producer: Gaurav Bhanushali
Director: Vijay Devkar
Star Cast: Lokesh Gupte, Jyoti Joshi, Suhas Palshikar, Ganesh Yadav, Chetan Dalvi etc
Genre: Drama
Verdict: AVERAGE

Plot: A village is suffering due to draught since a long time and the end to this problem is nowhere in sight. The villagers daily wait for the tanker to arrive to quench their thirst and to fulfil their other household chores. One of the youth Kisan has come to the village after being sacked due to the recession period in the city.  One of the other youth who has gone to the city dies and now his widow is left to fend for herself and her mother – in – law.  And then Kisan devises a plan with his village bumpkins to bring the village back to normalcy. And in the end all is well that ends well and Kisan too, then decides to tie the Knot with the widow.

Aces: Producer Gaurav Bhanushali along with the director Vijay Devkar deserves a standing ovation for presenting such a realistic and off beat subject especially on the Marathi celluloid silver screen. All the actors have performed their act too sincerely and honestly. A special well deserved mention must be made of Lokesh Gupte as Kisan and Jyoti Joshi as the widow.

Minuses: The only minus point of the film is its snail space. As nothing seems to be moving the way it should. In short the film is too verbose. Besides the director Vijay Devkar should have resisted the temptation of forcefully entering an item song.

Last Word: The prospects of Mungala at the box office looks grim but it will definitely succeed in doing good business in the single theatres & tent cinemas especially of the interiors. That apart the film will win rave reviews and awards galore in the festival circuit.

Filed Under: Film Tagged With: Bollywood, Film, Jyoti Joshi, Lokesh Gupte, Movie, Movie Review, Mungala, Suhas Palshikar

Movie Review: ‘Daagdi Chaawl’ is an eyeoper & a hard hitting film based on gang war

October 5, 2015 by Shaheen Raaj

Daagdi Chaawl

Producer: Mangal Murti FIlms & Sai Pooja Entertaintment & Film
Director: Chandrakant Kanse
Star Cast: Ankush Chaudhari, Pooja Sawant, Makarand Deshpande, Sanjay Khapre, Kamlesh Sawant, Yatin Karyekar etc
Genre:  Action & Drama
Verdict: Good

Plot: The plotted scenario of Dagdi Chawl starts off in an era of 1996 and revolves around a person called Surya (Ankush Chaudhari), who leads a peaceful life in one of the chawls of Mumbai. He owns his own work setup and is almost on the verge of settling down in life by marrying his beloved (Pooja Sawant). In that particular era of 1996 underworld activities were still to be seen live on the streets of Mumbai. In this milieu one such incident happens with Surya, which lands him in a situation where he has to come face to face with ‘Daddy’ aka Arun Gawli (Makrand Deshpande) and Surya’s journey in the underworld also starts off, so does his struggle to disassociate himself with the tag of Daagdi Chawl, which lands him further deep into the activities of Daagdi Chawl. Besides he is also pitied against Daddy.

Aces: Hats off to director Chandrakant Kanse for tackling such a complex issue of the mafia and its constant and ruthless gang wars and for this the credit should also go to the art director who recreated a perfect ambience of the bygone era of Dagdi Chawl. That apart Ankush Chaudhari is outstanding as Surya as he has literally got into the skin of the character.

Minuses: Some of the scenes are outright repetitive which may not go down well with the audience.

Last Word: A film like Dagdi Chawl is an eye opener once again for one and all that no matter what, crime never pays, but if at all one gets caught in its web unwillingly than there is always a way out if one wills it.

Filed Under: Film Tagged With: Ankush Chaudhari, Bollywood, Daagdi Chaawl, Film, Makarand Deshpande, Movie, Movie Review, Pooja Sawant

Movie Review: ‘Singh Is Bling’ has mass appeal with its full on entertainment quotient

October 5, 2015 by Shaheen Raaj

Singh-Is-Bliing

Producers: Akshay Kumar, Ashvini Yardi & Jayantilal Gada
Director: Prabu Dheva
Star Cast: Akshay Kumar, Amy Jackson, Lara Dutta, Kay Kay Menon, Pradeep Rawat, Anil Mange, Arfi Lamba, Rati Agnihotri, Kunal Kapoor, Murali Sharma etc
Genre: Action Comedy
Verdict: Good

Prabhu Dheva’s latest directorial offering Singh Is Bliing may not be really impressive, but it does have its profound moments of Mass Appeal glory. So Singh Is Bliing is like a common man’s recipe served with a full on entertainment toppings.

Plot: Raftaar Singh (Akshay Kumar) is a good for nothing but a jolly good fellow staying in Punjab. In spite of being the apple of his mother’s (Rati Agnihotri) eye, his father (Pradeep Rawat) is fed up of his buffoonery antics at regular intervals and soon enough packs him off to Goa to work with his friend in his beach resort. On the other hand Sara (Amy Jackson) comes to Goa from Romania in search of her mother. Both Raftaar & Sara meet but it takes eons for the two of the them to fall in love mainly because of the language barriers. That apart there is a joker in the pack Mark (Kay Kay Menon) who is hell bent on marrying Sara.

Aces: The hilarious antics of Akshay Kumar and his two sidekicks Anil Mange and Arfi Lamba, the trio of whom enliven the proceedings time and again. Director Prabhu Dheva is back with a bang after his dismal failure in his last outing Action Jackson.

Minuses: The film also has its moments of ill logical events with a set of disjointed pieces occurring right through the entire duration of the film.

Last Word: All in all Singh Is Bliing is a full on entertaning film.

Filed Under: Film Tagged With: Akshay Kumar, Amy Jackson, Bollywood, Film, Kay Kay Menon, Lara Dutta, Movie, Movie Review, Singh Is Bling

Book Review: Blood on their hands: Expose of Indian Army’s shocking staged encounters

October 3, 2015 by Nasheman

blood-on-my-hands

by Bhavana Akella

New Delhi: Through shocking and revelatory confessions of an Indian Army officer on extrajudicial killings and state-sanctioned murders by the armed forces, journalist Kishalay Bhattacharjee’s latest book depicts how Indian state is built on violence and questions how a democracy can sustain acts which violate human rights for decades together.

In his book, “Blood on my hands” (Harper Collins; Pages: 200; Price: Rs. 250), Bhattacharjee’s conversations with an anonymous army officer serve as an expose for the highly regarded service in the country, the Indian Army.

The revelations explain significant shortcomings in the way the armed forces in the country are designed to function.

“The officers need a definite number of points to get a citation and earn their ranks and awards. Under this pressure, the army units bid to purchase a guy to be killed from the mafia,” Bhattacharjee told IANS, recalling from the confessions. The confessions is largely about killings in the North-East.

In order to earn the points, there are staged encounters of absolutely innocent people, Bhattacharjee said, adding that to earn money to stage the encounter (planting a gun etc.) the officers take to making extra bucks through narcotics, timber smuggling, and allowing human trafficking.

“I guess it was 300 points. Each kill brought five points. So these guys were short of ten points; and they contacted the mafia…They killed these two (from Bangladesh) just a day before they left, and the CRPF was roped in to aid the army,” read the confessions from the book.

One of the chapters, with confessions from the ‘inner circle’ of the army also indicates that the “succession and the big fights involving the army chiefs also has the staged encounters as a part.”

This could be one of the reasons, that it “embarrasses the Indian army”, that the book has been trending in Pakistan, Bhattacharjee said.

Born in Guwahati, Assam, Bhattacharjee, who has covered the conflict in north east region and the Maoist corridor for many years now, said belonging to the region gave him a bias that he had “absolutely no sympathy with militants or police.”

During his time, as a reporter in the region, he said, “whenever an encounter happened,we were forced to give the official version, and missed out on real information. That’s why in conflict reportage in India, most of the information is incorrect.”

Indian state has been built on violence, and violence has been institutionalised in the country through various laws, the journalist said. Many cases are just open and shut, and are not prosecuted, he said.

“When Indian union was created, we sent tanks to annexe regions — violence has been monopolised and institutionalised in the country. Armed Forces Special Protection Act (AFSPA) was an Emergency act,” he said.

“How can an Emergency act, in a democracy, be in place for nearly 58 years!” he exclaimed.

There are over a dozen “draconian” acts in the country like the AFSPA — which have been causing “gross human right violations”,

Bhattacharjee added.

“There was a situation when a beggar was picked up from a railway station and killed. This mafia of supplying human beings to the army to be killed is something I did not know of and was deeply disturbed to know,” he explained.

His meeting with the army officer, who confession forms a major part of the book, “was rather accidental”, he said.

“I had met him during my stay in the north east. Apparently through one of my reports, I had helped him. Over a drink we started talking and later with his permission documented it,” Bhattacharjee said, talking about the process of writing the book.

With confessions from chief secretaries, army generals, home secretaries and police officials, he was not sure whether he should write the book, as he was told it would “defame the Indian army” he said.

But the voice of a very senior army personnel, who said the book must be written since the “mess must be cleared” made him pen down the facts, Bhattacharjee said.

The anecdote of Julius Robert Oppenheimer, who after testing the A-bomb in 1946, met the US President Harry Truman, to say “Mr. President, I have blood on my hands” has been stuck in his head while writing the book he said.

“The term as a title talks of pure murder, and doesn’t dilute the situation,” Bhattacharjee said, adding that his next book would reveal the dynamics of the adivasis and maoists in the country.

(IANS)

Filed Under: Books Tagged With: Blood on their hands, Book Review, Books, Indian Army, Kishalay Bhattacharjee

Movie Review: ‘Kis Kisko Pyaar Karoon’ is a full on paisa vasool entertainment

October 2, 2015 by Shaheen Raaj

Kis Kisko Pyaar Karoon

Producers: Rao Hasnain, Ganesh Jain & Ratan Jain
Director: Abbas Mustan
Cast: Kapil Sharma, Arbaaz Khan, Manjari Phadnis, Elli Avram, Simran Kaur Mundi, Varun Sharma, Sai Lokur et al
Music: Tanishk Bagchi, Dr Zeus, Javed Mohsin & Amjad – Nadeem

The director duo Abbas – Mustan needs no special introduction in Bollywood firmament. They have made many stars & delivered many hits in their career. And now once again in their latest offering ‘Kis Kisko Pyaar Karoon’ they have gifted a new star in the making namely the stand up comedian Kapil Sharma.

The movie starts off with the definition of ‘shaadi’ and also with the introduction of Kumar Shiv Ram Kishan aka Bholu (Kapil Sharma) in a swanky car. Even as he drives the car, the audiences are driven to a flashback of events that establishes the connection between Kumar Shiv Ram Kishan’s past with his present. If one had to sum up his life, then, the only statement that would do total justice to it is ‘Kar bhala toh ho bura’. Every time Kumar Shiv Ram Kishan lands up helping a girl (unmarried, to be specific) in distress, he lands up marrying that girl! That establishes the fact as to how he gets married to Juhi (Manjari Fadnis), Simran (Simran Kaur Mundi) & Anjali (Sai Lokur). Kumar Shiv Ram Kishan very successfully hides his marriage from all the 3 girls err… wives. And in order to avoid problems, he places them at various locations of Bandra, Borivali & Kandivali. But, upon the ‘expert advice’ of his close friend lawyer Karan (Varun Sharma), Kumar Shiv Ram Kishan buys one flat for each wife in an ironically named building called ‘Cocktail Towers’. To all his wives, he explains his super busy schedule stating that he has 3 different ‘offices’ to be taken care of. He even names his different offices (read ‘wives’) on his mobile phone as ‘Head Office’, ‘Branch Office’ & ‘Area Office’. The common excuse that Kumar Shiv Ram Kishan gives to all the 3 wives is that, because of his super busy job, he will spend one night with them and two nights in the office. In that way, he actually does justice to all the three wives. The story takes a U-turn with the entry of Deepika aka ‘Enquiry Office’ (Elli Avram), the girl whom he really loves. Due to the fear of losing Deepika, Kumar Shiv Ram Kishan keeps her too in the dark about his marriages and his respective wives.

Hats off to the director duo Abbas – Mustan for moving out of their thriller comfort zone & serving the viewers with a delightful comic oriented recipe.

Performance wise debutante Kapil Sharma has done wonders. And he surely did not have to move out of his comfort zone of comedy He is equally good in romance & emotional arena. As for the heroines Manjari Phadnis, Elli Avram, Simran Kaur Mundi are concerned they are superb in their own individual roles. Another outstanding performance comes from Varun Sharma. But the same cannot be said about the other actors of the movie.

Tail Piece: Not to be missed film at any cost.

Filed Under: Film Tagged With: Arbaaz Khan, Bollywood, Film, Kapil Sharma, Kis Kisko Pyaar Karoon, Manjari Phadnis, Movie, Movie Review

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