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Movie Review: 'Paisa Ho Paisa' is a non – stop laugh riot, a roller coaster joyride

April 6, 2015 by Shaheen Raaj

PAISA HO PAISA

Banner: Mayaa Creations
Producer: Muktha Sunder
Executive Producer: V. Vishwanath
Director: Muktha Sunder
Cast: Dhruv Bhandari, Madalasa Sharma, Vivek, Kanishka Soni, Antony et al
Music: K. S. Manoj, G. D. Prasad & Nirojan
Cinematographer: Rajkumar
Editor: Suchit Kumar
Pro: Shaheen Raaj

Director Muktha Sundar happens to be a well – Known Tamil filmmaker. His recent Tamil movie ‘Pathayeram Kodi’ (’10 Crores’) has already been declared as a runaway super hit movie. Incidentally speaking Muktha Sundar’s latest Hindi directorial offering ‘Paisa Ho Paisa’ happens to be a remake of ‘Pathayiram Kodi’. So ‘Paisa Ho Paisa’ happens to be moulded in a whacky albeit a romantic comedy genre with an unlimited destinated stopovers in tandem with roller coaster joyrides across the length & the breadth of the Indian roads. So ‘Paisa Ho Paisa’ also happens to be a road with a difference.

The plotted scenario of Mayaa Creations ”Paisa Ho Paisa’ showcases the antics of bungling cops & buffoonery gangsters chasing invisible people armed with their loot, from a princess, being carried off in an invisible car. The non – stop interesting & the fun oriented chase continues from Pondicherry to Shani Shinganur via 4 state borders touching the exotic locales of Karwar, Goa, Mercara, Pune, Ahmednagar, Mahabaleshwara,  Panchagani et al. The prequel of the wholesome comic dramedy is as follows: Ashwin (Dhuv Bhandari) an engineering college student meets a beautiful girl Bhoomika (Madalasa Shah) in the campus. After a few playful encounters, they fall in love. Ashwin hails from a lower middle class family and all the time he thinks of making big money in a very short time. When Bhoomika stumbles upon something big, she consults Ashwin and his friends and together they strike it rich in a very big way using an invisible chemical (A chemical when it is sprayed on anything or anyone the object or the person becomes invisible). Now making use of this invisible spray Ashwin, Bhoomika and their coterie of friends loot a Princess Maya (Kanishka Soni). However they are forced to be on the run after being chased by a CBI officer (Vivek) and his foolhardy gang of cops. Then starts the the wild goose chase with ruthless & buffoonery gangsters, comic cops, bungling CBI officer and the hero and his friends playing all kinds of pranks.

Welcome Mr. Muktha Sundar in the Bollywoodian directional arena but if only you had treaded more carefully. But indeed you can be compared to director David Dhawan and his kind of films in which the cine goers come with their families including their kids to witness the David Dhawan brand of comedy, leaving their brains behind, with full time pass attitude. And they indeed enjoy a lot until they walk out of the auditorium. And of course a special mention must be made of ‘Paisa Ho Paisa’s close to 30 minutes of computer graphics work which happens to be an extremely watchable and kids lovable highlight of ‘Paisa Ho Paisa’. If only this movie was mounted on a grand scale with top notch actors then it would have chartered an altogether different albeit commercially successful box office history.

Performance wise Dhruv Bhandari as Ashwin is ok but he has miles to go before reaching his histrionics destination, Madalasa Shah as Bhoomika succeeds in lending the right factor of oomph & glamor, Kanishka Soni as the princess living in a palatial mansion has done justice to her role, Vivek as a bungling CBI officer is perfect & Antony as Ashwin & Bhoomika’s friend adds himself to the ever growing list of hamming actors.

Tail Piece: ‘Paisa Ho Paisa’ can be a good Summer Treat for your kids in tow with your family & friends.

Filed Under: Film Tagged With: Bollywood, Film, Movie, Movie Review, Mukhta Sundar, Paisa Ho Paisa

"My upcoming film 'Makad Jaala-A Political Trap' is a highly entertaining film": Dinesh Kumar Sahu

April 3, 2015 by Shaheen Raaj

Dinesh Kumar Sahu

Right at the outset director Dinesh Kumar Sahu’s opening lines were his life’s mantra. In this regard he averred, “Everything is possible in this world…….If you have trust in yourself. So always believe in your self.”

He has been around on the directional scenario of Bollywood almost since the last two decades being associated with big screen & small screen ventures like   ‘Kaise Badlte Rishtey’, ‘Vicky Aur Vetal’, ‘Balika Vadhu’, ‘E Ka Raz Baa’, ‘Kanyadaan’, ‘Kisan Mitan’, ‘Mor Dharti Maiyya’, ‘Dharti Hindustani’, ‘Ye Dil Chahe More’, ‘Rooh’, ‘Jassi Jaisi Koi Nahin’, ‘Left Right Left’, ‘Dil Mil Gaye’, ‘Subh Kadam’, ‘Gulal’, ‘X-Zone’, ‘Rishtey’ et al. The list is endless. And now he is all geared up for the release of his upcoming film ‘Makad Jaala-A Political Trap’.

Tell us what is your upcoming film ‘Makad Jaala-A Political Trap’ all about?

“My upcoming film ‘Makad Jaala-A Political Trap’ is a highly entertaining film albeit based on the current social issues.

What current social issues are you tackling in your film?

Actually speaking its about the co-relation between the students, the teachers & the politicians. The wayward students who are drug addicts, eve teasers, drunkards et al are always a problem for the teachers. And then the politicians leave no stone unturned to further waylaid these students and use & misuse them in a manipulative way for their own personal gains.

Sorry to say but haven’t we seen scores of movies earlier on based on the same triangular co-relational theme of the students, the teachers & the politicians?

No Mr. Shaheen Raaj I don’t deny what you say but you are overlooking one important aspect. Every director has his own perspective, his own vision, his own way of narrating the age old & oft repeated thematic content too. So watch out for my perspective, my vision, my narrative style, which will be highly entertaining, enjoyable & interesting too, in and of ‘Makad Jaala-A Political Trap’ when it hits the celluloid silver screen marquee on 24th Apr, 2015.

Filed Under: Film, India Tagged With: Bollywood, Dinesh Kumar Sahu, Film, Makad Jaala, Makad Jaala A Political Trap, Movie

“Friend- Tere Jaisa Yaar Kahan” gets best children's film Award at “7th Nashik International Film Festival”

April 1, 2015 by Nasheman

Producer Raju Pachghare & Child artist Chinmay Deshakar & others  at 7th Nashik International Film Festival, Nashik.

by Sanjay Sharma Raj

Movie’ Friend-Tere Jaisa Yaar Kahan’, made under the banner of Navdeep Film Creative has won the best Childrens movie Award & film’s Child artist Chinmay Deshakar ( Best Dramebaaz Fame) has won Best Child Actor Jury Award at the 7th Nashik International Film Festival”. The producer of the movie is Raju Pachghare and director is Jagadish Watharkar. Parents are busy with work and pay less attention towards their children and it affects them in different ways. The movie is themed on this factor. The 7th Nashik International Film Festival was held on March 22, 2015 at Sula Swine, Nashik.

Producer Raju Pachghare said “I thank the Jury and will request the people to watch the move which releases during summer holidays. Parents will see where they are wrong and how to improve.”

Director Jagadish Watharkar says “We are trying to make the move taxfree. This movie is based on children.”

Filed Under: Film Tagged With: 2015 Nashik International Film Festival, Friend- Tere Jaisa Yaar Kahan

Movies Newswatch

March 31, 2015 by Shaheen Raaj

Chaitanya Tamhane Court

Bollywood has always been mired in controversies galore, but sometimes there is a lull and it comes up with interesting news too. So this week our Entertainment Editor SHAHEEN RAAJ presents the awards, festival jamboree & other special news especially for the Nasheman readers.

European Union Film Festival Kickstarted In Chennai

A European Union Film Festival recently got kickstarted In Chennai to be precise on 31st Mar, 2015. The rich cultural diversity of the European Union and its Member States will be on display in its myriad hues at the 20th European Union Film Festival that began in Chennai on 31 Mar, 2015. The festival brings to India a repertoire of 21 latest and award winning European films from as many 21 countries. Organized by the Delegation of the European Union and embassies of Member States in partnership with local organizations including the Federation of Film Societies of India, the festival will traverse through Chennai, Delhi, Mumbai, Kolkata, Ahmedabad, Chandigarh, Coimbatore & Jodhpur over the next 4 months.

Celebrating 20 years of bringing European cinema to India, the festival will screen movies from varied genres including comedy, drama, romance & action

A Double Bonanza For ‘Court’

Of late it was a double bonanza for the film ‘Court’. In fact it was a double dhamaka for Chaitanya Tamhane whose directorial debut ‘Court’ won the “Best Feature Film” at the 62nd National Film Awards. The director along with producer-actor Vivek Gomber were scheduled to leave for New York for the US premiere of ‘Court’, which has been selected for the prestigious festival New Directors/New Films.  Just when they were wrapping work at office, they got news of ‘Court’ winning the prestigious national award here. After winning 17 international awards, finally it got recognized by our own country. Chaitanya & Vivek both expressed that they hope to celebrate their latest award with their team post the New York screening of ‘Court’. The film releases in India on 17th Apr,  2015.

Bengali movie ‘Chotushkone’ Wins 3 National Awards

Bengali movie ‘Chotushkone’ Wins 3 National Awards. Reliance Entertainment’s Bengali release ‘Chotushkone’ has received 3 prestigious National Awards. Srijit Mukherjee bagged “Best Direction” & “Best Original Screenplay” & Sudeep Chatterjee received the “Best Cinematography” award for ‘Chotushkone’. ‘Chotushkone’ or ‘The Quadrangle’ is a film about love, ambition, unconventional relationships and above all, vengeance.

‘Bhoothnath Returns’ Gets A Special Mention At National Awards

‘Bhoothnath Returns’ gets a special mention at National Awards. The immensely acclaimed ‘Bhoothnath Returns’ which struck box office gold when it was released last year has added yet another prestigious feather to its cap, with a special mention at the recently announced National Awards.

Produced by T-Series & B R Films ‘Bhoothnath Returns’ which had the unique pair of megastar Amitabh Bachchan and talented child star Parth Bhalerao as leads along with Usha Jadhav, has been conferred with a special mention at National Awards announced recently. It was Produced by Bhushan Kumar & Abhay Chopra & directed by Nitesh Tiwari.

‘Friend-Tere Jaisa Yaar Kahan’ Bags  “Best Children’s Film Award” At The 7th Nashik International Film Festival

The film ‘Friend-Tere Jaisa Yaar Kahan’ recently bagged the “Best Children’s Film Award” in the recently concluded 7th Nashik International Film Festival.

The film ‘Friend-Tere Jaisa Yaar Kahan’, made under the banner of Navdeep Film Creative has bagged the “Best Childrens Film Award” & the film’s Child artist Chinmay Deshakar of ‘Best Dramebaaz’ fame has bagged the “Best Child Actor” Jury Award at the 7th Nashik International Film Festival”. The jury members comprised of JYOTI VENKATESH, NAGESH BHONSALE, GIRISH WANKHEDE & SHAHEEN RAAJ. The producer of the movie is Raju Pachghare & the director is Jagadish Watharkar. The awards ceremony of the 7th Nashik International Film Festival was held on 22nd Mar, 2015 at Sula Wine, Nashik.

Shashi Kapoor To Receive Dadasaheb Phalke Award

Shashi Kapoor is all set to receive the Dadasaheb Phalke Award. Veteran film actor & producer Shashi Kapoor, who charmed his way in Bollywood as an actor with his unique mannerisms, will receive the 46th Dadasaheb Phalke Award for the year 2014.  The award is conferred by the Central Government for outstanding contribution to the growth & development of Indian cinema. The award consists of a Swarn Kamal (Golden Lotus), a cash prize of Rs 10 lakhs and a shawl. The award is given on the basis of recommendations of a Committee of eminent persons set up by the Government for this purpose. This year, a 5 member jury consisting of eminent film personalities, after due deliberations, unanimously recommended Shashi Kapoor for the prestigious award.

Information & Broadcasting Minister Arun Jaitley conveyed his congratulations on the occasion.  Born on 18 Mar, 1938, Shashi Kapoor is the youngest son of the Late Prithviraj Kapoor and the youngest brother the Late Raj Kapoor, both of whom have also been conferred with this award. While Prithviraj Kapoor received this award in 1972, Raj Kapoor received it in 1988.

Kangana Ranaut Bags National Award As “Best Actress” For ‘Queen’

Kangana Ranaut bags the National Award as Best Actress For ‘Queen’
Kangana Ranaut, whose performance was applauded by one and all in the film Queen has won the National Film Award for “Best Actress” for essaying the role of ‘Rani’ in the movie. This is Ranaut’s 2nd National Award. In 2008, the actress won the “Best Supporting Actress” award for her performance in Madhur Bhandarkar’s ‘Fashion’. Additionally, Vikas Bahl directed ‘Queen’ has won the “Best Film” Award. The National Awards will be handed out by President Pranab Mukherjee on 3rd May, 2015 in New Delhi.

CBFC denies ‘Dharam Sankat Mein’ To HARAM SANKAT MEIN was shown to Pandits & Maulavis

The CEO of the Central Board Of film Certification (CBFC) Dr. Shravan Kumar has categorically denied the media reports that mentioned CBFC was using the services of a Maulavi and a Pandit in the certification process for ‘Dharam Sankat Mein’. The film has been recommended for UA certification after certain modifications.

Filed Under: Film Tagged With: Bollywood, Film, Movie

Movie Review: 'Hunterrr' is certainly a surprise package as far as naughty adult comedies are concerned

March 31, 2015 by Shaheen Raaj

Hunterrr

Producer: Kirti Nakhwa, Rohit Chugani, Ketan Maru, Vikas Bahl, Vikramaditya Motwane & Anurag Kashyap
Director: Hashvardhan Kulkarni
Cast: Gulshan Devaiya, Radhika Apte, Sai Tamhankar, Sagar Deshmukh, Veera Saxena, Rachel D’Souza, Vaibbhav Tatwawdi, Suraj Jagan & Sandeep Dhabale
Music: Khamosh Shah

Débutante director Harshvardhan Kulkarni, a short filmmaker earlier on, in his debut feature film offering ‘Hunterrr’ has made an extremely lovable adult sex comedy without even taking a slightest refuge in the voyeuristic vulgarism. So what if he was heavily & highly inspired by some other films of this genre, the last one being ‘Grand Masti’.

‘Hunterrr’s adult sex comedy plot depicts Vaasu, who is known more for his ‘vaasugiri’. Something which he has been doing since his younger days like bunking classes as a school student and sneaking into a sleaze video parlor to see adults film, only to be caught by the cops and paraded in public with his head half shaved. As he grows ‘up’, he starts understanding the ‘wants of a woman’ and thus, he becomes a ‘hunter’ of sorts. And his hunted ‘objects’ include the married lady Jyotsna (Sai Tamhankar), Parul (Veera Saxena) and a handful of other catches (which also includes the very proverbial ‘Savita Bhabhi’ too). Incidentally speaking Jyotsana Bhabhi (Sai Tamhankar) is a sexually frustrated married woman who seeks pleasure in the arms of the neighbourhood college kid Vaasu (Mandar Ponkshe). Even after her husband finds out about her misadventures, Vaasu suggests that they should continue with their escapades. However, unlike most women in Hindi films, Jyotsana tells him that he may run away from a rented room but she will not leave her kid for his sake. She is very clear that she was only seeking sexual pleasure without any emotional attachment.

On the other hand Trupti (Radhika Apte), is the woman Vaasu meets for an arranged marriage and falls for. Having decided to marry after a string of unsuccessful affairs, she categorically tells Vaasu that they should take time knowing each other before finalizing the marriage. Unlike the other middle-class people from our films, Vaasu does not mind Trupti’s past affairs nor does Trupti want to carry forward grudges over his sexually-colourful past. When Vaasu approaches Shobha (Rachel D’Souza) and is rejected, he leaves without creating any ruckus or passing judgement over how she invited him, a stranger, into her hotel room and then denied him sexual favors. In fact, when he realises that she is the aunt he was supposed to pick up at the airport, he apologizes.

‘Hunterrr’ can be safely termed as débutante director Harshavardhan Kulkarni’s crowning as a director. It goes without saying that his direction skills are par excellence. And last but not the least full credit goes to Harshavardhan Kulkarni & Vijay Maurya for springing up very impromptu lines. The film actually ‘stands’ and thrives on such dialogues and one liners.

Performance wise Gulshan Devaiah, the leader of the ‘Hunterrr’ gang leads the histrionics department. He scores above all. He is a natural nay a born actor. His comic sense of timing coupled with raw ‘sensualness’ is brilliant. The female leads gang is led by none other than that extremely gifted Sai Tamhankar. Veera Saxena, the débutante actress has got a dream role that any actress can die for. But amongst all the female brigade of actresses it’s the fiery Radhika Apte, who scores brownie points. Her future seems to be very bright with 2 success in a row namely ‘Badlapur’ & now ‘Hunterrra’. Sagar Deshmukh is another actor to be watched out for. A special mention must go to Rachel Dsouza, Nitesh Pandey, Vaibbhav Tatwawdi, Suraj Jagan &
Sandeep Dhabale et al for their stunningly brief roles.

Tailpiece: ‘Hunterrr’ is a not to be missed naughty comedy full of witty lines.

Filed Under: Film Tagged With: Bollywood, Film, Gulshan Devaiya, Hashvardhan Kulkarni, Hunterrr, Movie, Movie Review, Radhika Apte

Movie Review: 'Barkhaa' is a romantic film steeped in intriguing mystery

March 31, 2015 by Shaheen Raaj

Barkhaa
Producer: Shabana Hashmi
Director: Shadaab Mirza
Cast: Sara Loren, Taaha Shah, Priyanshu Chatterjee, Shweta Pandit, Puneet Issar & Ashiesh Roy
Music: Amjad – Nadeem
Débutante director Shadaab Mirza has tried his directional skill in the romantic genre albeit embroiled in intriguing mystery. Its a decent enough effort  which can be termed as remarkable albeit not outstanding.The plotted scenario of this romantically mysterious film ‘Barkhaa’ opens in an intensive care unit (ICU) in which Akash (Priyanshu Chatterji) is almost on the verge of losing his life and his parents and younger brother Jatin (Taaha Shah) are trying their level best for his survival treatment. While Jatin is tensed up no end, he keeps getting a reminder call about his appointment of being the chief guest at a book launch function of ‘Aks’. Jatin reaches the launch venue in order to fulfill his professional commitment. No doubt he inaugurates the book named ‘Aks’ which means shadow. But the moment he finishes reading out a few pages, he finds out something mysterious about the story and immediately sets off to seek the identity of the publisher leaving the book launch midway. But he gets jolted by shock when the publisher claims to be unaware about the author’s whereabouts and maintains that it was couriered to her office and they decided to publish it due to its intriguing plot. So no wonder that the book launch triggers off a series of flashback events. And to resolve ‘Barkhaa’s further plot, shrouded in mystery one can take a stroll down to their nearest cinema halls. Period!!!

Débutante director Shadaab Mirza’s direction is okay but he really needs to brush up and sharpen his directional as well as penning skills in tandem with Lawrence John. A somewhat passable marks can also be given to Amjad – Nadeem for music & Raju Singh for background music. Yet the devils should be given their due credit, I am referring to Mayuresh Sawant for good editing & Mujahid Raja for his excellent cinematography. He has beautifully captured the scenic locales of Himachal Pradesh.

Performance wise Sara Loren is ok but is certainly a misfit for the title role even though she did try to infuse some life in her author backed role. But of course Shweta Pandit shines in her poorly sketched character. Yet it is Taaha Shah who stands out albeit the full potential of this extremely talented actor has not been tapped by the director. Besides in future he should select roles in a non – female centric films. Asheish Roy is perfect. Sadly enough Both Priyanshu Chatterjii and veteran actor Puneet Issar are highly disappointing.

Tailpiece: ‘Barkhaa’ is clean & wholesome film for family & teenagers alike, if only it had a more careful & attractive musical packaging.

Filed Under: Film Tagged With: Barkhaa, Bollywood, Film, Movie, Movie Review, Sara Loren, Shabana Hashmi, Shadaab Mirza, Taaha Shah

Southern Movies Round Up

March 28, 2015 by Shaheen Raaj

Naanum_Rowdydhaan

As compared to films produced in Bollywoodian & Hollywoodian Cinema arena, South Indian Cinema is rapidly & regularly progressing by churning out its own brand of gems of milestone movies in all the 4 languages namely Kannada, Malyalam, Telugu & Tamil. In an exclusive Nasheman.In, Shaheen Raaj will present a sneak preview of the productional happenings of Southern Cinema every fortnight. Time to stay tuned in.

‘Muni’ Franchise Gearing Up For Summer Release

‘Muni’ Franchise gearing up for summer release. Raghava Lawrence’s runaway success ‘Muni’ franchise is all geared up for a bvumper summer release. After the successes of the 1st 2 films in the franchise ‘Muni’ &  ‘Kanchana’, ‘Muni 3: Kanchana 2’ is highly anticipated among fans to bring out the cheer and scare them this summer. ‘Muni 3: Kanchana 2’ will, in all probability, be releasing worldwide on 16th Apr, 2015, on a Thursday. Added to this news, the team has just let out news that the 1st look of the film will be out soon.

Dhanush’s Next Project ‘Naanum Rowdhythaan’ Final Schedule Begins

Dhanush’s next project ‘Naanum Rowdhythaan’s final schedule has begun. Dhanush’s Wunderbar Films which has produced super hits like ‘3’, ‘Ethirneechal’, ‘VIP’ et al and the most recent ‘Kaaki Sattai’ which is still going strong, have announced the beginning of the final schedule of their next production ‘Naanum Rowdhythaan’ which has already begun in Chennai.

‘Naanum Rowdythaan’ brings together 2 of the biggest names in Tamil Cinema namely Nayanthara & Vijay Sethupathi and is directed by Vignesh Sivan of ‘Poda Podi’ fame. And the way the film is shaping out it is sure to catapult the extremely talented Vijay Sethupathi to the next level much like what ‘Ethirneechal’ did to Sivakarthikeyan.

Vijay Sethupathi To Enact A Softie Role In His Next Titled ‘Mellisai’

Vijay Sethupathi to enact a softie role in his next titled ‘Mellisai’. Incidentally speaking Vijay Sethupathi is the most versatile actor currently working in Tamil Cinema so much so that he has even caught the eye of the great Kamalhassan gaining his appreciation.  The actor seems to revel playing roguish characters in films like ‘Soodhu Kavvum’, ‘Itharkuthaney Aasaipattai Balakumar’,’Vanmam’ and even his soon to be released ‘Purampokku’ & ‘Naanum Rowdythaan‘. As a departure from these kinds of roles the actor is  playing a soft role in his next film ‘Mellisai’ which re-unites him with his ‘Naduvula Konjam Pakkatha Kanom’ hit pair Gayathree, who plays a violinist.
It is being directed by débutante Ranjith Jeyakodi.

Big B Sings Paens About Nagarjuna

Big B sings paens about Nagarjuna. Incidentally speaking in recent times, our Yuva Samrat has been going places. His endorsements apart, he has always been noticed for his glamorous & performance-oriented roles. With ‘Meelo Evaru Koteeswarudu’, he has carved gargantuan popularity for himself in the small screen arena.
Yet another feather in his cap is a commercial with Big B and other Southern Stars. It was Big B’s 1st Southern commercial involving Nag, Prabhu, Vikram, Shiva & Manju Warrior.

The megastar of Bollywood, who recollected his association with Nag since the days of ‘Khuda Gawah’, said that he had fond association with the Akkinenis. Describing Nag as the son of the great Telugu thespian “the iconic Akkineni,” Big B said that ANR was a great admirer of his.

Allu Arjun Aka Bunny To Work With Trivikram Srinivas

Allu Arjun aka Bunny, a Telugu actor to work with Tamil Cinema director Trivikram Srinivas. Allu Arjun and style go together. His choices are always big time news. He has been doing big ticket film after big ticket film, ruling Tollywood like chosen few actors.

His film ‘S/o Sathyamurthy’, directed by a Tamil Cinema director Trivikram Srinivas, is much awaited. His last outing with the celebrated filmmaker, Julayi, was a Box Office hit.  After ‘Race Gurram’, the buzz is that the Stylish Star is going to race ahead & zoom ahead. It has to be seen whether this project, a bi-lingual, will be releasing this year itself.  As for his next, get ready for 2nd Apr, 2015 release.

Ravi Teja All Set To Do A Bollywood Remake

Ravi Teja all set to do a Bollywood remake. Ravi Teja is reportedly going to be back with a bang. Many years after a film like ‘Kick’, where he played that lovable & affable Robin Hood, he is set to act in a crime thriller. And this one is not a straight one but a remake. And the remake film is Neeraj Pandey’s ‘Special 26’. Remember the film which was admittedly based on a true story.  The entertainer stood out for the performances of Akshay Kumar & Manoj Bajpay.  By the way, our own Kajal Aggarwal was seen as Akshay’s pair in this 2013 hit film. Based on the 1987 Opera House heist, this film was a heist film which also received a lot of critical acclaim.

Hansika Refutes A Rumour About Her Alleged Comment On Pawan Kalyan

Hansika recently refuted a rumour about her alleged comment on Pawan Kalyan. Incidentally speaking since a last few days, a rumour has been doing the rounds that actress Hansika has commented on Pawan Kalyan in a recent interview. But the actress was quoted as saying, “There is no need to enter into politics like Pawan Kalyan to do social service”, as per an interview. But Hansika cleared the rumoured air by stating that she hasn’t mentioned Pawan in any interview and she respects him a lot. She took to her twitter handle and wrote, “(1/2) Well few articles says I have commented on Pawan Kalyan sir. Let me make it clear I haven’t given any interview mentioning sir”. “(2/2) rest is all cooked up!!! I respect him immensely and I’m a fan of his work. I request all the others to stop with this vague rumour”.

The Confusion Over Mammootty-Kamal Film Is Over

The confusion over Mammootty-Kamal film Is over. After a few months in discussions, the confusions related to the new Mammootty-Kamal film is over. And now it is clear that producer Anto Joseph has decided to take over the production of the film. As of now, the shoot for the movie which was delayed for a year will kick start by the month of May, 2015 after the completion of Marthanda’s ‘Acha Din’. This yet to be titled project will hit the screens as an Onam release. This film also marks the coming together of Mammootty & Kamal after a long time since their last outing together in ‘Raappakal’.

Shakeela Has Not Been Roped In For A Sreebala film

Shakeela has not been roped in for a  Sreebala film. Earlier on it was reported that Shakeela is part of a Sreebala film which has Dileep as the hero. However, the reports has been dismissed as fake and that she has not been roped in for any role. According to sources, in the discussion for a sequence involving an interview scene, the names of Shakeela & Santhosh Pandit had cropped up as interviewees. However, neither of the 2 has been approached for the roles. The movie is a love story and has been scripted by Sreebala herself.

Ambassador Ragini Dwivedi Made Her Presence Felt At “Shaadi Bazaar”

Ragini Dwivedi, a top Kannada actress & an ambassador really made Her Presence felt at an event of “Shaadi Bazaar”. At the inauguration of “Shaadi Baazar at the Lalit Hotel Ashok the presence of ambassador Ragini Dwivedi made a solid difference. Ragini Dwivide top actress of Kannada cinema also into other language films had participated in several ads as model for a few years. She was into Femina Miss India, Miss Beautiful Hair competitions. Besides she was a runner up in 2008 Femina Miss India. Of late Ragini is a much sought after actress. “Shaadi Baazar” with South Asian wedding collections provided an invidualised list of vendors based on unique needs & vision for clients.

Filed Under: Film Tagged With: Film, Movie, SOUTH INDIA

Nasheman.in Exclusive: "I am against banning any kind of material in media or films": Aamir Khan

March 27, 2015 by Shaheen Raaj

Aamir-Khan-Kamal-Hassan

Aamir Khan, an actor par excellence, needs no fresh introduction as far as his repertoire is concerned. He is not known as a perfection personified persona just for nothing. That apart, over the years, he has maintained his own charm and got himself engulfed in a mysterious aura of his own. After all, in all his released films so far he has indeed maintained his box office score card with ‘3 Idiots’ and with the release of ‘PK’ he had his peculiar brand of audiences and his loving fans literally eating out of his hands. So much so that audience & fans are already waiting with batted breath for Aamir’s next movie in line namely ‘Dangal’. Besides he makes a rare public appearance, especially in an award ceremony or a filmy function. And one of those rare exceptional occasion was when he graced the inaugural function of FICCI Frames 2015 in Hotel Renaisance, Powai where he shared the dais in a single frame with Kamal Hassan, another stalwart of the Indian Cinema. Present herewith is the 1st person account of Aamir Khan’s dripping pearls of wisdom which reflected the varied issues that he is concerned with.

First & foremost coming down heavily on the Central Board of Film Certification, which recently stroked controversy by banning some objectionable words, Aamir Khan averred, “I am against banning any kind of material in media or films. I am totally against banning any kind of material. When the Information & Broadcasting Minister spoke to us, he also clarified that actually the ministry has no such list of cuss words. It’s a certification board and not the censor board. It was nice to hear that. Besides there were reports that the recently appointed Central Board Film Certification chairman namely Mr. Pahlaj Nihalani had revived a 2003 order to ban a list of 28 objectionable or cuss words, including Bombay in any movies or documentaries. But following a public outcry, Mr. Nihalani, has however, withdrawn the said list. That’s so nice of Mr. Nihalani. I would also like to state that even if people don’t like a certain content, banning a film cannot be justified, I am referring to the 2013 Kamal Haasan movie, ‘Vishwaroopam’ that had created quite a controversy leading to a ban. I am really, really feeling ashamed that at that time I was lost in my work but as an industry that was the time we had to come together. I apologize to Kamal Hassan publicly that I wasn’t there at that time. I feel bad that we weren’t there with you. Banning a film is not right. Once the film has received the certification, it is the responsibility of the state to make sure that people can watch the film without any fear. I would also like to stress that liking or disliking a film is one’s own prerogative, but stopping somebody from releasing a film is not right, specially after it has been through certification. Even otherwise movie bans are done by taking the law into your own hands, but I think this is really sad & unfortunate.”

As regards the outstanding Box Office collections (Read ‘PK) unlike most of his peers who are driven by the box-office collections, Aamir Khan averred, “Numbers hardly matter to me and it is not a criterion to select a movie based on its potential commercial success.

As I am not someone who talks about my numbers. That is the last thing on my mind when I am selecting a film. The day I start selecting a film on the possible commercial success that will be the end of my creativity. I feel that commercial interest stifles the creative growth.”

And as a parting shot Aamir Khan added just a few nuggets about his forthcoming movie namely ‘Dangal’, “I think rhat it is too early to speak about my forthcoming film ‘Dangal’. But I will just give you a brief insight. ‘Dagal’ will narrate the saga of a middle aged albeit an over weight wrestler. As everyone knows that I just love to experiment with my varied roles I have done so with the enactment of my role in ‘Dangal’ too. First of all I have put on a lot of weight as you can see, I weigh almost 90 kg and I won’t say that the rest you can see on the celluloid silver screen. There is still time for that suffice it to say that I will make more revelation about ‘Dangal’ at the right time and at some other point of time & place.”

Filed Under: Film, India Tagged With: Aamir Khan, Bollywood, Film, Kamal Haasan, Movie, Vishwaroopam

A nostalgic trip of Bollywood fashion trends down the years

March 27, 2015 by Shaheen Raaj

bollywood-fashion

The history of the fashionable trends or rather the changing trends of fashion in the Bollywoodian Hindi Cinema dates back almost to the decades of the 60’s till the phase of the year 2010. And it was in the earlier time zone of time spanning the last 4 decades of the last millennium that popular star pairs like Dilip Kumar – Madhubala, Rajendra Kumar – Mala Sinha, Raaj Kumar – Meena Kumari, Biswajeet – Saira Banu, Sunil Dutt – Sadhana, Joy Mukherjee – Asha Parekh, and above all Raj Kapoor – Nargis who had played a key role in evolving a fashion conscious trendy style of their own which in the long run had literally turned out to be a trendsetter of that particular era.

Yet the metamorphosis of these styles endorsed so painstakingly by them had somewhat failed to reach its dizzy heights, its pinnacle even then too as even their collective or individualistic contributions had paled in significance compared to the global  standards and parameters of that particular phase. Nevertheless it was their fans who had become their torch bearers by draping themselves in whatever they had flaunted in their on screen lives thereby gracefully & joyfully albeit blindfoldedly adopting all their styles. Yes the poor guys used to hang themselves on to every shred of fabric which used to be a part & parcel of their attire just like they were accustomed to hang on to and mouth every bit of dialogues ever uttered by them.

To begin with, the analysis of this trendy obsession the die was cast by none other than Dilip Kumar – Madhubala who ironically were well known more for their respective images of a tragedy king and Venus of beauty rather than their wardrobe or their hairstyles. In fact it was Madhubala’s fetching, winsome & infectious smile that had a trend setting impact of its own. While the eternal Devdas had lacked in this department too. Later on it was Rajendra Kumar who had given a boost to executive looks & styles of dressing down while his co – star Mala Sinha had seemed more than happier by slipping in and out of her tight churidaars, kurtas and of course hallmarked by her then inventive ‘Chidiyon Ka Ghosla’ {Bird’s Nest} type of wriggly wigs.

And then believe it or faint but the combined haute couture stylish affairs of these 2 stars were blindly followed by the other stars of their ilk too more especially by Shashi Kapoor – Sharmila Tagore, the latter in her individualistic capacity had also popularized the conceptualized fashion of the tightly knotted at the back kind of cholis probably to kick off a bare backed trend of its own, Jeetendra (who was known more for his obsessive passion & penchant for everything white from headwear to footwear than for his acting skills then) & Mumtaz and last but not the least garam dharm Dharmendra and his better half dream girl (or should it be dream woman) Hema Malini. And then but then trust Raaj Kumar – Meena Kumari for being simplicity & serenity personified.

So the former, in tow with the evergreen Dev Sahab (Anand), was content with an ordinary muffler draped round his neck while the latter always relished her plain white and borderless cotton sarees to enhance her tragic image or rarely with heavily bedecked & bejeweled attire to spark off the rich looks of her characters. Then came stars like Biswajeet & Joy Mukherjee who were more fond of their well cut, well tailored (the darzis of that era thrived on them) and well designed trousers rounded off with readymade not made to order body hugging T Shirts. While their co – stars Saira Banu, Asha Parekh and later on even Raakhee, surprisingly aped their contemporaries like Mala Sinha, Sharmila Tagore, Hema Malini & Mumtaz.

Much earlier it was Raj Kapoor – Nargis, Sunil Dutt – Sadhana who had indeed made a conscious effort to retain their originality by adopting their own style in whatever they had attired themselves with or more pointedly & precisely with the way they used to present themselves and carry it off with great élan & panache. So what if initially they were barely noticed but later on it had become a fixation for them sometimes too uncomfortable even for their own good like Raj Kapoor’s Russian styled polo necked T Shirts, the trademarked white sarees or the long flowing umbrella styled gowns of Nargis, Sunil Dutt’s cowboy hats (also copied blatantly by Feroz Khan} & designer goggles in tandem with the long strands of hairs covering his entire forehead & mane (which was earlier noticeable even in his son Sunjay Dutt) and last but not the least Sadhana’s specially scissored hairs in steps cut covering just the front portion of her forehead.

To continue further a daring & dazzling twist in the fashion trend had also occurred in the 60’s phase itself when the actresses of that era had shed their inhibitions and dared to wear swimming costumes on the celluloid silver screen. And wore they did and how? For i.e. the first ones to kick off this dare to bare trend was none other than Nutan & Tanuja. Yes indeed they were the first ones to evolve the style of one piece designer style of a swimming costume. While Saira Banu & Sharmila Tagore had gone a step ahead in the Eastman color era. The former by wearing a shiny, sequined, colorful and a very chamkila albeit a 1 piece swimming costume for a film called ‘April Fool’. While the latter had worn a shiny one piece swimming costume for a film called ‘An Evening In Paris’ and then finally graduating to a 2 piece polka dotted bikini for a film called ‘Aamne Samne’. How symbolic!

With the conservative actress taking the lead, can the pin up boys oops sorry actors of those times be left far behind. So the first such breed of non -actors of those times to herald the trend of going topless by wearing a swimming costume were none other than Dharamendra, Jeetendra, Joy Mukherjee, Deb Mukherjee and above all Biswajeet. Of course the hot blooded Salman Khan too has blindly followed in their footsteps but with a lot of enthusiastic show off.

Yet in later half of the century fashion trends in the history of Indian Cinema seems to have done a complete volte face. So apart from all the trends of all the stars mentioned herein there are barely anyone which could be held forth or be able to hold its fort on its own especially in the present times too. In between there was one stray incident, but now forgotten with the time lapse, of the then dress designer Bhanu Athaiya really winning an ‘Oscar’ for her ‘Best costume designing skills’ for Richard Attenborough’s film ‘Gandhi’. The only Indian woman from Bollywood to have bagged this honor in those times!

That apart the worst hit or rather lost, forgotten or totally erased from public memory were the unusually inventive & great styles that were sparked off by Cabaret dancers like Helen, Bindu, Padma Khanna, Faryal, Jayshree T et al. Indeed their sequined, feathery and even the slit at the right angles designer costumes, in tow with Rajesh Khanna’s especially designed Guru Kurtas & Safari Suits, have erroneously failed to find a place in the history of costume designing. That is if ever there was one written anyway.

Yes. Their eclipse certainly signified that the newest breed of the dress designers had arrived and how? No wonder than the fashion scenario of that area boasts of a star’s favorite & individual dress designers like Manish Malhotra, Hemant Trivedi, Vikram Phadnis, Rohit Bal, Rocky S and above all Akbar Sharief of Gabbana line of fashion wear. Hence gone were the days of the under rated darzis (tailors) and also of the starry relatives who used to firmly latch on to and clutch hold of and even shamelessly cling on to this most lucrative & personalized portfolio which in return had always given them everything from name, fame & moolah to globetrotting 5 star comforts & luxurious perks.

Yet not everything seemed to be lost as the then new breed of fashion designers had at least brought in a lot more inventive, innovative & creative changes on the age old concepts & trends which were, as it is, on the verge of losing their safe grounds and their forceful impact too.

To proceed further the last millennium had also seen the then contemporary stars like Amitabh Bachchan, Vinod Khanna, Rishi Kapoor, Mithun Chakraborty, Rakesh Roshan et al glamorizing the fashion trends further on with their frilly shirts & flannel trousers aptly rounded off with platform heeled foot wears. While their female counterparts, actresses like Rekha & Sridevi attired most of the times in their bell bottoms & puffed sleeved tops, Jaya Prada in her typical Bhartiya Nari get up of starched white cotton and sometimes chiffon & silk sarees, had indeed made a stylish fashion statement of their own.

Next came the stars lucrative penchant for endorsing brand labels like Big B clad in a Reid & Taylor outfits, his offspring Jr Big B preferring Armani, Gucci, Ray ban, Dolce & Gabbana et al both for his on screen & off screen dressing up or Fardeen Khan flaunting off his tanned & bronzed brawns in Provogue haute couture ensembles. While the then current crop of contemporary actresses like Lara Dutta, Esha Deol, Sameera Reddy, Bipasha Basu, Malaika Arora – Khan et al had gone one step ahead in not only their body piercing acts but also cladding themselves most of the times in their next to nothing looks and attires like miniskirts, halter necked and boob tube tops exposing their midriff or else they just squeeze themselves up in a low rise albeit skin tight designer labeled jeans and sometimes even in a bra exposing see through tops. Not to forget the Dhak Dhak girl La Dixit in her famous backless choli from ‘Khalnayak’ or Mandira Bedi, the cricket field sensation, in her noodle straps and garishly offset chakmak sarees.

On the other hand starry actresses like Aishwarya Rai & Rani Mukherjee were still hung up on their mania for favoring & possessing their favorite dress designers like Neeta Lulla & Manish Malhotra respectively. Either of whom ended up creating outfits for them as per the demands of their on screen characters and the off screen parties or events that they deem fit to grace. But these creatively designed outfits normally turn out to be like worn today and discarded tomorrow. For i.e. the Cannes festival attire created for Aishwarya Rai or the ultra creative different dresses created and perhaps painstakingly stitched for the Queen Bee to complement her outstanding role in Sanjay Leela Bhanshali’s film ‘Black’ which hardly proves to be a trend setting or stylish fashion statement.

That apart there are some staunch loyalist male stars too like Shahrukh Khan & Suniel Shetty who strictly preferred to be draped only in the costumes designed exclusively for them, but natural, by their respective spouses Gauri Khan & Mana Shetty. Of course the latter stacked up & stocked up all of Anna’s after use outfits in their exclusive boutique named ‘Mischief’. Really some mischief this! The same was held true for the Chic look of Saif Ali Khan that has always been offset so well in his well crafted suits & casual wear too. His wardrobe was earlier designed by his ex – spouse Amrita Singh until their marital alliance itself went on the rocks.

A special mention out here must also be made of Jaggu Dada (Jackie Shroff) who from the beginning of his career till this date has never worn any shred of clothing except that designed by his personal friend cum designer Anna Singh. No wonder that none of these above mentioned stars too have ever been able to create a fashionable style statement of their own unlike some of the yesteryears starry actors or actresses.

Besides them there were certain other model turned actors in the lower hierarchy like Dino Morea, Zulfi Sayed, Jatin Grewal, Aryan Vaid, Rahul Deo & Shawar Ali who set the ramps on fire by flaunting off their designer labels & creations but in real life nothing goes well with them or tempts them to sport like a casual wear of plain body hugging torn at the knees jeans & T Shirt. The hot blooded Zayed Khan had some interesting revelation in this regard, “I am most comfortable, most of the time in my sweaty T shirt and my thoroughly worn out & torn – at – the – knees jeans rounded off with my stinking body odor. So can anyone say that Zayed Khan or the other actors like me are the most stylish & the most fashion conscious person. But speaking on a serious note in my day – to – day life I am mostly dressed up in my normal & casual attire of jeans & T Shirt. No I don’t believe in chasing the fashion trends but i do get a kick when fashion trends chase me. Besides I do not appreciate flaunting a fashion trend but being a celluloid celeb sometimes my on screen style itself becomes my own brand of fashion & style statement. And the last one probably holds true for all silver screen actors like me. And now Zayed Khan’s fashion tips. First impression is the last impression sounds clichéd but true. So dress up as per the occasion & maintain your dignity & your poise. Making a genuine impact is more important than making a fake impression.”

Sadly enough it is this could not care less – attitude that has made the recent fashion & style statement go for a toss. Yet some of them are still known as fashion icons, but hardly any one star worth his salt in his individual capacity can be known as a stylish or hallmarking trendsetter of fashion. Maybe to some extent Salman Khan & John Abraham but even these two have been caught on the wrong foot by their highly popularized topless looks. But the latter does deserve a noticeable & appreciative look for his, sometimes, Brad Pitt styled long locks and that unkempt stubble. Now if only that could be branded as a trend setting fashion statement! But then who knows?

So in summation the history of the fashion scenario will remain incomplete until a new revolution in fashion occurs and it is signed, sealed & delivered with scissors, needles & threads. Amen.

Filed Under: Film Tagged With: Bollywood, Fashion

Queen, Haider win big at 62nd National Film Awards

March 25, 2015 by Nasheman

Queen-Kangana-Ranaut

New Delhi: Kangana Ranaut won the best actress award for her powerful performance in “Queen” at the 62nd National Film Awards where Bollywood movies “Haider” and “Mary Kom” bagged key honours while Chaitanya Tamhane’s “Court” was named the best feature film.

Ranaut, 28, who celebrated her birthday yesterday, got a belated present by winning her career’s second National award in the movie about a girl who goes on a foreign honeymoon alone after being ditched by her fiance just before marriage. She had won her first National award, as best supporting actress, for “Fashion” in 2010.

The Vikas Bahl-directed coming-of-age film was also named the best Hindi feature film.

Vijay was declared the best actor for his poignant portrayal of a woman trapped in a man’s body in Kannada film “Nanu Avanalla Avalu” (I am not a he, but she).

“Court”, which focuses on the flaws in the Indian judicial system, has been winning critical acclaim nationally and internationally. The award is expected to give a major boost to the movie ahead of its theatrical release on April 17.

Shahid Kapoor-starrer “Haider”, a Kashmir-set modern adaptation of Shakespeare’s Hamlet, won five honours. Its helmer Vishal Bhardwaj was named the best music director but lost out the best director award to Bengali filmmaker Srijit Mukherji (‘Chotushkone’).

Bhardwaj was also named for best dialogues in the movie while Sukhwinder Singh clinched the best male playback singer for the song “Bismil”. Its other two wins were in the categories of choreography and costume design.

“Chotushkone”, a film about four directors’ attempt to make four short stories, won two more awards — best cinematography and screenplay (original).

Priyanka Chopra-led biopic “Mary Kom” was named the best popular film providing wholesome entertainment.

Filed Under: Film, India Tagged With: Chaitanya Tamhane, Court, Haider, Kangana Ranaut, National Film Awards, Queen

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